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Something is Killing the Children

Free Comic Book Day 2021

For the second year in a row, Free Comic Book Day had to be adapted due to the ongoing pandemic situation. Normally FCBD is the first Saturday in May, but an August date was selected for the 20th year anniversary of this event. I distributed comics at my library today, and did so outside to be on the safe side. I had terrific teen volunteers who helped, and we had over 85+ people stop by to pick up comics in our small town, so it was a successful event! A bonus to having FCBD at my library is getting a sneak peek at the comics available, and the following were the ones I choose.

Every year I choose a Spider Man comic, as you can’t go wrong with Spidey! This issue features Ben Reilly as the Scarlet Spider, someone I wasn’t very familiar with, although I know there are more versions beyond Peter and Miles. It was a good introduction to Ben’s story, and will give readers time to look up info about him (like I did) before diving into a longer story with him. The second half of the comic was about Venom, Edward Brock, who when bonded with his symbiote is the King in Black. I often get Venom and Carnage mixed up, but Venom is more an anti-hero vs Carnage being a straight out villain.

Another automatic gimmie each year is the Avengers. This year’s story is a multi-verse tale (not typically a fav plot for me) and has cybernetic Deathloks who seems to be have some hero characteristics. They are waiting in a space station for a signal and then all leave at once to head to different Earth dimensions where they encounter different types of situations. The second half is a Hulk story who is battling the very weird big-headed M.O.D.O.K. The Hulk seems to be tired of the same old shit and decides to strike out his own into space, obviously setting him up for brand new adventures. I was happy to see an ad for the Wastelanders: Old Man Star-Lord podcast that I recently listened to and liked in-between the two stories.

This last comic for me is from the world of Something is Killing the Children, and expands on the society of monster-killers that Erica belongs to. Erica’s work in Wisconsin is suspect and her mentor Aaron is sent to rein her in. Some artwork is used from the graphic novels in this comic, but it is fleshed out with additional information to paint a larger picture of what to expect in volume three.

This is the least amount of comics I have selected from Free Comic Book Day- I just wasn’t feeling it this year, and not having DC as part of it anymore is a blow. But nevertheless, I was happy to provide FCBD to my library patrons, and hope that next year we can have a bigger event once pandemic restrictions have lifted.

-Nancy

Something is Killing the Children

Something is Killing the Children– if this title doesn’t grab your attention, I don’t know what will!

In a quiet Wisconsin town, children are disappearing. While most will never come back, a precious few escape and come back with horrifying stories of a monster in the shadows. The townspeople are distraught, so enter Erica Slaughter, who comes to Archer’s Peak ready to kill the monster on hand. This Goth looking Buffy The Vampire Slayer interviews a survivor and heads into the woods to kick some ass.

The world-building is intriguing, as you can’t help but wonder at Erica’s past and her intentions. There are hints that she belongs to a society of monster-killers, each with a small talking talisman- her’s being a purple octopus plushie.  She has quite an interesting look, her side-swept bangs always camouflaging one of her eyes along with what looks to be a glowing implant in the side of her face. She often wears a mask to cover the lower half of her face, with a fang motif, that I have to admit would be a bad-ass print to wear on a facemask nowadays with the pandemic we are in the middle of.

The artwork is definitely atmospheric- gloomy, creepy and bloody. Drawn by Werther Dell’Edera, his work is sketchy and imprecise. There are many closeups of people, and some come off as grotesque with an emphasis on crosshatching to signify lines and shadows. When fighting the monster, the gutters become black, with an even darker color palette. Colorist Miquel Muerto keeps all the colors muted, as to signify the darkness of the narrative.

I’ve heard good buzz on this new series- on Goodreads, on NetGalley and even better the staff at my comic-book store, Graham Crackers, recommended it to me.  It joins some books that have immediately hooked me in: Briggs Land (which Dell’Edera illustrated parts of V2), Locke & Key, Harrow County, Revival and Bone Parish. Thank you to NetGalley for an advance online copy so I could get in on what promises to be an exciting new horror series.

-Nancy

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