Three Jokers have emerged in Gotham- the Criminal, the Comedian and the Clown.
In this strong Batman story, author Geoff Johns has pulled together threads from A Death in the Family and The Killing Joke, that ties in Jason Todd aka Red Hood and Barbara Gordon aka Batgirl, the two from the Batman Family that have been most affected by The Joker.
When a crime spree occurs, with video evidence, showing The Joker in three different places simultaneously, Batman realizes there is more than one. Jason Todd, the second Robin who was thought dead by the hand of The Joker, has reappeared as Red Hood who is now an avenging hero. But his brand of justice goes against the code of most heroes, who do not kill. Bruce and Barbara risk outing their secret identities if they reveal Jason killed the Joker that had so brutalized him, and Bruce feels great guilt for not being there for his former partner. There are several nuanced conservations about where to draw the line on justice, for Barbara has an equally valid reason for hating the Joker that had put her in a wheelchair for awhile, but why can she control herself and Jason can’t? The entire storyline was very interesting for all three characters and really added some gravitas to how all three have evolved over the years.
And we need to touch on the possible romance between Jason and Barbara- I read it at two different times and had two different reactions. On my first scan through the graphic novel, I saw the note and thought it was so romantic, and I wanted the two of them to be together. But then I read the graphic novel thoroughly and realized a relationship between the two would be toxic and one-sided. Barbara can’t save Jason- he needs to do the work on himself. He is looking for connection so when Barabara offered him kindness he morphed it inappropriately into love. Once he has healed, perhaps they could try, if they both want to.
The art by Jason Fabok is fabulous. With white borders, the vivid coloring stood out, and every panel was drawn with precision. I think the faces were especially well-done, with an almost photo-realistic approach. My only criticism is the absolute skin-tight costume that Batgirl wears. While there were some typical 9-panel layouts, there was also a lot of variety on the pages with different panel placements. I love Fabok’s work, but this was the first I’ve seen of his art since he works mostly for DC which I don’t read a great deal of.
Although this book came out in late 2020, it is still going strong and I’m so glad I purchased it for my library and read it myself. This is a Batman story not to be missed!