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Clean Room (Vol. 1): Immaculate Conception

Chloe Pierce’s fiance has committed suicide, leaving behind a self-help book as his only clue. Chloe spirals in her grief and become hospitalized herself. She comes to with the realization that in order to unravel the mystery of Philip’s death, she needs to investigate the author of the book: Astrid Mueller. She’s become THE self-help person to most of the world, including Hollywood. Her biggest success story is a former child actor whom she helped to get clean. As a reporter, Chloe has the clearance to get into her headquarters in Chicago and demand an audience with her. However, after seeing the fabled and feared “Clean Room,” it’s clear that Astrid and her company are not what they seem. The suicide of the child actor, under the same circumstances as Philip, has not only Chloe but the rest of the world questioning what it is Astrid actually does.

Horror is not usually a genre I read. I picked this up because Gail Simone co-wrote it with Jon Davis-Hunt, and as an extra bonus, Jenny Frisson created the covers. There’s a great start here for a commentary on the dangers of cults preying on faith and religion in a supernatural horror setting. The events here in the first volume are wrapped up nicely, yet open-ended enough to intrigue readers into the second volume.

The art was totally gross… but in a good way that befits the story and it’s creepy, ominous, and antagonistic tone. There is nice contrast between the inside of Astrid’s headquarters (sterile colors and precise linework) and the outside world (muddier colors and messier lines) that I appreciated.

I gotta say, it was entertaining enough for me to get through with (relative) ease, but it’s not one I’ll be continuing. There’s a reason I don’t read horror – I’m a certified scaredy cat – and it seems not even the great Gail Simone can convert me =P

– Kathleen

Simone, Gail, Jon Davies-Hunt, and Quinton Winter. Clean Room (Vol. 1): Immaculate Conception. 2016.

Hex Wives

Stepford Wives meets Bewitched in this tale of witchcraft and revenge!

The book opens in Salem, Massachusetts in 1692 as several women accused of witchcraft are trying to escape from their captors, again in 1777 in New York and then in Wyoming in 1873. The witches reincarnate in different eras, and we once again see them in New Orleans in 2005 but this time the witch hunters have a secret weapon to utilize against them.

We are then introduced to a group of ladies, who all live in the same cul-de-sac, five women and one teen daughter who all wear dresses and serve their men folk. Isadora is the focus and while it is obvious she is brain washed she seems to love and care for her husband Aaron. The men supposedly all work together as architects, but seem to always reappear at moments when the women have unexplained occurrences or little clues slip through that all is not what it seems. One of the women has an accident while gardening, and the blood shed makes her levitate. The “husbands” swoop in to do damage control, but eventually all the women discover their powers and there is hell to pay for the deception perpetrated by the men.

Fire was a motif throughout, as the witches were attacked with fire in the different historical eras and the supposed wildfires that surrounded their neighborhood in modern day that always kept them confined to their homes. The women are enticingly drawn and made to appeal to the male gaze as Stepford-type wives. One of the women seems to be forgotten through the majority of the story, so I don’t know if that was an author or artist mistake but it became distracting for me that she was always missing. There were many panels per page, but they were varied and easy to follow and the full-page chapter breaks were always excellent.

The story obviously has a feminist bent, and the theme of overthrowing the patriarchy is the framework. Considering what the author was going for, I was surprised that the sexual assaults were not adequately addressed- for these men were sleeping with the women when they were not in their right minds. While there were some conversations about sex, the message was very muddled. While I assume this was supposed to be the first volume in a new series, I have not seen a sequel, and thus this story fell flat for me. The cliffhanger and unexplained plot threads could have been fleshed out and explained in future volumes so instead this unintended standalone was a letdown.

-Nancy

Pride of Baghdad

Pride of Baghdad was an absolutely riveting graphic novel that took the real-life story of how a pride of lions escaped the Baghdad Zoo in April of 2003 during an American raid of Iraq when it was under Saddam Hussian’s rule.

This anthropomorphic tale centers around four lions in the Baghdad Zoo- male leader Zill, older female Safa, younger Noor and her cub Ali. These four lions go on to characterize how different Iraqi citizens have coped with the cruel reign of Hussian, although truly the tale is universal in scope. In the beginning, Noor waxes poetic about life in the wild to her son, although captured very young she truly has little memory of it, with Zill adding in his memories of sunsets on the far horizon. But it is Safa who truly remembers that life in the wild was dangerous and unpredictable, as she remembers the hungry times and her attack by male lions that left her traumatized and blind in one eye.

Noor dreams of escape aided by the other zoo animals, but unexpectedly she is given her wish when a bombing destroys the barriers at the zoo and the lions and many other animals make their escape. With a mix of hope and trepidation, the lions enter the city and find out their new freedom comes at a heavy cost.

The three adults quarrel often, as they all have different expectations based on their previous experiences. Safa is the most hesitant, her past has led her to be more accepting of captivity and the safety it affords her. Radical but at times unrealistic Noor scoffs at Safa, but Safa’s practicality comes in handy at certain times. Zill, the fading leader holds on to the dreams of the past and isn’t always up to the task when troubles arise. All the while, Ali has loyalties to all three, and his innocence in the face of the true realities is heartbreaking to witness.

The artwork was perfect. I am amazed that I have not seen other work by Niko Henrichon, as his pencils and details elevated this story. The panels are well placed and guide you through the entire story, with some amazing one and two-page spreads. His animals are incredibly realistic, yet their expressions convey so much emotion. The colors aid in the story as they move from the earthen tones at the zoo and the lion’s memories of the wild, and then through the fiery orange colors of the war-torn streets of the city.

Author Brian K Vaughan, now famous for the Saga series, effectively raises questions about the various interpretations of liberation. Can freedom be given or does it need to be earned? Can one feel pride during their captivity or does it only come when you fight for freedom? Should we hold onto the supposed greatness of the past or realize that change comes with a cost? How many sacrifices need to be made? The four lions show aspects of all these questions and more, that a narrative with people wouldn’t have conveyed as well.

The conclusion, while expected, will tear you to pieces. I loved this graphic novel and it will absolutely be on my Best Of list this year. Its illuminating clarity will make you think for a long time on the perils of war.

-Nancy

To know more about the real-life incident read The Guardian article about the sad deaths of the lions and many of the other zoo animals.

 

Fables: Legends in Exile

Fables is the Goodread’s I Read Comic Books book of the month selection with the theme being a fairy tale/folk tale/mythology adaptation. Kathleen read the entire series and loved it, and I had read a spin-off series about Jack of Fables and disliked the character but not the book, so I was pleased to get the push I needed to start the series myself.

Fractured fairy tales seem to be a dime a dozen nowadays, with it often being a literary trope, but this first volume gets it just right. Set in New York City, famous fairy tale characters have been banished from their kingdoms centuries ago by a mysterious Adversary and forced to move into the “Mundy” (mundane) world. Most of them live in a luxury high rise apartment with a divorced Snow White as their deputy mayor and The Big Bad Wolf aka Bigby as their sheriff. The main plot centers as a murder mystery when Rose Red, Snow’s estranged sister, is discovered to be missing and her apartment is drenched in blood. Bigby is tasked to solve the crime.

I enjoyed the crime thriller feature of the story (always a preferred genre of mine) mixed in with humor, adult themes, and the obvious fantasy aspect of it. I loved how Prince Charming was a Lothario who bedded any female, while Beauty and the Beast were a long-suffering couple with marital issues. Jack (Jack the Giant Killer, Little Jack Horner, Jack and the Beanstalk, Jack and Jill, Jack Be Nimble, Jack Frost, and Jack O’Lantern) was a scheming cad, Rose Red was a party girl, and Bluebeard a slimy playboy. Snow White and Bigby definitely had chemistry, and you know a relationship between the two is sure to develop in the future. The world-building was excellent, and this story is strong enough to be standalone, yet, most readers will be clamoring for more adventures with this unique cast. Part of the pleasure is figuring out who some of the characters are and reconciling how they are portrayed now with what you remember about them from their original fairytales.

The illustration style was attractive, although I wasn’t a fan of the cover or the opening pages to each chapter. I personally liked it more realistic, as shown by the pictures I attached. There were some fun splash pages, with me liking the office that Snow was in, for it showed artifacts from their fairyland-era. Plus, for visual clues any time the past was referred to, an ornate frame would be drawn around the panels which were a nice nod to the fantasy origin of this narrative and often were purple-hued. Because of the quarantine, I had to read this volume online through Hoopla so it was hard for me to really examine the illustrations like I would with a physical book.

This first volume is a delightful, but very mature, look at postmodern reimaged fairytales. I very well might continue with the series, but I will wait until I can read physical copies again, for a graphic novel’s appeal lies in the art, and I wish to savor all the intricacies that are drawn into the series.

-Nancy

This was a laugh-out-loud scene about poor Pinnacho. In later volumes, his appearance changes dramatically, and not to my liking at all.

Best Reads of 2018

It’s that time of year again! Here we’ve compiled our list of the ten best books we’ve read in 2018, and their consequent reviews, in no particular order. Enjoy!

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Superman: Grounded

Kathleen: Superman knows he’s not like any other man, but that doesn’t stop him from striving to emulate the best in humanity. However, he feels his moral center is deteriorating, and he’s unsure what to do. “What does Superman stand for? What does he mean to the regular citizens of this earth?” Clark asks himself. Well, he decides to go for a walk to clear his head. In his odyssey across the United States, he sees citizens going about their day and helps anyway he can. This book is the best iteration of Superman, and the struggle between his alienness and humanity, I’ve ever read. If you’ve run into Strascynski’s work for other superheroes, you’ll love his interpretation of Superman.

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The Plague Widow

Nancy: I enjoyed Brian Wood’s seven-volume Northlanders series, with the fourth volume being my favorite. The story takes place in the frozen Volga region in AD 1020. A plague has come to the seven hundred person settlement, so the local priest counsels strongly that the settlement goes under quarantine and those who show any sickness be banished. But what they don’t take into account is how claustrophobia sets in, and they find they locked the greater danger inside their walls with them. Hilda, a young beautiful widow with an eight-year-old daughter, is caught in the crosshairs as her former status as a wealthy woman is stripped when her husband dies of the plague. Destitute, with a long winter ahead, she struggles to survive. The excellent art by Leandro Fernandez captures the isolation of a Viking settlement in turmoil.

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Fables series (link to Deluxe Edition Book 1 and Deluxe Edition Book 15 and Series Recap)

Kathleen: Y’all thought I was done singing the Fables praises, eh? Not even close =P Those fairy tales you thought were fiction? They’re true, and the characters live among us. The Fables fled from their Homelands after a ruthless Emperor rose to power and took the Homelands for himself. In modern New York City, the Fables have built new lives for themselves, but the Emperor is just a world away, and he’s looking for them. Fables is one of, if not the best, long-running graphic novel series that isn’t a superhero comic. Thus, the writing doesn’t suffer from the usual tropes that plague superhero comics, especially as far as characterization. The art by Mark Buckingham is consistently top-quality as well and has become a personal favorite.

Marys Monster

Mary’s Monster

Nancy: An ode to Frankenstein, this is a poetic and beautifully evocative book about Mary Wollstonecraft Godwin Shelley, the author of the classic 1818 novel. This fictionalized biography by Lita Judge details Mary’s life from childhood onward and is told in free verse. Dark and lovely, the art brings Mary to life, just as Mary brought the creature Frankenstein to life. Judge’s moody black and white watercolor illustrations, paired with the sensuous verses, effectively show the ideals and passions that ruled Mary and her poet husband Percy. Mary’s tumultuous life helped shape her into a masterful writer and led her to create an unforgettable novel. She and her creature won’t soon be forgotten.

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The Ghost, The Owl

Kathleen: A little girl appears on the edge of a forest lake. She can understand the language of animals – which means she’s no longer living. She’s so small, scared, and confused, that Owl promises to help her find out what happened to her. Some of the other animals think that Owl should mind his own business, but he knows it’s the right thing to do… and will do it, no matter what anyone else says or thinks. This graphic novel was executed brilliantly. There are no panels whatsoever. Only the art connects the speech bubbles: the lines are graceful, sinuous, and gently guide the reader where they’re supposed to go next. It’s so brilliant, intuitive, and unlike anything I’d seen before, that I had to read it all over again as soon as I finished.

Rebels

Rebels: A Well Regulated Militia

Nancy: “A historical epic of America’s founding” and is very accurate in describing this exceptionally good graphic novel by Brian Wood and Andrea Mutti. It gives a window into the Revolutionary War era based in the NE corner of our new nation in the late 1700’s. Divided into six chapters, Wood first gives us a lengthy portrait of the fictional character Seth Abbott and his journey from farm boy to one of the well-respected leaders of the Green Mountain Boys. Then we are given shorter non-linear vignettes of other loyalists and patriots and their contributions to the war. Make sure you check out its sequel These Free and Independent States about Seth’s son John during the War of 1812.

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DC Showcase Presents: The Trial of the Flash

Kathleen: Barry Allen is about to start his life over again when the Reverse Flash escapes from his Speedforce prison and vows to end it on Barry’s wedding day. The Reverse Flash targets Fiona Webb, Barry’s bride to be, just as he targeted Barry’s first wife, Iris West. In the aftermath of the ensuing fight, the Reverse Flash is dead, Fiona suffers a mental breakdown, and Central City is torn on whether or not the Flash is a murderer. The jury must decide if Flash’s past heroic feats earn him a “get out of jail free” card, or if he must be held accountable for his actions like any other man. This is a run from the ’80s, and the writing contains the best of both the goofy, totally-out-there subplots of older comics and the moral gravity of modern comics.

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Star Wars: From A Certain Point Of View

Nancy: I love Star Wars! I love short stories! Together this anthology was a win-win for me. Forty authors celebrated forty years of Star Wars by contributing a story of a minor or supporting character from the ending of Rogue One to the finale of A New Hope. This book is a must read for all Star Wars fans. It strengthened and filled in gaps in the narrative and this new canon was a treat from beginning to end.

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Hey, Kiddo

Kathleen: Acclaimed children’s author Jarrett J. Krosoczka presents a memoir of his childhood. His grandparents took him in as his mother went to jail for heroin addiction, and her brothers and sisters (Krosoczka’s aunts and uncles) were going off to college. Krosoczka explains how he came to terms with his feelings about his unusual family through drawing and writing stories. Though I have not been exposed to his children’s works, I can without a doubt say that Krosoczka is a master of his craft. The illustrations in this graphic memoir, with their squiggly lines and limited color palette, are among the most effective I’ve seen in a memoir. Reproductions of family artifacts within also drive home the personal nature of this story and help make it more real to readers.

My Fav Things is Monsters

My Favorite Thing Is Monsters

Nancy: The review for one of my favorite books wasn’t even on our blog, as I had written it as a guest post for Reads & Reels! My Favorite Thing Is Monsters is an extraordinary and ambitious graphic novel. Equal parts memoir, murder mystery and coming-of-age drama, the art in this book is beyond amazing. New author Emil Ferris has created a story set in Chicago in the late 1960’s, with the story framed as a graphic diary written in a notebook by Karen Reyes, a ten-year old girl living with her single mom and older brother.  But what sets this story apart is the author’s choice to represent Karen as a werewolf, with the device being that Karen perceives herself as a monster. I eagerly look forward to the sequel and answers to the mysteries found in this unique book.

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Batman: White Knight

Kathleen: I had to make an honorable mention here. After Batman force-feeds the Joker an unknown medication, the Joker seems to be… cured? The newly reformed Jack White, along with Harleen Quinzel, is crusading to deliver Gotham City from the Dark Knight, whom they’re painting as the biggest criminal of all. Other than the corrupt Gotham Police Department, of course. Some in Gotham support White and his message, while others believe it’s all another Joker scheme, albeit more elaborate than usual. This one turns every assumption you have about Batman on its head and makes you question whether he’s doing good – or if he’s just another criminal trying to prove that he’s a hero. The art is appropriately dark, moody, and carefully detailed in a Gothic style.

There you have it! Our list has DC representation from Kathleen, as that is her favorite publisher, but surprisingly Nancy’s list did not include two of her usual favorites- Marvel and Image. Smaller publishers got a shout out on both lists which is a great development. We hope you check these books out and enjoy them as much as we did!

-Kathleen & Nancy

Fables (The Deluxe Edition): Book 15 and Series Recap

Okay, I’ve put it off long enough. I procrastinated and procrastinated, never wanting this series to end. So finally I made myself sit down and finish it.

Rose Red and Snow White have never been the best of sisters. But Rose Red made an unforgivable choice, and Snow is going in full defense mode to protect her family. Soon the big players of Fabletown, for better or worse, are picking sides. Most of the normal citizens want nothing to do with the conflict that is quickly escalating into a civil war. What’s more, a big bad ghost from all their pasts is back to haunt – and kill – every one of them. In the end, who will be left standing? Will Fabletown even be left?

… I am left speechless after the ending to this phenomenal and epic story. Once again, Bill Willingham pulled a sucker punch on us. Of course, I can’t say too much without spoiling it, but rest assured that the ending is fitting for the series.

So instead, I will talk about the series as a whole. Fables is a prime, if not the best, example of a graphic novel series that is not a superhero story. Because it’s not, it’s not constrained by a lot of the writing tropes and pitfalls that plague superhero comics. I found that this is especially true as far as characterization went. Though superhero stories have come a long way in creating more morally ambiguous characters, the writing still clearly separates “good” and “evil” characters. Throughout the Fables series, many more characters are on the morally grey spectrum, and some swing more towards the “good” and “evil” side as the series goes on. Not only is it just more skillful writing, it makes for much more interesting character development, especially over a long series such as this one.

The art – guys, the art is some of the best I have ever seen. It’s a small pet peeve of mine in superhero comics when they switch artists too fast, to the point where you get 4 different artists, and by extension, art styles, in one trade paperback. For the most part, the penciling is done by Mark Buckingham for the main series. The Deluxe Editions have spin-off issues and one-shots that are done by guest writers and artists, who are all very talented, but Mark Buckingham’s artwork is really what made the series come to life for me. His ability to create intricate detail to distinguish many, many characters from one another is no small feat. One of my very favorite things about the art in this book are the borders that line the edges of each page. I’d never seen it’s like in a graphic novel before, and it really gave the books a “fairytale storybook” feel. Many times over the course of this series, I caught myself studying the art more than reading!

Much love, time, and creative energy went into this series, and it shows. This fascinating mix of fairy tales, noir, high fantasy, and adventure, with excellent characterization and suspenseful writing, has already and will appeal to a wide range of readers. Because there is some gore, strong language, and adult content (never gratuitous), I would save it for older teenagers and adults. If you haven’t read it, what are you waiting for??? As for me, I’ll be starting it over =P

– Kathleen

Willingham, Bill, Mark Buckingham, Steve Leialoha, Andrew Pepoy, and Dan Green. Fables (The Deluxe Edition): Book 15. 2017.

Northlanders: Books Six & Seven

Brian Wood’s Northlanders saga has drawn to a close. Seven books have given us intimate portraits of Viking individuals and families through out the years, in three geographic areas- Iceland, Europe and the Anglo-Saxon regions. I am sad that this series has come to an end, and will miss these emo, petulant and violent warriors!

Thor’s Daughter and Other Stories: Book Six 

The Siege of Paris– The longest of the three stories is set Paris in AD 885 and is based on an actual historical battle that was documented by Monk Abbo Cernuus, a character in this story. Told from the perspective of Danish soldier of fortune Mads, he and the other Viking soldiers prepare for a long siege.  Despite only a small army defending Paris, they manage to put off the Viking fleet. Mads is able to cut off their supplies and a battle ensues, but a political settlement is reached and the soldiers end up fighting in vain. Illustrated by Simon Gane, the rough and cartoonish looking drawings were not to my liking.

The Hunt– A hunter, whose wife and children have left him to live in the city due to unusually cold winters in the wilderness, tracks a deer through wintry Sweden in AD 1000. Defiantly bitter about it, he obsessively hunts the deer wanting to prove to himself that he is still a provider. The artwork by Matthew Woodson is decent with some nice landscapes.

Thor’s Daughter– Set on an island in the Outer Hebrides, islands off the coast of Scotland, in AD 990 we meet Birna Thorsdottir, the daughter of the man who owns the island. A tough teen, she is still caught unaware when her father is ambushed and killed by some of his guards. Kicked out of her home she seeks other guards that still remain loyal to her family. She ultimately gets revenge, but there is a huge gap in the story to explain how she persevered and claimed her birthright. The artwork by Marion Churchland was lacking and the short story was not strong enough to deserve the title of Book Six.

The Icelandic Trilogy: Book Seven

This last book details a family’s rise and fall through several generations in Iceland beginning in AD 871 and ending in AD 1260. Three artists are utilized- Paul Azaceta, Declan Shalvey and Danijel Zezelj- as we move through the different eras.

We begin with Norwegian immigrant Val Hauker, whom with his wife and son Ulf, settle on the empty shores of Iceland. Within a year other immigrants begin to move there too, but Val wishes to establish dominance as he was there first. After a violent run-in with the Belgarsson clan, Val wishes to teach Ulf a lesson on how to be strong against future attacks, but he goes too far and turns Ulf into a sociopath. Time passes and Ulf grows up and he consolidates power so his family can reap the riches of the region. He frees an Irish slave and takes her as his wife, and their bloodthirsty ways grow. However, I do not understand how Ulf becomes so powerful- why would other settlers align with his small family in the beginning? While this establishes the beginning of the Hauksson dynasty, I did not buy it.

Skipping ahead to AD 999 we meet the fifth generation of the Hauksson’s, brother and sister Brida and Mar. There is a Game of Thrones vibe here,  including a sexually charged relationship between the siblings. When Mar leaves to loot among the southern coast, the Belgarsson clan aligns with the growing group of Christians in the area, putting the Haukssons at risk. Brida needs backup so she finds the illegitimate son of her father,  hoping her half brother Ott can help strengthen her position. When a converted Mar returns, the twins fight over how Christianity is changing traditional Icelandic ways, but Mar argues that they must join with them if they want to stay dominant. At the height of their family’s power, this is a turning point for them, and the siblings need to adjust accordingly.

The final jump is to tenth generation heir Godar and his impetuous son Oskar in AD 1260. Godar is a steady man who is documenting his family’s linage and has the riches of his family in stable holdings, now that the family no longer has to go to war to retain their power. However, Oskar wishes for glory and makes a power play so he and his allies can fight soldiers from Norway who are encroaching on Iceland. But things don’t go as planned, and after several failed military maneuvers, Oskar loses the confidence of those he leads. The Hauksson family is now in decline, 400 years after settlement, but the family name lives on…

I am a huge fan of much of Brian Wood’s work, especially Briggs Land and Rebels, and this sometimes uneven series further cemented him as one of my favorite authors. Some stories were obviously stronger than others, but the problem I had was the inconsistent artwork. Illustrators like Leandro Fernandez, Becky Cloonan and Ryan Kelly were excellent, others were horrible. Dave McCraig, the colorist throughout the series, did the best with what he was given and kept to an earth tone palette which brought some consistency to the varying art styles. I loved every single work of cover art by Massimo Carnevale and wish he had illustrated some if not all of the stories. Wood shines with his historical fiction series, and you can tell he does his research, although he often will put in modern sensibilities into his work. His interpretation of Viking history is one you don’t want to miss!

-Nancy

Read my reviews on: Book One, Books Two + Three, Books Four + Five

Northlanders: Books Four & Five

Northlanders continues to wow, after my initial rough start with Book One. The fourth book in the seven book series was my absolute favorite!

The Plague Widow: Book Four

The story takes place in the frozen Volga region in AD 1020. A plague has come to the seven hundred person settlement in October, and as winter has started, burials in the cold ground are impossible so pyres of dozens of bodies are lit to dispose of the diseased bodies. Frantic with worry the inhabitants listen to their elderly leader plus the local priest Boris. Boris counsels strongly that the settlement go under quarantine and those who show any sickness be banished so those remaining may live. But what they don’t take into account is how claustrophobia sets in, and they find they locked the greater danger inside their walls with them.

Hilda, a young beautiful widow with an eight year old daughter, is caught in the crosshairs as her former status as a wealthy woman is stripped when her husband dies of the plague. Destitute, with a long winter ahead, she struggles to survive and is targeted by Gunborg, who is the second in command and has it out for her after she votes against him in council. Two other men want her as a wife, but each man has different motivations and their jealousy of one another results in bloodshed. A final battle between Boris and Gunborg comes to a head, and Hilda and her daughter are given a chance to escape.

The art by Leandro Fernandez is a perfect match to the story. He captures the isolation of a Viking settlement shown mostly in dull colors with overlays of blue wash, which effectively shows the icy coldness of Russian winters. Some of the changing artists in this Northlanders series have not been to my liking, but the pairing of this excellent story with Fernandez’s precise artwork made this a winner.

Metal and Other Stories: Book Five

After how much I loved The Plague Widow, this book turned out to be disappointing in comparison. Metal is the long middle story, with two much shorter stories book-ending it.

The Sea Road

Illustrated by Fiona Staples who is now known for the Saga series, this short story takes place on the open sea in AD 760. Captain Dag is running cargo along the coast when he suddenly decides to turn the tiller and sends him and his crew westward towards the unknown. Putting his men at risk on a moments whim, he wishes for greater glory but instead encounters storms, mutiny and crew members experiencing hallucinations and going berserker. When they finally make landfall on Greenland, the few surviving members are met with treachery by the captain and their epic journey is for naught. This was an interesting take to show that many unknown sailors died ignobly with their discoveries unrecorded.

Metal

I recently read Boxers & Saints, about how Christianity changed China forever, and how many fought the new religion as it significantly changed their culture and resulted in many old traditions being outlawed.  So it was quite a coincidence that a week later I read another graphic novel story about Christianity changing Norway in AD 700.

Erik is a young blacksmith who is tied to traditional Norse Gods and is against his settlement allowing a new Christian church to be built. He watches as priests and nuns move in, along with a teenaged albino girl whom the nuns mistreat. In the night Erik burns down the church but first rescues the girl Ingrid and they run off together. The story then becomes a Bonnie and Clyde caper, with a strange magical realism aspect, that doesn’t match the rest of the series of realistic fiction. There was no subtlety, it was just Eric slaughtering any Christians he encountered, so the reader could not take his side at all in his wanting the Nordic Viking traditions to live on.

The art by Riccardo Burchielli was awful. Not only was I unable to get into the story, but the people he drew were grotesque looking. Erik is drawn as a hulking troll, not even resembling a human (the picture in this post makes him look normal, the rest of the series does not). Ingrid is drawn slightly better, but there are some sequences that she was drawn so horribly, and I didn’t understand why. In the concluding pages, Erik is drawn so differently that I question if the same artist drew him.

The Girl In The Ice

The best of the three stories is illustrated by Becky Cloonan and is a character study of an Icelandic fisherman set in AD 1240. Jon is an elderly widower who discovers a young girl frozen in the lake ice. He carves her out and brings her back home to investigate who she is and how she died. With no obvious trauma on her body to explain her death, he doesn’t understand why no alarm in the nearby settlement would have been sounded when a girl went missing.  Soon some patrolling soldiers discover Jon trying to hide the body and take him into custody believing he is the killer. He is taken into town to be tried for the murder, and we learn how the girl came to be in the ice. It ends on quite the melancholy note.

I have the last two volumes on hold and look forward to wrapping this series up. My only real complaint is that the art in the various volumes is so inconsistent. While I liked the first and last illustrators in this book and the cover art throughout by Massimo Carnevale was top notch, when a story has sub par art the entire story suffers.

-Nancy

Book One

Book Two & Three

Book Six & Seven

Fables: The Deluxe Edition (Book 14)

Rose Red has finally decided what kind of hope she inspires in people. As a paladin of the goddess Hope, Rose inspires the hope of second chances. Taking her cue from her niece Therese, she orders a Round Table built at the Farm. She is rebuilding Camelot and recruiting knights who are in dire need of second chances. One such recruit, Brandish, is going to be her pet case. Snow White is outraged after what Brandish did to her and her family. If Rose Red sets Brandish free and recruits him to her cause – they’re done. No longer sisters, and Rose will no longer be an aunt to the cubs. Can Rose reconcile her calling with her only remaining family’s wishes?

Rose stepping up to the plate is really exciting! It’s fun to see that even in the Fable world, stories are recycled and refreshed. Different characters take on different roles in Rose’s new Camelot, including characters who were in the original! The extra stories were kinda “meh” in this one. They didn’t add much or elaborate on anything from the main story. The real action, as ever, is in Fabletown – and new Camelot! I don’t want to pick up the next volume – I don’t want it to end!!! 😭

– Kathleen

Willingham, Bill, Mark Buckingham, Steve Leialoha, Russ Braun, and Barry Kitson. Fables: The Deluxe Edition (Book 14). 2017.

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