The Crossroads at Midnight is a collection of five creepy short stories written and illustrated by Abby Howard. It is a good introduction for an older YA audience looking for horror graphic novels, who are ready for some gore, but not too much.
The Girl in the Fields
A queer teen is outed when her private online correspondence is read by her conservative parents. They threaten that their pastor will cure her, and living out in the country, Frankie has nowhere to escape to. But she seems to strike up a friendship with a neighboring girl who she can’t see because of the tall fence. Determined to meet in person, she climbs over but can’t find her, but unfortunately runs across a farmer who is a religious zealot and who plans to kill her with his tractor. This was a heavy story to start off with, but it had an interesting blend of reality with the unexpected.
Christina, a frazzled college student who is crashing in a friend’s apartment snags a used mattress from a city street. Her roommate is rightfully disgusted, as stains are evident. But Christina’s nights become filled with nightmares with a large creature says he wants her flesh. Upon waking she is exhausted, feverish and develops a bad rash. After a horrific long hospital stay in which she loses a lot of skin, she is visited by the creature once she returns home. Is she doomed to lose the rest of her skin? The last panel shows the mattress out on the road again- who’s next???
The Boy From The Sea
Two sisters vacation with their father at a beach, when a strange boy befriends the younger sister. The older sister clues in that the boy means her harm and is on guard to keep her sister safe. But the older sister needs to make a heartbreaking decision when he comes to drag her sister into the ocean. Thirty years pass and another agonizing scene occurs with no recourse.
Our Lake Monster
The naivete of youth! A young teen reminisces about the days in which her family traveled with a lake creature, before a tragedy occurred, putting an end to their side-show income. She believes the lake monster is still kind as it was when it was young and much smaller, and waxes poetic to her little brother about it. She then makes a decision that has terrible consequences for the entire family.
This melancholy story was strangely sweet, although it was the only story that did not include a young character. An older woman Norah who has never married or had children lives out in the country, which is adjacent to a bog. A bog woman mysteriously shows up at her doorstep and believe it or not, the two women strike up a friendship of sorts. Two other voiceless bog women join them, and Norah researches who they might have been in the past and the circumstances of their death. Later, after rejection after rejection by the townspeople during her time of need, she makes a decision that brings her peace.
Howard’s black and white art was powerful. Her crosshatching of shadows and effective use of white vs black gutters to hint at the changing tone was spot-on. Her art reminded me of Junito Ito’s work- both in style and substance. Body horror was forefront in most of the narratives, and you need to have a strong suspension of disbelief. These bittersweet tales are a perfect slice-of-life horror.
Thanks to NetGalley for an early online copy. As a teen librarian, I will definitely be buying a copy for my library’s collection!