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Massimo Carnevale

Warlords of Appalachia

Another Goodreads suggestion was spot on for me- as this gritty dystopian tale had a timely political message that spoke to me.

The premise of the story: Set in the near future, a corrupt dictator has been voted in as president, which plunges America into the Second Civil War. Afterwards Kentucky refuses to rejoin the nation, leaving them a demilitarized zone and caught in the cross-hairs of the fascist leader who will do anything to bring these rebels into line. In the midst of this, mechanic and former soldier Kade Mercer reluctantly becomes Kentucky’s de facto leader as he leads his townspeople into the woods to escape from a military attack. Mystery surrounds his silent young son, who is kidnapped and held as ransom by the army, and in regards to the “blueboys” who live hidden in the mountains.

There are some interesting threads running throughout the narrative that were intriguing. Drug addiction is a very real problem in parts of Appalachia today, and author Phillip Kennedy Johnson incorporates drug addiction into the story as physically manifesting in people, turning them blue and zombie like. Political extremism and hero worship tie into President Roth’s portrayal, with uncomfortable parallels to our current president. There is also a religious aspect, as those following Kade have tied him to being “The Messenger” as foretold by the Prophet Luther. Both sides fanaticism doesn’t bode well for a meeting in the middle.

I was unfamiliar with author Johnson’s prior work, so I looked him up and found out that he is a musician in the Army. This explains his familiarity with the armed forces and their inner workings, plus the beautiful folk-like songs that begin each chapter. I was captivated by these songs and sang each aloud, reminding me of my mother’s family from Indiana and Kentucky. On a personal aside- I have retained a bit of my family’s Appalachian/southern vernacular, as I say crawdad instead of crayfish or crawfish, soda instead of pop, and I pronounce the diphthong // as ä making words like tired sound like tarred. I tease my kids by saying I swan instead of I swear, as my Grandmother used to. All of these little connections made me appreciate this story even more, as I imagined some of my family as these rebels.

Another huge reason as to why I enjoyed this tale was the art. Massimo Carnevale, who did all the cover art for Northlanders, drew this cover. He is a master of picking up the theme of the story and representing it in a way that is sure to grab your attention. I recently loved Bone Parish, so I was pleased to find artist Jonas Scharf as the main artist of this graphic novel too. Scharf captures the look of Appalachia and it’s inhabitants, while also realistically rendering the military scenes. Colorist Doug Garbark also adds to the mood by using a muted color palette to show the weariness of the people during the brutal occupation.

An afterword by the author gives some insight to the story, and perhaps should have been at the beginning to give some clarification to some of the threads I mentioned earlier that were at times confusing. I have not seen a continuation of this story, which is a shame, for I got sucked into this plausible world, and would like to see Kade and the other Kentuckians fight for freedom. This is too important a story to let go of and I hope Johnson and Boom Studios will be able to continue this series.

-Nancy

Johnson, Phillip Kennedy, Jonas Scharf & Doug Garbark. Warlords of Appalachia. 2017.
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Northlanders: Books Six & Seven

Brian Wood’s Northlanders saga has drawn to a close. Seven books have given us intimate portraits of Viking individuals and families through out the years, in three geographic areas- Iceland, Europe and the Anglo-Saxon regions. I am sad that this series has come to an end, and will miss these emo, petulant and violent warriors!

Thor’s Daughter and Other Stories: Book Six 

The Siege of Paris– The longest of the three stories is set Paris in AD 885 and is based on an actual historical battle that was documented by Monk Abbo Cernuus, a character in this story. Told from the perspective of Danish soldier of fortune Mads, he and the other Viking soldiers prepare for a long siege.  Despite only a small army defending Paris, they manage to put off the Viking fleet. Mads is able to cut off their supplies and a battle ensues, but a political settlement is reached and the soldiers end up fighting in vain. Illustrated by Simon Gane, the rough and cartoonish looking drawings were not to my liking.

The Hunt– A hunter, whose wife and children have left him to live in the city due to unusually cold winters in the wilderness, tracks a deer through wintry Sweden in AD 1000. Defiantly bitter about it, he obsessively hunts the deer wanting to prove to himself that he is still a provider. The artwork by Matthew Woodson is decent with some nice landscapes.

Thor’s Daughter– Set on an island in the Outer Hebrides, islands off the coast of Scotland, in AD 990 we meet Birna Thorsdottir, the daughter of the man who owns the island. A tough teen, she is still caught unaware when her father is ambushed and killed by some of his guards. Kicked out of her home she seeks other guards that still remain loyal to her family. She ultimately gets revenge, but there is a huge gap in the story to explain how she persevered and claimed her birthright. The artwork by Marion Churchland was lacking and the short story was not strong enough to deserve the title of Book Six.

The Icelandic Trilogy: Book Seven

This last book details a family’s rise and fall through several generations in Iceland beginning in AD 871 and ending in AD 1260. Three artists are utilized- Paul Azaceta, Declan Shalvey and Danijel Zezelj- as we move through the different eras.

We begin with Norwegian immigrant Val Hauker, whom with his wife and son Ulf, settle on the empty shores of Iceland. Within a year other immigrants begin to move there too, but Val wishes to establish dominance as he was there first. After a violent run-in with the Belgarsson clan, Val wishes to teach Ulf a lesson on how to be strong against future attacks, but he goes too far and turns Ulf into a sociopath. Time passes and Ulf grows up and he consolidates power so his family can reap the riches of the region. He frees an Irish slave and takes her as his wife, and their bloodthirsty ways grow. However, I do not understand how Ulf becomes so powerful- why would other settlers align with his small family in the beginning? While this establishes the beginning of the Hauksson dynasty, I did not buy it.

Skipping ahead to AD 999 we meet the fifth generation of the Hauksson’s, brother and sister Brida and Mar. There is a Game of Thrones vibe here,  including a sexually charged relationship between the siblings. When Mar leaves to loot among the southern coast, the Belgarsson clan aligns with the growing group of Christians in the area, putting the Haukssons at risk. Brida needs backup so she finds the illegitimate son of her father,  hoping her half brother Ott can help strengthen her position. When a converted Mar returns, the twins fight over how Christianity is changing traditional Icelandic ways, but Mar argues that they must join with them if they want to stay dominant. At the height of their family’s power, this is a turning point for them, and the siblings need to adjust accordingly.

The final jump is to tenth generation heir Godar and his impetuous son Oskar in AD 1260. Godar is a steady man who is documenting his family’s linage and has the riches of his family in stable holdings, now that the family no longer has to go to war to retain their power. However, Oskar wishes for glory and makes a power play so he and his allies can fight soldiers from Norway who are encroaching on Iceland. But things don’t go as planned, and after several failed military maneuvers, Oskar loses the confidence of those he leads. The Hauksson family is now in decline, 400 years after settlement, but the family name lives on…

I am a huge fan of much of Brian Wood’s work, especially Briggs Land and Rebels, and this sometimes uneven series further cemented him as one of my favorite authors. Some stories were obviously stronger than others, but the problem I had was the inconsistent artwork. Illustrators like Leandro Fernandez, Becky Cloonan and Ryan Kelly were excellent, others were horrible. Dave McCraig, the colorist throughout the series, did the best with what he was given and kept to an earth tone palette which brought some consistency to the varying art styles. I loved every single work of cover art by Massimo Carnevale and wish he had illustrated some if not all of the stories. Wood shines with his historical fiction series, and you can tell he does his research, although he often will put in modern sensibilities into his work. His interpretation of Viking history is one you don’t want to miss!

-Nancy

Read my reviews on: Book One, Books Two + Three, Books Four + Five

Northlanders: Books Four & Five

Northlanders continues to wow, after my initial rough start with Book One. The fourth book in the seven book series was my absolute favorite!

The Plague Widow: Book Four

The story takes place in the frozen Volga region in AD 1020. A plague has come to the seven hundred person settlement in October, and as winter has started, burials in the cold ground are impossible so pyres of dozens of bodies are lit to dispose of the diseased bodies. Frantic with worry the inhabitants listen to their elderly leader plus the local priest Boris. Boris counsels strongly that the settlement go under quarantine and those who show any sickness be banished so those remaining may live. But what they don’t take into account is how claustrophobia sets in, and they find they locked the greater danger inside their walls with them.

Hilda, a young beautiful widow with an eight year old daughter, is caught in the crosshairs as her former status as a wealthy woman is stripped when her husband dies of the plague. Destitute, with a long winter ahead, she struggles to survive and is targeted by Gunborg, who is the second in command and has it out for her after she votes against him in council. Two other men want her as a wife, but each man has different motivations and their jealousy of one another results in bloodshed. A final battle between Boris and Gunborg comes to a head, and Hilda and her daughter are given a chance to escape.

The art by Leandro Fernandez is a perfect match to the story. He captures the isolation of a Viking settlement shown mostly in dull colors with overlays of blue wash, which effectively shows the icy coldness of Russian winters. Some of the changing artists in this Northlanders series have not been to my liking, but the pairing of this excellent story with Fernandez’s precise artwork made this a winner.

Metal and Other Stories: Book Five

After how much I loved The Plague Widow, this book turned out to be disappointing in comparison. Metal is the long middle story, with two much shorter stories book-ending it.

The Sea Road

Illustrated by Fiona Staples who is now known for the Saga series, this short story takes place on the open sea in AD 760. Captain Dag is running cargo along the coast when he suddenly decides to turn the tiller and sends him and his crew westward towards the unknown. Putting his men at risk on a moments whim, he wishes for greater glory but instead encounters storms, mutiny and crew members experiencing hallucinations and going berserker. When they finally make landfall on Greenland, the few surviving members are met with treachery by the captain and their epic journey is for naught. This was an interesting take to show that many unknown sailors died ignobly with their discoveries unrecorded.

Metal

I recently read Boxers & Saints, about how Christianity changed China forever, and how many fought the new religion as it significantly changed their culture and resulted in many old traditions being outlawed.  So it was quite a coincidence that a week later I read another graphic novel story about Christianity changing Norway in AD 700.

Erik is a young blacksmith who is tied to traditional Norse Gods and is against his settlement allowing a new Christian church to be built. He watches as priests and nuns move in, along with a teenaged albino girl whom the nuns mistreat. In the night Erik burns down the church but first rescues the girl Ingrid and they run off together. The story then becomes a Bonnie and Clyde caper, with a strange magical realism aspect, that doesn’t match the rest of the series of realistic fiction. There was no subtlety, it was just Eric slaughtering any Christians he encountered, so the reader could not take his side at all in his wanting the Nordic Viking traditions to live on.

The art by Riccardo Burchielli was awful. Not only was I unable to get into the story, but the people he drew were grotesque looking. Erik is drawn as a hulking troll, not even resembling a human (the picture in this post makes him look normal, the rest of the series does not). Ingrid is drawn slightly better, but there are some sequences that she was drawn so horribly, and I didn’t understand why. In the concluding pages, Erik is drawn so differently that I question if the same artist drew him.

The Girl In The Ice

The best of the three stories is illustrated by Becky Cloonan and is a character study of an Icelandic fisherman set in AD 1240. Jon is an elderly widower who discovers a young girl frozen in the lake ice. He carves her out and brings her back home to investigate who she is and how she died. With no obvious trauma on her body to explain her death, he doesn’t understand why no alarm in the nearby settlement would have been sounded when a girl went missing.  Soon some patrolling soldiers discover Jon trying to hide the body and take him into custody believing he is the killer. He is taken into town to be tried for the murder, and we learn how the girl came to be in the ice. It ends on quite the melancholy note.

I have the last two volumes on hold and look forward to wrapping this series up. My only real complaint is that the art in the various volumes is so inconsistent. While I liked the first and last illustrators in this book and the cover art throughout by Massimo Carnevale was top notch, when a story has sub par art the entire story suffers.

-Nancy

Book One

Book Two & Three

Book Six & Seven

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