Something is Killing the Children– if this title doesn’t grab your attention, I don’t know what will!
In a quiet Wisconsin town, children are disappearing. While most will never come back, a precious few escape and come back with horrifying stories of a monster in the shadows. The townspeople are distraught, so enter Erica Slaughter, who comes to Archer’s Peak ready to kill the monster on hand. This Goth looking Buffy The Vampire Slayer interviews a survivor and heads into the woods to kick some ass.
The world-building is intriguing, as you can’t help but wonder at Erica’s past and her intentions. There are hints that she belongs to a society of monster-killers, each with a small talking talisman- her’s being a purple octopus plushie. She has quite an interesting look, her side-swept bangs always camouflaging one of her eyes along with what looks to be a glowing implant in the side of her face. She often wears a mask to cover the lower half of her face, with a fang motif, that I have to admit would be a bad-ass print to wear on a facemask nowadays with the pandemic we are in the middle of.
The artwork is definitely atmospheric- gloomy, creepy and bloody. Drawn by Werther Dell’Edera, his work is sketchy and imprecise. There are many closeups of people, and some come off as grotesque with an emphasis on crosshatching to signify lines and shadows. When fighting the monster, the gutters become black, with an even darker color palette. Colorist Miquel Muerto keeps all the colors muted, as to signify the darkness of the narrative.
I’ve heard good buzz on this new series- on Goodreads, on NetGalley and even better the staff at my comic-book store, Graham Crackers, recommended it to me. It joins some books that have immediately hooked me in: Briggs Land (which Dell’Edera illustrated parts of V2), Locke & Key, Harrow County, Revival and Bone Parish. Thank you to NetGalley for an advance online copy so I could get in on what promises to be an exciting new horror series.
“From the ‘heir to R. Crumb and Art Spiegelman’ a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural world”
Author and illustrator Joe Sacco is known for his insightful graphic novels Footnotes in Gaza, Palestine and The Fixer: A Story from Sarajevo. He is a well-regarded comix-journalist who immerses himself in different locations around the world to interview and understand his subject. He once again does this with this recent graphic novel, as he journeys to the subarctic Northwest Territories of Canada to stay among the First Nations Dené tribes.
Sacco begins the book by having some elders share how they used to “live in the bush” at least part of the year, which means their families were living off the land and were often nomadic. Men and women shared duties, with no gender division because if you were alone in the wild, you needed all the life skills, not just half, to survive. This lifestyle began to change with permanent settlements which resulted in specific gender roles, technology such as snowmobiles replaced the dog sleds, jobs in the industries that were advancing into the area and the enforced residential schools run by the government. Not only was a way of life disappearing, but their surrounding habitat was changing, as oil, gas and diamond mines were wrecking the environment.
There was so much to cover and Sacco ably shows the research and time he poured into this project. He interviews several chiefs (who have different ways of looking at the economy vs environment issue), activists, trappers, oil workers, priests and elders. Different chapters tackled some of the big topics – a changing way of life, land claims, and residential schools.
The chapters on the residential schools really stood out, as they devastated the families and tribes in both Canada and the US. Children were ripped from their cultures and identities and told that they must conform to European-type standards. And while those schools have been thankfully closed for a while now, their insidious legacy lives on. The transfer of dysfunction has now moved from their abusers who were strangers (at the schools) vs bringing home that dysfunction to their families so now abuse exists within families. Parental disengagement is rampant, as is extreme alcoholism. These unhealthy cycles are now being passed down to other generations, years removed from the residential schools. Another excellent graphic novel that touches on this disengagement from their tribes and families is The Outside Circle.
At 272 pages, this a dense piece of non-fiction that will take multiple sittings to finish. In fact, even after finishing it, you will want to go back and look at certain chapters to gain even more information. I would suggest that this text-heavy graphic novel could be used in the classroom as a supplemental resource to trying to fully understand some First Nations issues. As with any complex issue, there are no easy answers and Sacco questions after many interviews “Is there really such a thing as the best of both worlds?”. He admits that because he not Native American there are some issues that simply can not be understood. While he was given much access to the communities, there are certain people, events or situations he could not be privy to.
The black and white art shows a comix vibe, which is meant for mature audiences. Not only are the pages filled with a lot of text to convey information, but the pictures are also detailed and precise. Whenever he includes himself in a scene, he draws himself in an exaggerated caricature style, yet everyone else is drawn accurately and with respect. The beautiful landscapes are lovingly drawn in, so then the juxtaposition of seeing how some areas have been destroyed is heartbreaking.
This was a deep and reflective look at life for the Dené, and Sacco tried to wrap it up with a nugget of hope as young activists there are trying to work on a myriad of issues. I would suggest you pair this well-researched book with other books written by #ownvoices authors to get a nuanced view of the joys and struggles of people who live in that region. Thank you to NetGalley for an advance online copy of this thought-provoking story.
Heart: Author and illustrator Nick Seluk has a new comic book coming out soon!
Brain: Well, Heart, it’s not about us- it’s about “fascinating, bizarre and true health stories”.
Colon: Stand back Heart and Brain, and let some other parts of the body take center stage in this comic book. In my chapter, The Breakup, I treat my human horribly and get removed.
Spine: Seluk illustrated 24 weird medical stories that different people shared with him. I star in Attack of the Spine!
Stomach: I play havoc in several stories, with a new nurse getting the brunt of my distress in the chapter Pancakes.
Kidneys: I make stones that sadly are not appreciated in the chapter The Geologist.
Gall Bladder: I’m a big big helper in the same chapter!
Butt: Some people are complete idiots with their body, as in the solution my human came up with to prevent diarrhea in MacGyver Syndrome.
Testicle: Although the less precise medical terms nuts was used in my chapter The Shark That Went Nuts, this last chapter included the craziest story with a shark that bit my human in a very delicate location.
Eyes: Be on the lookout for this book in March, drawn in Selak’s trademark adorable anthropomorphism-like style. Thanks to NetGalley for this early copy.
Tagline: “Stunning crime-noir graphic novel exploring the intertwining threads of crime, conspiracy, racism, and insanity in the post-World War II Deep South.”
When I saw this graphic novel was drawn by Nate Powell, the artist of the excellent March trilogy, I knew I wanted to give it a chance just based on that and eagerly requested it from NetGalley. His collaboration with author Van Jensen proved to be strong and I enjoyed this historical drama.
Gideon Kemp is a soldier who is fighting PTSD, who has recently returned from WWII and accepts a job as a police lieutenant detective in Little Rock, Arkansas, in 1946. As Gideon is an idealistic rookie, Mayor Sprick warns him against the mob in the city and problematic Chief of Detectives Abraham Bailey. The officers are fighting a sadistic serial killer, and this white police force comes up against Chief Jacob Davis and his black police force when a victim is found in their jurisdiction. Ugly racial prejudices are shown, with postering and threats made, when the two groups should have been working together for the greater good.
Mob activity increases and Chief Davis tries to keep his brother Esau out of it, as racial tensions are about to explode. In the midst of this Chief Bailey is shown to be unstable, with lingering effects of guilt and schizophrenia affecting his everyday actions. All four men are caught up in the ugly cycle of violent segregation and are drawn together in an explosive finale. A fellow cop’s statement becomes symbolic, “Stay a cop long enough you go down one of three paths: you become a cynic, a reformer or a drunk” as justice is not always achieved.
Powell helps the book come alive, and makes the narrative flow through his powerful black and white illustrations. His work is historically accurate and he faithfully duplicates the era. Black backgrounds when there is violence was emblematic, but on the other hand, hard to follow. With a lot of speech bubbles to keep track of, I felt I was missing part of the story, for I was trying so hard to read the conversations that had small lettering. A second read of the story when it is published will be necessary to catch what I missed in the online version.
Far from a light read, author Jensen created a layered thriller, that was inspired by true events. I applaud him and Powell for showing how some deep-seated issues resulted in social ills for everyone in the community, and that they didn’t shy away from showing the tragedy that unfolded because of it.
Superheros have been dealing with the repercussions of death and destruction for years and who better than author Tom King, a former CIA operative, to know that this would start to wear on these DC heroes. Thus Superman, Wonder Woman and Batman band together to build a secret mental health clinic in rural Nebraska called Sanctuary where heroes can go for anonymous assistance. It is staffed by androids and offers virtual reality reenactment and counseling to help them with their issues.
Event books seem to be my kryptonite with DC. While I rarely read about individual superheroes, except for Aquaman lately, I am a sucker for these stories that bring everyone together in sometimes implausible ways. So the story begins with Harley Quinn and Blue Beetle duking it out, as each accuses the other of being a murderer- and we soon find out that there was a slaughter at the Sanctuary with several heroes dead. While most of them are heroes of little note, Wally West who is the original Kid Flash, is one of the casualties. The Big Three are called to investigate, and they are dumbfounded, as they had put in place many safeguards to protect their traumatized brethren.
The story had some incredible highs and lows. While I applaud the idea that superheroes would need counseling to process their grief and the insight that King brought to the large cast of characters, the ending was very convoluted. I had to poke around in The New 52 and DC Rebirth to understand why the culprit did what they did, and it still didn’t make a lot of sense. But no matter, this character will be yet again retconned and their crimes will not matter in the future. In addition, the release of private confessionals to the public and Lois Lane’s decision to go to print with the story rubbed me the wrong way. In real life, there are “outings” of people’s private lives all the time for sensationalistic effect, all in the name of the “public’s right to know”.
Yet, the book worked in smaller moments. There were some interesting pairings- towards the end Batgirl, Harley Quinn, Blue Beetle and Booster Gold band together to solve the mystery of what happened. As I don’t read a lot of DC, I was unaware that Harley and Poison Ivy were a couple, but the two of them have a brand new mini-series that takes place directly after this event, aptly named Harley Quinn and Poison Ivy. I enjoyed seeing Batgirl prevent Harley from spiraling out of control, and the bromance between BB and BG. I looked up several of the heroes I was unfamiliar with, and the insecurities that the four Robins showed (see below) was pitch-perfect. Tom King is now known as someone who writes about deeper psychological issues, and that is readily shown in this story.
The artwork by Clay Mann, Travis Moore, Mitch Gerads, Jorge Fornes and Lee Weeks was absolutely outstanding. For so many artists, the style stayed remarkably consistent. The two-page splash pages that opened each issue were visually stunning, with distinct drawings of both small settings and large outdoor expanses. The nine-panel pages were my favorite, as each character was drawn with precision, with facial expressions showing their personalities and conveying the distress that they each of them was working through. Rich colouring and lettering also added to the top-notch illustrations.
All in all, a thought-provoking story that may trigger some difficult feelings for some readers, as mental health is a loaded topic for some, but is worth discussing and bringing out into the open. I was glad to read an online preview from NetGalley before it was published and will plan or ordering this graphic novel for my library.
After the Drowned Earth series, Aquaman’s fate is revealed in this new series by Kelly Sue DeConnick. This story begins with the amnesia trope as Arthur has washed up on a remote island, called Unspoken Water, and is saved by a beautiful young woman Caillie. He has no memory of his past and is hesitant of the water. The few island inhabitants are a strange lot and later reveal that Caillie is the daughter of a sea witch that was banished long ago.
The story then moves into a complicated mythology-heavy narrative about revenge. The island inhabitants, not surprisingly, are not what they seem, nor is Caillie. When Caillie and Arthur try to find her mother Namma to end the curse on the island, they get more than they bargained for. Mera had an incredibly small role in this story, and although I assume Arthur has not been missing long, she is being encouraged to remarry as this story has The Odyssey overtones. Later she realizes he is alive, so hopefully, this remarriage nonsense will be put to rest. The end of this volume promises a future battle with Namma, and I would hope it also includes Arthur reclaiming his identity and reuniting with Mera later in this series.
The art was outstanding, with Robson Rocha and Daniel Henriques visualizing DeConnick’s tale in a beautiful way. The water scenes, with waves crashing, made you feel as though you really were surrounded by the ocean. The pages showcasing the ten Gods as they merged between their human form and their godly form included great detail and I spent some time looking up the Gods along with their cultural connections and history. The coloring was vivid and brought the creatures to life as they burst out of the panels. The only minor issue I had was in Loc’s human portrayal, as it was an unnecessary caricature.
As I’ve been on an Aquaman and Mera kick lately, I was pleased to receive this advance copy of the graphic novel through NetGalley. It is always interesting to see different author’s and artist’s versions of a character, but of course, there are some adaptations that will be more favored. In my case, it was Geoff Johns’ The New 52 that I have liked best, as this story became quite muddled in the middle with the mythology angle. I might look into the aforementioned Drowned Earth series, because all the Aquaman and Mera books I have read have been stand-alone stories, and I want to see them involved in the Justice League as integral members of the team.
I am a fan of crime thrillers, as my decades long reading of the Prey novels by John Sandford bears out. Thus, when I saw this crime-noir graphic novel on NetGalley, both written and illustrated by Palle Schmidt, I was intrigued.
Cop partners, young Alphonse and family man Maynard, are tasked with solving the killing of two of their follow police officers before Internal Affairs takes over. Signs point to a leak within the department and they try to find the mole before it’s too late. They are told by two higher ups at different times to report directly to them, which immediately shows possible layers of corruption. All they know is this person goes by Stiletto and no one should be trusted.
Surprisingly we find out who the mole is half way into the novel, and then watch this person desperately try to cover their tracks. It was truly depressing to find out who it was, as all the death and destruction that is wrought doesn’t truly benefit this person. Their life is still desperate and unhappy with no redemption in sight. But this book was not written to have a happy ending, and was a homage to classic cop movies like Serpico. I also would compare it to the television show Breaking Bad that showed the main character’s justification for his descent into evil.
I don’t read many graphic novels that are both written and illustrated by the same person, but Schmidt capably does both. His watercolors were appropriately dark and shadowy, with a sepia color palette. Flashbacks had a blue over-wash which was helpful in differentiating the chronology. A shark motif is also used effectively to showcase the pressure and the feeling of being hunted that the men are feeling. Schmidt draws the cityscapes with a gritty precision as well as a whole cast of characters.
Schmidt’s world-building was excellent as it conveyed a somber atmosphere for this morally ambiguous tale, and I would be interested in what lays in store next for this corrupt police department.
Premise: “An espionage series about a top-secret, elite branch of boy scouts tasked by the government to take on covert missions.”
I was intrigued by the idea of elite scouts who infiltrate different countries undercover, as both my boys are scouts. At first I was amused at the idea of scouts as decoys, but the story by Matt Kindt proved to be more nuanced than I expected with some deeper themes regarding political and social agendas.
Kenny, Cliff, Mitzi and new team member Willy begin their adventure in South Korea with a mission of getting into North Korea to spy. When caught there (and anywhere else) they claim to be lost, and government officials never take them seriously as a threat and always release them. They next move to Siberia, and later Pakistan, and we are introduced to a larger web of connections and conspiracies. A lack of communication between team members and higher ups was an unwelcome trope and led to the reader, and the team themselves, questioning who could really be trusted. The book ends with an upcoming Hunger Games-esque competition between this Black Badge squad and other young scout teams.
The sketchy artwork by Tyler Jenkins, colored in with watercolors and gouache by Hilary Jenkins, was reminiscent of Jeff Lemire’s work (who does a variant cover). While this style can be imprecise for small details, it gives the story an appropriate restless and shadowy look. Flashbacks, which often were suspect, are shown as boldly monochromatic and give you visual clues of time shifts. The layouts were varied with some nice splash pages, with the outdoor scenes drawn especially well.
Thank you to NetGalley for giving me an advance online copy. This new series could potentially take off with the YA crowd, as an edgier and more mature version of Lumberjanes, for both sexes. I’ll keep my eye on this as a potential purchase for my library collection.
DC Ink is trying to capture the teen crowd by having established YA authors give some of their heroes new origin stories. In this outing, Danielle Paige reimages a teen-aged Mera meeting Arthur Curry for the first time. The timing is good, as the Jason Mamoa Aquaman movie is still fresh in people’s minds, plus I myself read two Aquaman graphic novels recently.
Mera is introduced as a rebel warrior princess of the underwater kingdom Xebel. Xebel is currently under the domain of the stronger Atlantis, and the inhabitants are chafing under their rule. Mera and a friend are caught defacing property, but a palace guard diverts attention from the Atlantanians so Mera can escape. The king later establishes that he wishes Mera to marry a prince in a neighboring kingdom, and later gives him a directive to find and kill Atlantian heir Arthur, as to establish Xebel dominance. Mera decides to do this herself and leaves to go on shore to find Arthur on her own. She quickly finds him, but things keep on happening to prevent her from carrying out her mission. Will she be able to kill Arthur when she has a chance, even after discovering he is kind and unaware of his heritage?
The art by Stephen Bryne establishes Mera as the center of attention by keeping the entire color palate in muted green and blue ocean colors, except for Mera’s distinctive red hair. Bryne creates an appealing underwater world with varied sea creatures but also renders realistic portrayals of people below the ocean and then later in Amnesty Bay. I appreciate that he did not draw Mera as a bombshell, instead he drew a lovely but not too developed teen-age girl. She even wore flats to a dance! But…why in the world was Arthur given dark hair? In all DC comics he is a blonde, so I wondered if this is a nod to the Momoa version on screen? It truly felt wrong to me.
The story had some huge holes you could drive a truck through. Plus it had insta-love which is a plot device that I hate. However, I believe it will be liked by the audience it is shooting for- teens. It was a solid origin story for a brand new audience that won’t get hung up on it not matching past established canon. I was able to read this story before it was published as I received an online copy through NetGalley. However, they put an embargo on reviews until it’s publication date on April 2nd, making me think they were not confident that it would be reviewed well. Another blogger clued me in this is standard with DC online books, but still. Nonetheless, as a marker of how I feel a teen audience will like it, I already have placed an order for it for my work library for the YA collection.