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Edgar Allan Poe adaptations

Edgar Allan Poe has always fascinated me. I love his work, as his poems and short stories have always struck me as the perfect level of macabre and creepy. I wrote a discussion post a few months back about if novels should be adapted into graphic novels once the author can no longer give their go ahead. But Poe’s works are now in the public domain so many feel his work is fair game, with some adaptations having greater success than others.

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Hinds, Gareth & Edgar Allen Poe. Poe: Stories and Poems. 2017.

I have been looking forward to this adaptation by Gareth Hinds that recently came out, for his previous adaptions of classics such as Beowolf, Macbeth and The Odyssey have received rave reviews. I was not disappointed!

The Masque of the Red Death– Using vivid imagery, this story incorporates the theme of “death comes for us all” quite effectively.

The Cask of Amontillado– Revenge most sweet. Fortunato insulted Montresor one too many times, and his own vanity led to his demise with no guilt from Montresor. I have to admit this story appealed to me, for don’t we all at times wish revenge on those that have wronged us?

Annabel Lee– My favorite of Poe’s works, hands down. The poem of lost love and eternal devotion has always appealed to me. I didn’t care for the illustrations for this poem initially, but his interpretation of sacrifice and years going by grew on me.

The Pit and the Pendulum– Hind’s illustrations were evocative of the fear of the unknown as the prisoner awakes in a jail cell, in which he is tortured by unseen guards and has to use cunning to escape.

The Tell-Tale Heart– An interesting retelling of the tale of a guilty conscience, Hines frames the confession coming from an inmate in an insane asylum.

The Bells– I was not familiar with this poem, but the imagery Hines paired with the stanzas helped build the rhythm, and truly made the bell chimes seem real in your ears.

The Raven– Another of Poe’s stories that lament lost love, Hinds makes the choice to make the narrator look like Poe to great effect. This story’s illustrations were my favorite, and he incorporated little visuals from the other stories into this tale. The classical motifs were represented and the raven aptly symbolized the narrator’s grief and his descent into madness.

The illustration style skews young, where I almost felt I should place it in the Juvenile collection at my library, did it not have such dark themes of murder and violence. I feel that this is a strong adaptation, and with the author’s notes about Poe and his stories, it is an excellent introduction for younger readers to then make the choice to study Poe’s additional works.

 

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King, Stacy & Edgar Allan Poe. The Stories of Edgar Allen Poe, 2017.

I am typically not a fan of Manga books, but I was intrigued to read it in comparison to Hinds’s adaptation of Poe’s work, with both works coming out within months of each other.

The Tell-Tale Heart (art by Virginia Nitouhei)- The first story was challenging for me, as I felt the unnamed narrator was too perfect looking (aka Manga-like). But once I got past that, the illustrations told the story very effectively.

The Cask of Amontillado (art by Chagen)- The background of the festival where they two men meet and later the catacombs they enter were well drawn and really gave it a sense of atmosphere. The last page was chilling.

The Raven (art by Pikomaro)- The art work in this story is gorgeous. The visions that the narrator has of his lost Lenore were heartbreaking and the last page of the raven with the grieving man was perfect.

The Masque of the Red Death (art by Uka Nagao)- This ended up being my least favorite, for the story’s very essence centers around the colors of the rooms and what they represent. The lack of color affected the interpretation and it fell flat.

The Fall of the House of Usher (art by Linus Liu & Man Yiu)- I have never been a fan of this story, but the illustrated version of the story elevated it to me. The crumbling estate is aptly drawn and the madness of twins Roderick and Madeline is evident. The sense of impending doom and Gothic despair shine through.

This adaptation is the latest in a series of Manga classics, and I would recommend it if you enjoy Manga and already own previous classics from this collection. I would hope that readers would look at Poe’s additional works, if they enjoyed this strong version of five of his short-stories. I received the online book through NetGalley in exchange for an honest review, and the timing worked out well for me to compare both excellent adaptations of the premier horror writer’s work.

And finally, just for fun, look at this video of Poe and Stephen King having a rap battle of who is the best writer. Poe for the win!

-Nancy

Picture of Poe is from artist Cris Vector on Deviant Art.

My Brother’s Husband

I am typically not a fan of manga series, although I do admire the art and storytelling style. In over a year and a half of blogging, this is my first manga review and Kathleen has only reviewed one manga title herself, Vinland Saga: Book One.  But after reading this fun and affirming book, I will reconsider and try other series.

Author and illustrator Gengoroh Tagame is a well known openly gay Japanese artist whose previous manga series are extremely adult orientated. Tagame typically writes gay erotic manga, but in this case he decided to write an all ages book written to combat prejudices against gay culture. What results is a beautifully written book about preconceived notions and how to fight them.

We first meet Yaichi, a divorced dad to daughter Kana. He receives a visit from Mike, a hulking Canadian, who was married to Yaichi’s twin brother Ryoji. Ryoji has recently died, and Mike wants to meet his family and see where his husband had grown up. Kana is absolutely shocked to meet him, for first of all she didn’t even know her father had a brother as the twins were estranged, and secondly she did not know men could marry.

Yaichi had reservations about Mike, as shown by his early biased thoughts, but when Kana asks him to stay over Yaichi is shamed into offering the hospitality he would have given other friends or family. Slowly the three of them get to know each other better, and Yaichi’s learned bigotry starts to fall away. He is forced into confronting bias he was not aware he had, and learns much from Kana’s love and acceptance of Mike. While her natural curiosity can at times be embarrassing, Mike is a willing teacher and a model of decency to his new niece.

There are no major events in this book beside the three becoming a family unit. It naturally introduced gay acceptance in Japanese culture and showed how parents and children can acknowledge differences in a honest and sensitive way. I also liked how Kana’s mother was still shown in a loving maternal role, even if she broke gender norms by not being the parent that Kana lived with.

Tagame draws his trademark bearish men, and his artwork was traditionally manga-ish, but yet unique enough to stand out for someone like me who does not read manga. The only mis-step I saw in the illustrations was a pose between the two men in one panel that could be interpreted in a sexual manner. Normally, I wouldn’t even point this out, but for an all ages book this suggestive pose could be misconstrued.

I will definitely be on the look out for future books in this new series (edit- the series concludes with volume two), and will be adding them to the collection at my library as they are released.

-Nancy

Tagame, Gengorah. My Brother’s Husband. 2017.

 

Vinland Saga: Book 1

I used to read manga in high school. My favorite titles were Fruits Basket, Chibi Vampire, and Mars. But with that interest came a curse… I could never, ever, no matter how hard I tried or how many times I restarted the series, finish it. So, I would have called myself fans of these, but never actually finished them. Good job me XD

(Lucky I’d never been spoiled for the ending of any, especially Furuba, given how popular it was at the time and how many of my friends were into it, too.)

I came across this in the computer at work and ordered it for the heck of it. I was quite surprised when it came in and I saw it was a manga. But I figured I’d try it anyway – maybe the curse had since been broken!

Thorfinn is a young Viking, a deadly warrior for someone of his age. He’s got plenty of reason to be. His village was destroyed when he was a child, and his family slaughtered. He belongs now to Askelaad, the very man who murdered his father. Thorfinn has no choice but to go with Askeladd into battle, but is plotting, ever plotting, to challenge him to a duel and avenge his father’s death. Ever since he was a child, listening to Leif Erikson’s stories, he’s wanted to be a Viking explorer, but not like this…

… I’m sad to say I’m still under the curse. I couldn’t finish it and gave up about halfway through. The beginning chapters were action-packed and moved incredibly fast, and I was sucked in! But then it started taking us back to Thorfinn’s past and it just stayed there. It seemed to want to reveal his entire backstory in one go, and I’m not really about that fast reveal. The art is pretty good, dynamic and more atmospheric than I remember manga being. There is a looot of blood in the battle scenes though, so watch out for that if you’re queasy. The history seemed to be well-researched. I can definitely see how it would be engaging for another reader, but sadly, I’m just not that reader!

– Kathleen

Yukimura, Makoto. Vinland Saga: Book 1. English translation: 2013.

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