Usually, Wonder Woman is Kathleen’s domain, but when I saw this oversized graphic novel that was illustrated by one of my favorite artists, Alex Ross, I just had to read and share!
Published soon after the tragedy of 9/11 in NYC, this story is shaped by the shock of the American people that terrorism could happen on our own shores. As such, it is a hopeful narrative that shows compassion to all nations of the world. Paul Dini begins this story with Diana’s birth at Paradise Island, and her later wish to join ‘Man’s World’ as an ambassador to help mankind. Her amazing powers are appreciated by many and she helps fight evil in large and small ways. However, others do not respect her goodwill and often her intentions are misinterpreted and rejected. She asks for advice from Superman, who wisely tells her to work alongside people instead of above them. She takes his words to heart and no longer always wears her Amazonian outfit, so she can blend in with other cultures and help from within. Finally, her spirit of truth shines through for all to see.
Ross’s painted watercolors are beautiful as always and done in his trademark photo-realism style. Diana often is shown to resemble Lynda Carter, the iconic actress who played Wonder Woman on television in the 1970’s. The layout is not typical graphic novel panels, but often are two-page spreads or montages with a few thin black lines to differentiate the pictures and to direct the flow of the action sequences. The people in the crowds are so realistic, you know that Ross is painting them from models as he did later in the superb Kingdome Come, which also featured Diana in the DC classic.
This book only reinforced that Wonder Woman is a hero for the ages, but also ably connected her to our modern-day world. This lovely stand-alone graphic novel was a treat and I highly recommend it for both the message and the art!
Hello, friends! It’s my birthday today, and I just moved into my first apartment over the weekend, so I am BEAT! My muscles have never been so sore, even when I first started going to the gym and lifting weights. In fact, one could even say I need a vacation! Here are my top 5 dream fictional vacation spots ;D
5. Middle Earth
I mean, I wouldn’t want to visit when Sauron is doing his bit with the Ring, but the scenic imagery in these books is unparalleled. Tolkien was a master of placing you in the environment so exactly, you’re surprised to look up from the book and realize you’re not there. Especially in the fall time! Autumn is my favorite season, so I’d love to visit then. Perhaps the elves, or the hobbits, to wander the explosively colorful forests or sample some cider. If I were braver I’d venture underground to visit the dwarves, but alas! I’m not made of such stern stuff.
He found himself wondering at times, especially in the autumn, about the wild lands, and strange visions of mountains that he had never seen came into his dreams. ― J.R.R. Tolkien, The Fellowship of the Ring
One of the things I love most about this series is the imagery. The descriptions of the countryside the characters journey through is reminiscent of Lord of the Rings, but I also love the food descriptions. Just as in Middle Earth too, there are many different regions with different types of food, and Alison Croggon details them all lovingly. I love to eat, so I’d travel to Pellinor for the food alone!
The taste on her palate was pungent and rich, the flavor of woodlands and dark earth simmered in sunshine. ― Alison Croggon, The Naming
3. Assassin’s Creed series
This one is a little unusual, as the Assassin’s Creed series takes place in real history, with some sci-fi elements. The biggest being that the main character relives the memories of his ancestors, which are locked in his DNA, by use of a machine called the Animus. Therefore, the games are highly accurate to their respective time periods, and totally immersive. I’ve since fallen off with this series (Black Flag was where I stopped playing), but I go back to the early games again and again. It’s easy to lose myself for hours in their landscapes.
Assassin’s Creed is stylistically my favorite, as it takes place in the Middle East during the Third Crusades. Middle Eastern art and architecture is my favorite style, and was a joy to study in school. Playing a game within that place in history is a wonderful experience for me.
The runner up would have to be Assassin’s Creed: Revelations, which takes place in Constantinople in the 16th century. That sprawling city, with it’s eclectic mixture of Middle Eastern and European elements, made me curious enough to research and seek out information on Constantinople, and the Turkish empire, on my own.
And of course, who WOULDN’T want to visit the Renaissance Italy of Assassin’s Creed II and Brotherhood, and rub elbows with the master artists??? I think I need say no more ;D Hurry up and invent that Animus already!
I mean, come on! It’s also known as Paradise Island! There are beaches to lay on and tan with the ocean steps away. There’s ancient Greek art and architecture galore for an art nerd like me. Plus, it’s protected by the Greek gods, so there’s a guarantee your vacation will be uninterrupted by mortal danger… and even if there is, the entire island is populated by badass warrior women, so you’d be safe. Who wouldn’t want to visit???
Daring sword fights, magic spells, princes in disguise… wait, I think I’m mixing up my Disney movies, but I daresay the sentiment remains the same ;D The lush textures and flavors of Broadway and live-action Aladdin adaptations were totally spellbinding for me. What I wouldn’t give to wander the marketplaces of Agrabah: to run my hands over the silks and jewels, to taste the fruits and delicacies, and drown in all the scents! And visit the royal palace, to lounge sunbathing beside the fountains and make friends with a certain tiger ;D And, of course, if you’re up for a little adventure, the Cave of Wonders is only a camel ride away.
Any of my dream fictional vacation spots make your list, too?
A pantheon of terrible Dark Gods has come to Earth, bringing with them death and destruction. People everywhere are renouncing their own faith in favor of the Dark Gods’, causing riots and worse. The Justice League was supposed to be their cavalry, but with their defeat, Diana and Jason are on their own. The Star Sapphires summon Wonder Woman to help them conquer their own threat, and Jason is left truly alone. Diana is left with no choice but to help the Star Sapphires, while praying Jason can hold out against the dark deities until her return…
Mostly I found myself confused with this volume. It’s now becoming painfully obvious to me that I have to read Dark Nights: Metal before I can read any further, so I can understand not only everything that has done on here, but in previous volumes as well. As I was laying on the beach reading this though, it really didn’t bother me as I went through =P The writing otherwise was still pretty solid, and it was an interesting ride for sure. The entire world embracing darker values over light, and the ensuing consequences, certainly gave me a lot to mull over. It was also fun to see Wonder Woman make a return to the Star Sapphires; she hasn’t done so since Blackest Night!
Without giving too much away, and not knowing how this plot point relates to Dark Nights: Metal (I’m sure it does somehow), I’m even more annoyed by Jason than ever. A plot point occurred to grant him potentially greater powers than Wonder Woman, or at the very least a much wider variety that he is able to access with ease. He’s starting to feel overpowered, and in a cheap way at that. His character arc is really starting to undermine years and years of history and hard work that Diana’s creators, and Diana herself, have done. As long as Jason is a part of Wonder Woman’s story, well, sorry… but I’m just not that interested.
Robinson, James, Stephen Segova, and Jesus Merino. Wonder Woman (Rebirth, Vol. 8): Dark Gods. 2019.
Sorry for the change in schedule this week, folks! Nancy had to gently remind me that my queue of book reviews ran out 😅 We’ll be back to our regular post schedule next week. For now, I wanted to share two of the newest additions to my Bombshell collection this month!
We started this month with a killer find. OG Poison Ivy! She was released in one of the earliest waves of DC Bombshell figurines. As a Gotham City Siren and very popular villainess, she sold out relatively quickly, and is now hard to find and very expensive as a result. There is also risk of breakage from all the delicate parts, which will be explained momentarily. My fiancé found ours on eBay, unopened, for only retail price, and promptly scooped her up. Upon receiving her, it’s clear she would have sold out anyway, even if her character hadn’t been so popular.
She is STUNNING. In Ant Lucia’s original artwork, she is on the cover of a catalog for Gotham City Lingerie, and is modeling a new look ;D She’s easily got the most complex design and build of all those we own so far, but it pays off. Ivy herself comes attached to the base, along with the name plate, so you have to attach the vines to the base yourself. One of her vines, the one that wraps around her front, arrived broken. Flexible Styrofoam was wrapped around the “joint” of each vine, where a smaller vine shoots off from the main vine, and the break is at one such joint. It looks natural as is, so for now I’m keeping it that way. It’s a clean break and will be very easy to repair once I get around to it. My fiancé and I are in agreement that she is the crown jewel of our collection, even after picking up the sepia variant!
The deluxe Wonder Woman was at a low price on Amazon, so we picked her up as well. Though I do like the OG WW Bombshell figurine, her pose especially, her expression didn’t translate well from Ant Lucia’s art to the figurine. Her smile is a little wide and unnatural, almost Joker-esque.
The deluxe WW has a more natural expression. Her pose is just as dynamic too! She stands atop a tank, deflecting bullets off her shield and raising her sword in the air as if to say, “Let’s go!” She reminds me of the painting “Liberty Leading the People” by Eugène Delacroix.
The tank, though, I have issues with. It is COMICALLY small in comparison to Wonder Woman herself. It looks like it’s supposed to be crushed and sunken into the ground – but if that’s the case, why not dirty it up a bit? Paint some mud splatters on it, or maybe draw the build out a little bit in the back and around the sides to create a mud puddle? I understand why they didn’t do the second option, as it is already quite heavy… but a little paint would have gone a long way. It just looks too clean! Don’t worry though, I have some ideas to make it look more authentic once my fiancé and I have space to display them ;D
What do you guys think? Are these latest installments a hit or miss for you?
I sat on this and sat on this, reluctant to read it after how much Volume 6 bothered me… but then it came up overdue at the library I work at so I had to read it and give it back! X,D
Diana and Jason are getting to know each other, and of course that comes with getting on each other’s nerves, as siblings do! Diana is frustrated that Jason says he wants to become a hero, like her, yet he continues his frivolous, excessive lifestyle. Jason is frustrated Diana won’t see that he feels he’s ready to become a hero. When Jason disappears, the note he leaves behind says he is working to become worthy of being a hero – but Diana isn’t too sure. The memory of the carnage Grail left behind is too fresh, and she is worried that she’s returned, and that he was next on her demi-god hit list. Steve has made it no secret that he doesn’t trust Jason, and thinks he went back to Grail, to Darkseid. Could it be true?
As Jason wasn’t in much of this volume, I enjoyed it more than I thought I would. I can understand more of why they introduced him: with Diana’s home island of Themyscira in another dimension, and Diana not able to get back home any longer, it makes sense to introduce a new familial element. Doesn’t mean I have to like it! I am worried that Jason will come to overshadow Wonder Woman in her own story, when she’s been overshadowed by her male counterparts by the same publisher for a long time. It really rubs me the wrong way.
Silver Swan was reintroduced back into the story with this volume. I’ve always thought she was an interesting villain, and the Rebirth incarnation is no exception. Vanessa Kapatelis becomes the Silver Swan upon introducing nano technology into her body, enabling her to walk again after an accident that caused paralysis from the waist down. There was a hint of a sinister force behind the Silver Swan, which will be fun to untangle as the run goes on.
What I enjoyed most in this volume was Steve and Diana’s relationship getting more of the spotlight. Steve was kind of on the back burner for a while there! It was a treat to see the mutual respect and admiration they have for each other, which is the bedrock of their relationship. The romance is there, but never takes center stage, and – more important! – never downplays aspects of either character for the sake of the romance. I, for one, hope there’s a lot more Steve and a lot less Jason going forward!
Robinson, James, Emanuela Lupacchino, Ray McCarthy, and Romulo Fajardo Jr. Wonder Woman (Rebirth, Vol. 7): Amazons Attacked. 2018.
Nancy and I, as well as six other bloggers, continue to celebrate Women’s History Month with this latest installment in our #FictionsFearlessFemales series! Each post written thus far has featured a female character from mass media such as movies and TV shows. Green Onion started us off, with his excellent post about Ellen Ripley, from the Alien movie series. Nancy followed with her phenomenal ode to Captain Kathryn Janeway from Star Trek: Voyager. Then, Michael over at My Comic Relief penned a loving tribute to Amy Pond of Doctor Who. Man, I remember following Michael for our Great Chris Debate series too, and wondering how I could possibly top his post! (But, perhaps vainly, I assure you, dear readers… I didn’t feel that way this time ;D)
I know, I know… you guys are all are on tenterhooks wondering who I picked…
My post features Wonder Woman! The character was created by William Moulton Marston in 1941. Marston is also renowned for his psychological work and for creating the polygraph lie detector test. He wanted to create a new kind of superhero who didn’t use violence to solve problems, like the male superheroes who dominated the market at the time. He based his new character and her appearance after two women in his life: his wife, Elizabeth Holloway Marston, and their polyamorous life partner, Olive Byrne. Thus, Wonder Woman was born.
Raised on a utopian island populated only by women, Wonder Woman was the miracle child of the Queen Hippolyta: sculpted from clay and blessed with life by the Greek pantheon. The overjoyed queen named the child Diana. She grew up worshipping the Greek gods and training in the art of war, but is also taught to only use violence as a last resort. Her world is turned upside down when a plane crashes on Paradise Island, and she rescues a man from the wreckage. The Amazons nurse him back to health, and learn that the man – Steve Trevor – is an intelligence agent for the United States of America, and that he needs to get home to report vital information to his superiors to turn the tide of World War II in the Allies’ favor. Queen Hippolyta holds a tournament to grant one Amazon the privilege of returning Steve to his homeland and to preach the Amazon ways to Man’s World. Diana triumphs in the tournament, garbs herself in the colors of Steve’s home country, and escorts him home to aid the fight against the Nazis.
Wonder Woman broke the superhero glass ceiling, so perhaps is a role model by default, but she has many other qualities of one. Marston based her upon women of the ’40s, who were asserting their worth and independence during WWII and going to work to keep the country running while young men were away at war. In the early comics, Wonder Woman disguises herself as Diana Prince, and works as an army nurse while she’s not doing her superhero thing. Marston, also an outspoken feminist, designed the character also to be “psychological propoganda” for the newly liberated girls and young women of the ’40s, whom he believed could – and should! – use their feminine strengths to run the world (Wikipedia). In fact, the seventh issue of Wonder Woman, published in 1942, has the famous “Wonder Woman for President” story; even that early on in her history, Wonder Woman was doing what no one thought women could do!
Wonder Woman was a hit when she was released, with both girls and boys. By a fan vote early in her publication, Wonder Woman was inducted as the first female member of the Justice Society of America (All Star Comics #12, 1942), as their secretary. Of course, they expanded her role as time went on, but she had to start somewhere, right? =P Though Marston passed away in 1947, he continued to write Wonder Woman until his death, and DC has published her stories continuously since then (save for a brief hiatus in the mid ’80s). She is a flagship character for the publisher, alongside Superman and Batman; together, they are known as the Trinity. Notable writers and artists who have worked on her title are George Perez, Greg Rucka (Down to Earth, The Hiketeia, and Rebirth), Gail Simone, John Byrne, and J. Michael Straczynski.
Not only has her comic book been long-running, the character has appeared not only in other DC comics, but in multiple mass media. Perhaps the most recognizable incarnation of the character before the DCEU was the TV show, starring Lynda Carter, that premiered in 1975. Wonder Woman was also in the cartoons Super Friends, Justice League and Justice League Unlimited, and DC Superhero Girls, to name a few. I’d even say that after the unprecedented, genre-redefining success of 2017’s Wonder Woman, starring Gal Gadot, there is sort of a Wonder Woman Renaissance going on: not only this character, but other female superheroes are stepping into the spotlight and claiming their space.
Wonder Woman was written to be a different kind of superhero, as mentioned above: one who used love, compassion, and understanding to resolve conflicts instead of violence. The nuances depend on the individual story, but overall, the Amazon code preaches peace through submission to a loving authority; love, acceptance, and compassion to all; and diplomacy always before violence. Wonder Woman, therefore, is first and foremost an ambassador; spreading the Amazon ways to Man’s World. Greg Rucka’s run beginning with Down to Earth (linked above) in particular highlighted Diana’s ambassador role: in his story, Themyscira is recognized as a nation by the UN, and Diana becomes their official ambassador. She publishes a book during this time too, over which public opinion is polarized. There is a passage in which she’s on a talk show, and though the host and other guest try to heckle her, Diana responds calmly and patiently. Not everyone is receptive to her message, but that doesn’t mean she won’t try to get through to everybody.
There is an interesting dichotomy explored in many of her stories about Diana’s role of princess and ambassador versus her role as a warrior. The Amazons are a race of warrior women, and yet, they do not seek war. In George Perez’s run (linked above), the mighty Hercules travels to the Amazon’s home to conquer it. Queen Hippolyte meets him on the battlefield, garbed in armor, but speaks to him first. She gives him a chance to surrender before actually crossing swords, after she realizes there is no other choice. Diana is very much the same way. Later in Perez’s run, after she discovers Valerie Beaudry, the Silver Swan, is only the villain because her husband brainwashed her into doing it, seeks her out and tries to reason with her. It’s unlikely Wonder Woman ever strikes first – and if she does, it is only to protect innocent lives.
My favorite quote about Wonder Woman comes from Gail Simone. In her introduction to The Circle (linked above), she writes:
“When you need to stop an asteroid, you get Superman. When you need to solve a mystery, you call Batman. But when you need to end a war, you get Wonder Woman” (AZ Quotes).
This quote speaks volumes about the character. Wonder Woman is arguably the best of the DC trinity at shutting down conflict, because she doesn’t use physical force to do so. She tries to negotiate first. She tries to see the other side of the story and offers compassion and understanding. She offers help, if help is needed, and asks for peace. Only when all other methods have failed does she resort to violence. At this point, after she’s exhausted all alternatives, she doesn’t hesitate to do whatever needs to be done – including taking a life, should the situation call for it (it only has once in her entire career!).
The reason I personally love Wonder Woman so much is because of her unbreakable commitment to compassion, love, and trust. She sees the good in people, even villains, and gives everyone the benefit of the doubt. She accepts everyone as they are, but knows when someone needs help, and is the first to offer it. She loves and trusts everyone she meets, unless they give her a reason not to. She opened herself to new experiences, to a whole new world, simply because she wanted to learn about it. These are incredibly powerful messages, not only to women, but to everyone.
I am not naturally this way – I am inclined to distrust and see the bad in people first – but I strive to emulate Wonder Woman, and do the same she does. I try to be compassionate and open to new experiences and ways of thinking, as she is. In this divided world, we can all stand to exercise a little more understanding and compassion in our every day lives.
Wonder Woman is one of, if not the most, important fictional female characters in history. She was the first superhero in an industry dominated by male characters. She showed us, has continued to show us, that not all conflicts have to be resolved using violence. Diana Prince might have super strength and the ability to fly, but I think that her greatest power is her heart, and its’ boundless capacity for love and empathy. We might not be able to attain her superpowers – but we can strive to fill our own hearts with her ideals, to fill the world with a little more love.
A lawyer mysteriously shows up at the site of Wonder Woman’s latest victory over Giganta. He reveals to Diana and Steve that Hercules is dead. Furthermore, he has left a will, in which Diana inherits everything. It is at Hercules’ remote cottage that Diana discovers that she has a brother. A twin brother named Jason. Hercules helped train him to use his godly powers, and leaves Diana coordinates to where he lives, so she can meet him. While Diana is overjoyed to have found her brother, she is worried too. Grail, the daughter of Darkseid, is murdering demi-gods – such as Hercules, herself, and yes, Jason – to steal their power and feed it to Darkseid, so he can recover his full strength after the events of Dark Nights: Metal. She is nervous about leading Jason into a trap, not realizing that one is being set for her…
This one occurred after Dark Nights: Metal, which I haven’t read, so Jason came out of left field for me. Been meaning to, though, because it looks suuuper cool. It’s incredibly interesting, and a little jarring, that they introduced a sibling for Diana, and a boy at that, after the canon for so long has been that Diana was a miracle child when she was born. On the one hand, it does add a deeper layer of intrigue for the Amazons, who are no strangers to keeping secrets, for the queen to have been given birth to twins instead of one child, and one a boy at that!
On the other hand, it sort of rubs me the wrong way that he is a boy. I admit, I suppose it wouldn’t have worked if Jason were a girl =P But this arc has spent so long thus far establishing Diana as a woman in her own right, that doesn’t need a man in her life, just chooses to have one… thrusting a brother on her whom she feels compelled to meet and love after all this time seems… off. It almost goes against what the writers had established over the last five volumes. I was much more interested in the Grail and Darkseid plotline myself.
There was a lot more action in this volume than in past, because the story has finally moved away from the deep introspection of Rebirth WW’s beginning volumes. The art was well suited to the change of pace. Though there is a lot of action, the lines are clean and crisp, and the panels uncluttered. The colors are also bright and eye-catching. One detail I really enjoyed were actually Grail and Darkseid, how their eyes lit up: there is a halo of color around their eyes whenever they show great power. Hoping the next volume tones Jason down a bit.
Robinson, James, Carlo Pagulayan, Sergio Davila, and Emanuela Lupacchino. Wonder Woman (Rebirth, Vol. 6): Children of the Gods. 2018.
Top 5 Wednesday is a weekly meme from Goodreads, created by Lainey from Gingerreadslainey and now moderated by Sam from ThoughtsOnTomes. This week the topic is: favorite leading ladies who aren’t distracted from getting shit done by their love interest.
Princess Leia was getting shit done before a certain flyboy and scoundrel came into her life! She was a member of the Imperial Senate and a member of the Rebel Alliance when she was just a teenager and later became a General of the resistance. Her romance and later marriage to Han Solo were fit in between her amazing adventures.
When a new generation of heroes was failing and an impending apocalyptic event looms, Wonder Woman comes out of retirement to retrieve Superman who was in seclusion to save the world. The two of them, plus Batman, put everything right again and only after that does a romance between Diana and Clark develop. Loved the epilogue of this story!
Tyleet is a favorite character of mine from the ElfQuest series who is kind, patient and steady. As a second generation of the Wolfrider clan, she was single for hundreds of years before she unexpectedly “recognized” (when two elves are drawn together to create a child) an older elf Scouter. Despite her subsequent pregnancy Tyleet remained true to herself and in helping neighboring tribes of humans. Scouter learned to help her instead of stopping her from assisting those he had previously viewed as the enemy.
Inexplicably, twenty three people come back to life in rural small town Wisconsin.Their new existence sets the town on edge, with media scrutiny, a government quarantine and religious fanatics taking over the region. Officer Dana Cypress, a single mother and daughter of the sheriff, is asked to head the unit looking into this phenomenon. A problem arises when she discovers her younger sister is one of the “revivers”. She meets a scientist who is there to study the undead, and he becomes a love interest, but it is completely secondary to her solving the mystery.
Faith is a kick ass heroine! Not your typical scantily clad model type superhero chick, she transcends that stereotype and it becomes a non-issue. In this series, Faith has taken a break from the Renegades to discover herself. She still fights crime, but works as a journalist as her alter-ego. A new romance with another hero Archer is hinted at but her friendships remain a priority. She is a worthy adversary of any super villain, with promising future story lines. You go girl!
I love how all these women are examples of how a woman can remain true to themselves while in the midst of a relationship. Women should be partners with the men they love and not subvert who they are. These five examples of independent ladies are fantastic role models!
Diana is back in Man’s World, preaching the Amazon way of peace and love. There are many who believe in her message, and receive it well, but there are many and more who think it’s unnatural – even dangerous. The US government has decided Diana Prince is a threat. They’ve discovered a weapon left on Paradise Island during World War II that could neutralize the Amazons – and Wonder Woman herself. All they have to do is pull the trigger…
I loved Earth One Wonder Woman when I read Volume 1, and I still love it now. The character is updated and challenged for modern times here. It’s heartbreaking how real her story feels: a woman, standing up and sharing her ideas on how to make the world a better place, only to be questioned, ridiculed, and labeled a threat by the men in power. There is an excellent passage in which Diana is questioned why anyone should listen to a a message of peace through loving submission spoken by a privileged princess. This one made me think, and I do love books that make me think.
Just as in the first volume, the art is excellent. The characters are solidly drawn and wonderfully expressive. There are still panels which are surrounded by the Lasso of Truth, or lightning, or other motifs; where I remember the first volume overdid these a bit to the point where it was hard to read, this volume did a better job of balancing them out. There are many Easter eggs once again to past incarnations of Wonder Woman’s character and story arcs, which are delightful for long-time fans to pick out.
Earth One definitely isn’t your mother’s Wonder Woman. That’s what I like about it 😉 This will challenge your perception of this DC staple in today’s world. As ever, looking forward to the next volume.
Morrison, Grant, Yanick Paquette, and Nathan Fairbairn. Wonder Woman: Earth One (Vol. 2). 2018.