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The Complete Maus

Maus is extraordinary! I read this two-part graphic novel series years ago and remembered the framework, but re-reading it was eye-opening as further life experiences can make you look at it with whole new eyes.

My Father Bleeds History

The first half of the story details the beginning of WWII as seen through Vladek Spiegelman, a Polish Jew, as told to his son Art, the author and illustrator of the book. Art began to collect his father’s remembrances in the late 1970s after an estrangement of a few years, as the two were never close, and the suicide of Art’s mother had been devastating to their already tenuous bond. Vladek shares his memories of his courtship with his wife Anja, their marriage, and the birth of their firstborn son Richieu in 1937. Tensions were building in Europe and he eventually was drafted into the Polish Army. As things begin to spiral downward Vladek is incredibly resourceful, brave, and sometimes just lucky as his extended family is moved into Jewish ghettos and some of them are shipped off to the concentration camps. Vladek and Anja sent their beloved son into hiding with another family and later discover his heartbreaking fate.

Although the tale moves forward chronologically, there are interludes in the modern-day of Art and Vladek and their life outside of NYC. Vladek has remarried unhappily and is a miser who is set in his ways. His early life has warped him, but Art also deals with the fallout, as a “survivor of survivors” who can’t live up to his idealized older brother, who died before he was born. Art also includes a dark comic he had written about his mother’s death, Prisoner on the Hell Planet, illustrated in a different style than Maus. The book ends with his parent’s capture and arrival at the infamous Auschwitz in 1944, and readers will be riveted, dreading what comes next.

I have some Eastern European ancestry thru my father’s side of the family who were immigrants from Germany and Poland and settled in Chicago around the turn of the century. While they were of the Catholic faith and were in America before WWII, I saw some parallels between what I remembered of them and some personalities found in this series. It really made me ruminate on that side of my ancestry and how their pragmatic and no-nonsense traits live on in me.

And Here My Troubles Began

The title of this second book prepares you for what is to come because although they had already endured tragedy after tragedy, more was to befall Vladek and Anja. The two are separated into different camps, and we only get Vladek’s perspective as he had burned Anja’s later journals in a fit of grief after her suicide. He survives the inhumanity of Auschwitz and a forced match to Dachau, again due to his ingenuity, and amazingly so does Anja despite her frail health. Liberated at different times, they eventually are reunited, later immigrating to America and having Art.

Again, Vladek’s stories of his past and interrupted by windows of his life now, as Art and his wife Francoise deal with Vladek’s declining health and his current troubles with his long-suffering second wife Mala, who is also a survivor of the camps. Art feels guilty and wants the best for his father, but Vladek can be impossible to deal with, and he worries about how he should portray his father in the book he is writing and illustrating, so as not to have Vladek become an unflattering Jewish caricature. He also had to juggle how to portray others, as some showed incredible kindness while others were outrageously cruel, and he didn’t want to make sweeping judgments against an entire country. Art very capably shows the realities of inter-generational trauma and dealing with the elderly Vladek. It’s a double-edged sword- his parents survived at great cost but were forever altered by what they went through.

The artwork is deceptively simple, but it actually shows the realities of the camps in an incredibly precise manner. The black and white illustrations often had six to eight panels per page, which were more orderly when Art and his father were in the modern-day, and more varied in the past to signify the chaos of Vladek’s life. I now understood better the reason why the author portrayed the characters as animals- with mice representing those of the Jewish faith, cats as Nazis, Poles as pigs, the French as frogs and Americans as dogs. This storytelling device surprisingly made them seem more human, as the reader better understands the unfairness of characterizing an entire culture or nationality as the same. It also made them trying to pass as non-Jewish with a mask on, more poignant. Plus, the picture Art drew of himself at his art table on top of mouse corpses while receiving accolades for his first book was heart-rending, for this book took a toll on his mental health too.

This was a perfect book to re-read as we head into Banned Book Week next month. We simply can not close our eyes to the horrors of the past or the realities of today, and books that address those issues should be read by everyone. This book truly was deserving of the Pulitzer Prize it won in 1992!

Overdue: Reckoning with the Public Library

As a librarian, I was anxious to read a fellow colleague’s take on public libraries, however, it turns out she only worked in a public library for nine months and I came away disappointed. A bulk of her time was spent in school libraries in DC, and I felt for her, for I myself had a brief stint as an elementary school librarian and I know too well all the limitations and extra work that administrators pile on school library staff.

As for her short public library experience, I know the neighborhood, as my family traveled to DC a few years ago, and we stayed at a townhouse in the gentrifying neighborhood of NoMa, so I saw the homelessness that is part of the city. Even in the two rural libraries I have worked at, there is homelessness and mental health issues among patrons, but what the branch she worked at deals with is on the extreme side. But despite that, how can she be the voice of librarians with her limited experience?

I enjoy my job as a teen librarian, but I know there is a lot of dissatisfaction among library workers, as I see a lot of raw feelings shared on Facebook on Twitter, and the pandemic has just magnified those issues. The author highlighted some very real problems in libraries, I just wish she had more experiences to draw on or had co-written it with another librarian, as to pull together a larger picture of libraries today.

Kent State: Four Dead in Ohio- Take Two

As a fan of Derf Backderf’s prior graphic novels (My Friend Dahmer, Trashed & Punk Rocks and Trailer Parks), I knew I wanted to read his newest book that gives a thorough look at the May 4th, 1970 tragedy at Kent State University in Ohio. Kathleen first reviewed this book back in February, saying it will most likely be on her top 2021 list, but I too wanted to give it a read.

Backderf recreates the days leading up to the shooting and we are introduced to four students- Allison Beth Krause, 19, Jeffrey Glenn Miller, 20, Sandra Lee Scheuer, 20, William Knox Schroeder, 19- knowing the entire time they will die. He inserts himself into the story briefly, for as a child he lived nearby and saw the National Guard protecting his hometown while the Teamsters Union was on strike. It would be some of these guards that were then deployed to Kent State when tensions arose. With the Vietnam War ongoing, students were protesting, as many of the male students had the specter of the draft hanging over them. Background knowledge is worked into the panels, as we learn about how political and social tensions morphed into a crisis because many campus and town leaders operated out of fear and faulty information. Contributing to local tensions were military leaders who were unequipped to handle the volatile environment and meddling government agencies that were adding more issues to the already challenging situation. A powder keg was ready to explode with one wrong move, and there were many made that tragic day.

Backderf’s artwork is very reminiscent of Robert Crumb and of Don Martin from Mad magazine, with an underground comix vibe. It is all drawn in black and white, and while not an attractive art style, it really represents the 70s era and Ohio landscape well. Of all the four books I have read by Derf, this is the one I found the most authentically drawn, for in past books there was a touch of caricature in the people, but here he based his drawings on photographs and videos of the campus students. While there are some text-heavy panels, they are crucial to understanding, and some maps of the day’s events help too.

I applaud the author for pulling together this comprehensive narrative, for he put in the work by interviewing survivors and researching the information that would guide his story, as extensive notes show how his work was led by facts and not conjecture. A heartbreaking author’s note sadly shows how the mistakes made were covered up, and fifty years later no one takes responsibility or accountability for the shootings. Plus, the short epilogue shows the callousness shown by President Nixon, reminds me sadly of some current politicians, and how the American public is still struggling today with certain political issues. This was a truly thought-provoking graphic novel and is well worth a read.

-Nancy

Picture from Pop Culture Classroom website, which offers a free teaching guide

Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and Being a Human

“So… what is sex? Are there different forms of it? What counts as sex?” “What if I don’t like it?!” “What is consent and how to I give/get it?” “What if I’m not sure of my gender identity or sexuality yet?” “Why won’t anyone give me straight advice about relationships?!”

If you’re asking any of these questions and/or looking for sex ed in comic book form: this is for you. But it’s also so much more! Each individual chapter addresses the above questions, plus:

  • Body positivity and how to talk kindly to yourself about your body (but also in general!)
  • Masturbation and the different forms it can take
  • How to have safe sex, including what methods are good for preventing pregnancy and which are good for preventing STIs
  • Kinks, fantasies, and aftercare
  • Dealing with emotions such as jealousy and rejection

Each chapter is a conversation between two to four individuals about these topics. The characters are either friends, significant others, or siblings. All are presented as teenagers or college students, so each character is discussing with their peers. That was awesome! I think generations younger than I are becoming more comfortable with having these frank conversations with people they trust, and it was wonderful to have that shown! Also shown were a vast array of body types, including skin color, sizes, and differently abled! It reinforced the chapter on body positivity in a wonderfully passive way!

There were helpful (and anatomically correct) diagrams and illustrations throughout. There is also an index and a resources section at the back. Overall the language was plain and straightforward, though with some slang that (I felt) was a touch overused and will be outdated quickly.

Overall this was a very informative graphic novel that is presented in a no-nonsense, yet conversational and easy to understand manner. I think it’ll be easier for teens to digest this graphic novel – presented as conversations between peers of all types – rather than a more traditional or drier sex-ed book. Highly recommended for all YA library collections.

– Kathleen

Moen, Erika, and Matthew Nolan. Let’s Talk About It: The Teen’s Guide to Sex, Relationships, and Being a Human. 2021.

Seen: True Stories of Marginalized Trailblazers: Rachel Carson

The second volume in the Seen series focuses on Rachel Carson, whose writings and accomplishments on environmental issues eventually led to the creation of the EPA (Environmental Protection Agency) in the United States. As a little girl, Rachel loved nature. She acquired a bachelor’s degree in biology, and a master’s in zoology and genetics. While working as a typist as a young adult during the Great Depression, she publishes her first article, then her first book, which unfortunately becomes overshadowed by World War II. She publishes her second book, The Sea Around Us, after the discovery and widespread usage of DDT. She goes on to publish her most famous work: Silent Spring.

Though Rachel faced public disbelief and outrage for her work, she never let it sway her. She let the facts, and sometimes lack of facts (lack of long-term effects of pesticides, for example) speak for themselves. She did her best to emphasize the potential consequences for humans as well as plants, animals, and insects. We are all connected in a symbiotic relationship and what affects one of us will affect the others. This is what Rachel strove to get us to understand before she passed away prematurely at 56 from cancer. Though she lived a short life, she lived a full one defending and speaking out about her passion.

Just like the first volume about Edmonia Lewis, the illustrations are no-fuss. There is also a bibliography and teaching guide at the end. This book is instead written in first-person as if Rachel was writing or speaking to us, as opposed to the third-person narration from Edmonia’s volume.

A wonderful second installment in a most welcome and informative series! Looking forward to the next volume.

– Kathleen

Willis, Birdie, Rii Abrego, and Kieran Quigley. Seen: True Stories of Marginalized Trailblazers: Rachel Carson. 2021.

Amazons, Abolitionists, and Activists: A Graphic History of Women’s Fight for Their Rights

Here in graphic novel form is a history of women and their struggle to earn rights. Women warriors, rulers, writers, speakers, leaders, of all colors, from antiquity to today, are included. The name, years of birth and death, a portrait, and a short story or biography (including direct writings or quotes were applicable) are included for each woman.

The overall narrative is constructed as an AI classroom, in which school girls asked about how women got the right to vote. As the AI teacher shows us, women’s right to vote was very closely entwined with other rights: labor, birth control, civil, and disability. The fictional girls in the story learn from the immersive AI environment, but also from each other.

Though text-heavy and stuffed full of information, I found it to be an easier read than expected. The time stamps were very helpful. There are also chapter breaks, often with a fun two-page spread of a big scene with multiple women related to that chapter title. Trying to guess all the real and fictional character was a lot like playing “Where’s Waldo”! Each chapter (for the most part) followed a different time period, and the art would change slightly accordingly to reflect that time. It would even change within chapters according to place: for example, going from the Mayan Empire to the Vikings to the Celtic Empire.

What surprised me the most was simply how many women were featured here. Most were given 1-2 pages dedicated just to them; some, like women of the Civil Rights movement, were grouped together on one page. The writings and quotes accompanying each woman made reading about them so much more interesting and immediate. A great deal of research was done for this book to show, rather than just tell, how women created and continue to create change. Highly recommended.

– Kathleen

Kendall, Mikki, and A. D’Amico. Amazons, Abolitionists, and Activists: A Graphic History of Women’s Fight for Their Rights. 2019.

What Unites Us: The Graphic Novel

Journalist Dan Rather wrote What Unites Us: Reflections on Patriotism in 2017. This is the graphic novel adaptation of that book, which is a series of essays. The graphic novel is broken up into chapters, each talking about a specific topic on American patriotism. The first chapter defines patriotism and it is that definition that guides us through the rest of the book. Through stories both personal and historically significant, Rather illustrates how patriotism has evolved since he was a child. As patriotism encompasses many forms, so too does Rather talk about patriotism through the lenses of inclusion, exploration, and more.

The illustrations were lovely. Though they were minimalistic, to let the writing take center stage, they were still carefully crafted. Each line has purpose, with no frills or fuss. Red, white, and blue are the only colors used. Often, a whole panel will be red or blue, though some combine the two. For example: red can be the entire foreground and blue the background. Very occasionally the two will mix into what looks like a watercolor bloom.

Rather himself was the main “character,” who served as the narrator for the book. He “speaks” his essays to us, which gave it a nice personal touch, as if you were having a conversation with him. He mentions various public and historical figures, all of whom are drawn true to life.

While overall the book was thought-provoking, and I appreciated that he did not sugar coat yet remained optimistic… it’s a white man’s optimistic view of American patriotism. I would like to see, and will be seeking out, graphic novels which speak to women and BIPOC’s points of view on America then and now, and what we can do to make this country better for everyone. This graphic novel was published in a series called World Citizen Comics, more of which I’ll check out.

Happy Fourth of July for our American readers!

– Kathleen

Rather, Dan, Elliot Kirschner, and Tim Foley. What Unites Us: The Graphic Novel. 2021.

Brazen: Rebel Ladies Who Rocked The World

I loved Brazen! Stories of 29 kick-ass women are shared- spanning centuries and continents.

I only recognized a few names- Margaret Hamilton, Josephine Baker, Temple Grandin, Betty Davis, Nellie Bly, Hedy Lamarr, Mae Jemison and Peggy Guggenheim. The other twenty one women were new to me, but now I want to know more about all of their lives!

Author and illustrator Pénélope Bagieu gave each woman three to five pages and would start their story at their birth before proceeding chronologically and would touch on what made each woman so unique. Many of the women are from years past, but Bagieu is able to capture the time period and mores of the era, to showcase how the woman (or sometimes women as there were two groupings of sisters) were rebels for their generation. She covers their lives in broad strokes, glossing over many aspects of their lives, yet sharing the fundamentals and getting to the essence of the story. These stories were also perfect to read in bite-sized portions, I could read about a few women at a time, and looked forward to the next time I could pick up the graphic novel and read a few more short biographies.

Nellie Bly

Each page typically has nine panels and is done in a cartoony manner, yet is accurate in how the women looked and their various environments. Color is used sparingly, to add contrast or to heighten the effect of a momentous event. Bagieu saves the real artistry for a closing two-page spread that is filled with color and symbolizes what they stood for. I looked forward to how she would convey their lives and what art style she would use- Art Deco, Surreal, Nouveau, Impressionism (both Neo and Post) or Modern Art are among the different types. My favorite was Betty Davis’s, for I had to turn it sideways to understand it, and all it’s parts perfectly came together to form a complete picture and vibe.

I applaud the diversity found within, for Bagieu choose an Apache warrior, a Chinese empress, an astronaut, a volcanologist, a Greek gynecologist, athletes, singers, painters- even a bearded lady! I do wonder where she got her information from, for a brief work cited would have led additional weight to her character studies. But I have spent time myself looking up additional information about the women in this book, and that is always a good sign of a strong non-fiction book when I want to know even more about the subject or person at hand. In the end, she lists 30 additional women to learn about, and I’m all in for reading another book about more brazen women!

-Nancy

The Disney Bros.: The Fabulous Story of Walt and Roy

This slim graphic novel presents the start of the Walt Disney Company’s story. Together with Ub Iwerks, brothers Walt and Roy Disney start their own animation studio in 1928. Walt is the face of the company and the creative force; Ub is the main artist and animator; and Roy handles the business and financial aspects. We see the little studio grow and push the boundaries of animation – first adding sound, then color, then a full feature-length animated film called Snow White in 1937. We see the animation studio grow into a media conglomerate and a theme park revolutionary. We also see the Disney brothers and Iwerks grow together, then apart, then together again to create something the likes of which the world had never seen.

For everything it tried to accomplish – present Walt in a neutral light, track the founding and building of the company – it fell short in every case, because it was too short. Disney history, especially that of the man Walt himself, is fascinatingly convoluted and I felt there was a lot of context missing from it as a result of the short length. It felt from the art style and writing that this was supposed to be for middle-grade or YA readers. In that regard, I can appreciate the effort; as an adult reader, I found too much lacking for it to be particularly educational or enjoyable. It really needed to be the length of Jack Kirby: The Epic Life of the King of Comics (208 pages to Disney Bros’ 112) for it to be effective from a narrative standpoint.

It was more effective in its presentation. There were chapter breaks in order to give young minds (and older ones) a breather 😉 The colors were bright, cheerful, and very Disney-fied. Though it was hard to distinguish individual characters from one another, the figures were drawn in a visually pleasing manner: short, lean bodies with big heads and bulbous noses, recalling cartoon strips popular at the time.

While I didn’t enjoy this as much as I hoped, middle grade and YA readers will get an abbreviated look at how the Disney company started. The “Further Reading” section at the back will allow them to further satiate their curiosity.

– Kathleen

Nikolavitch, Alex, and Felix Ruiz. The Disney Bros.: The Fabulous Story of Walt and Roy. 2020.

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