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Joe Hill

20th Century Ghosts

I am a big fan of Joe Hill, first becoming aware of him through his graphic novel series Locke & Key. Afterward, I read other graphic novels by him, plus his horror-themed short story collections. I read this book years ago and found it uneven, for it was his first published book. While it did include some gems, he has honed his writing since then.

Best New Horror (4/5): An editor on the lookout for a promising author finds him in a home reminiscent of The Texas Chain Saw Massacre. Did he escape?

20th Century Ghost (3.5/5): A theatre is haunted. Alec buys it anyway.

Pop Art (4/5): I almost gave up on this magical realism tale, but it grew on me. An inflatable boy is real- just go with it.

You Will Hear the Locust Sing (2/5): Radiation turns Francis into an insect. Chaos ensues.

Abraham’s Boys (4/5): Atmospheric rural gothic horror.

Better Than Home (2/5): Skipped most of this baseball-themed story.

The Black Phone (5/5): First of my two favorites. A boy is kidnapped and the disconnected black phone in his prison will help save him. Recently it was tuned into an excellent movie with Ethan Hawke.

In the Rundown (4/5): Kensington is a punk who gets drawn into a domestic tragedy. Who will be believed?

The Cape (4.5/5): This story is the reason I picked up the collection. I read the graphic novel that is based on this story, hoping for more insight. Turns out the graphic novel story is more fleshed out than this story. A solid and disturbing story. Read my review of the illustrated version, plus its prequel.

Last Breath (3/5): Saw the ending coming a mile away.

Dead-Wood (3/5): Super short story about trees.

The Widow’s Breakfast (4/5): Historical fiction set during the Depression with a slightly creepy end.

Bobby Conroy Comes Back From The Dead (3.5/5): Not scary at all, and the a$$ in the story might steal away his ex.

My Father’s Mask (2/5): Weird, weird story with a 70s vibe.

Voluntary Committal (5/5): Second fav, and the longest of the stories. A cool and creepy story about brothers and other dimensions.

Even if this collection didn’t knock my socks off, I adore his work as a whole, and will always seek his books out.

Strange Weather

Strange Weather is a collection of four novellas by a favored horror novelist of mine, Joe Hill. I listened to it on audio, and was pleased by the four different narrators, two of them Star Trek alum!

Snapshot (4.5/5)

Set in California in 1988, awkward and friendless Michael helps his elderly former babysitter back home when she is found wandering the neighborhood. Shelly, suffering from dementia, tells Micahel of a strange man who has taken pictures of her using a Polaroid-type camera to steal her memories. Micahel agrees to be her occasional caretaker and learns that her ramblings were actually correct when this evil man comes after her again. After the deadly struggle, there is a surprisingly long conclusion where teen Micahel grows up and takes steps to help Shelly escape her mortal life from her ignoble life in a nursing home. This was a sad and poignant story about the loss of identity and family ties. Voiced well by Wil Wheaton.

Loaded (4/5)

This story was rough. An unhinged mall security guard seemingly saves the lives of others when a shooting between a jewelry store owner and his jilted mistress results in collateral damage at the mall. The readers know how he illegally gained his gun and how the shooting truly unfolded, but to those in his community, he is hailed as a hero. But a single mother journalist, who has her own story of an unjustified shooting in the past, begins to find holes in the guard’s story. The conclusion was deadly and heartbreaking and proves the quote: “Guns don’t kill people, people do”.

Aloft (3.5/5)

A young man’s first parachute jump goes haywire when as the last to jump of his friends, he lands on a strange cloud that had looked like a UFO…and is. Stranded there this ship senses him and taps into his mind giving him a cloud woman based on his unrequited love, but he knows it is but a fantasy and stumbles upon the remains of three people from the 1800s who had perished there after crashing their hot air balloon on the UFO. He discovers the alien (the description reminded me of the tentacled alien found on the animated The Simpsons) and then makes the decision to jump using the old hot balloon silks. I wondered how he would explain that he landed two states away from his jump point.

Rain (4/5)

On an ordinary day in Boulder, Colorado, a deadly rainstorm suddenly appears- raining down crystal spikes that kill anyone unlucky enough to be outside. A woman who had been excited that her girlfriend was moving in that day, instead sees her beloved die. She then takes off on a post-apocalyptic road trip to tell her lover’s father what happened and, of course, is besieged. There are a few political digs towards Trump/Pence that will amuse you (me) or make you mad. Voiced by the indomitable Kate Mulgrew aka Captain Janeway.

All four stories had different feels, from very dark to almost light-hearted. In his afterward Hill said, “Short novels are all killer, no filler” and I agree. I love short stories (that’s why I love the LeVar Burton Reads podcast so much) because they get straight to the point, for there is an economy to the writing that is stronger than some authors who write 500+ page books that are overflowing with unneeded details. This is yet another book of Hill’s that I would recommend to others!

Refrigerator Full of Heads

DC Black Label gave author Joe Hill his own comic label- Hill House Comics, and the first book in his line was Basketful of Heads, which was full of dark humor and was ridiculous fun. This sequel, led by a new creative team and authored by Rio Youers, builds off the first but amps up the gore and ludicrousness by 100%!

The year is 1984, and a year has passed since June survived a massacre on Brody Island and threw the magical Norse axe into the bay. Two undercover Department of Defense agents arrive on the island to find the axe, but a biker gang is also on the trail. June, who has tried to put to distance herself from last summer’s tragedy is pulled into it again, as the biker gang has located more Norse weapons that are deadly and magical and want her to reveal where the axe is to complete their collection. When the axe is discovered by the DoD agents, it comes in very handy when a great white shark attacks them. The story leans into the absurd with this shark and soon the vacation rental’s refrigerator starts to fill up with the heads of bikers and corrupt cops. While I liked June and the DoD agents, Calvin (loved his shirt!) and Arlene, the bikers were simply created to be evil with no redeeming characteristics. You must have a huge suspension of disbelief throughout, especially for a certain rolling head that points to yet another sequel in the future.

Artists Tom Fowler and Craig A Taillefer gave the characters a Mad magazine type of caricature treatment, which was the aesthetic established in the first book, but further supported in that Fowler has worked for Mad in the past. I loved the chapter breaks, as different authors gave their interpretations of the story. The action scenes, especially with the shark, could get to be a bit much with too many panels. There were times in a two-page spread I wasn’t sure if I should read top to bottom and start at the top of the second page again, or if it spread over the entire two pages.

While I wouldn’t recommend this book to a newbie, it builds off the first story well, so if you liked Basketful of Heads you should definitely check out this over-the-top story as well!

Locke & Key: Season Three

The six-book graphic novel series Locke & Key by Joe Hill and Gabriel Rodriguez is an all-time favorite of mine, so I was thrilled when Netflix adapted the books into this three-season series. Season One was strong, with more emphasis on fantasy vs horror than the books, with Season Two starting to veer off the original storyline. Each season has consisted of ten episodes, and this final season continues to tell the tale of the Locke family who are fighting an otherworldly evil and has been doing so for generations.

The trio of Locke siblings- Tyler, Kinsey, and Bode- finally used magic to let their mother and uncle know about the supernatural happenings. In the past, once someone became an adult they forgot about the magic, which had been happening to Tyler as he neared eighteen. I liked this change from the graphic novels, as it was becoming more and more unsustainable to keep such shocking happenings from the adults, and as a mother myself, I appreciated this tweak. If my kids were facing supernatural horrors, I would want to help them!

This third season changed up the storyline significantly, with a villain from the past brought to the modern day. Both in the book and in this series, the Lockes were able to use a magic key that enabled them to visit their home during the Revolutionary War when much of the magical mayhem began. But in this adaptation, an evil soldier and his two sidekicks come into the Locke’s world and try to find all the keys and assure their domination. I was rather meh about this new direction, for while I wanted some changeup in the narration so I wasn’t bored, I missed the opportunity to get to know past Locke family members that the series (and now spin-offs) have featured.

Uncle Duncan wasn’t featured as much this season (I wondered if IRL the actor had other commitments) although there was a nice wedding to his boyfriend at the beginning of the episodes. The mother, Nina, got a boyfriend with minimal drama, as especially the two oldest kids recognized that she needed to move on after her husband’s death and be happy. There were several unjust deaths (Gordie deserved better!) and the kid’s friends took a backseat.

While I have to admit I wasn’t as invested in this season as the previous two, the last episode really brought it home. The family working together (love!) realized that although they defeated the evil soldier, they needed to dispose of all the keys. The keys had only brought misery upon the family for generations, and while tempted to keep them, they understood they needed to put a stop to the dark magic. But as a family, they used one last key to briefly reunite with their father and had an extremely touching reunion with him. Nina, Tyler, Kinsey and Bode were all given small happily-ever-after moments and the series came to an apt conclusion.

All in all, this three-season series did justice to Hill and Rodriguez’s graphic novel series. Due to excellent casting, viewers welcomed the Locke family into their homes, and some twists and turns away from the original storyline kept it fresh. I’ll miss this Netflix series, but I will keep on the lookout for more graphic novels in the Locke & Key universe, as it remains a favorite of mine!

Top 5 Comic Authors

Who are my top 5 comic authors? Let’s see!

Joe Hill

Locke & Key– need I say more? But I will! His six-volume horror/fantasy series is what put Hill on my radar years ago, but I have enjoyed many more books of his since then. With his Locke & Key series now on Netflix, and his novels and short-story collections in high demand, DC has given him a prestige project, his own label- Hill House Comics. This label had some great stories, plus adding in his very dark The Cape, has made Hill my go-to horror writer.

Cullen Bunn

The eight-volume eerie southern gothic fairy tale, Harrow County and necromantic horror trilogy Bone Parish make Bunn a favorite of mine. He writes creepy and suspenseful stories with excellent character development.

Faith Erin Hicks

Hicks is a double-whammy, for she both writes and illustrates. Her historical-fiction trilogy The Nameless City is timeless, and I demand a sequel to Friends With Boys! Her first YA book Comics Will Break Your Heart shows that she is as strong a writer as she is an artist.

Brian Wood

I almost didn’t put Wood down due to his sexual harassment allegations, but I have to be honest, I loved much of his early work. The seven-volume Viking saga Northlanders was fascinating, as was his two-volume series Rebels about colonial America. Due to the scandal, we will never know how the timely and gritty Briggs Land would have concluded.

Robert Kirkman

Invincible and The Walking Dead were both long-running series that I loved. That Kirkman wrote them concurrently for many years blows my mind. They both had huge casts and had their characters’ age, which I always like in stories, so kudos to him for creating two distinct and believable universes.

Honorable Mentions- Derf Backderf (My Friend Dahmer, Trashed, and Kent State) & Brian K Vaughn (Saga and Pride of Baghdad)

Who are your favorites, and why???

Locke & Key: Season Two

The six-book graphic novel series Locke & Key by Joe Hill and Gabriel Rodriguez is an all-time favorite of mine, so I was thrilled when Netflix released an adaptation of it last year. Season One was strong, with more emphasis on fantasy vs horror than the book. This opens the narrative to more possibilities, and also makes it a bit more open to a younger audience, although it stills skews towards mature storylines. The ten episodes continue to tell the tale of the Locke family who are fighting an otherworldly evil and has been doing so for generations.

The season begins with the trio of siblings- Tyler, Kinsey, and Bode – not knowing that two of their friends, which includes Kinsey’s boyfriend Gabe, are evil. In fact, their naivety is frustrating, as they tell many of their friends about the magic of the Keyhouse and trust too many people. They discover more keys in and around their home, giving them various powers that will prove useful in the future. Their mother Nina and Uncle Duncan are clueless as to what is happening around them, as adults can’t remember the magic they witness afterward (even after a giant spider attack in the clip below!). Tyler is nearing eighteen, and his girlfriend who is a bit older than him begins to forget magical things that she had experienced, so Tyler knows he doesn’t have much longer to help his siblings. Luckily, a memory key returns Duncan’s memories, which is crucial as he had known how to make new magical keys when he was younger. That later Nina is also given the key of memory was important, because it had become heartbreaking that she was not privy to what her children were going through.

Many shows that incorporate teens have actors and actresses that are much older and so very perfect looking, but the casting in this series is more realistic. The cast is (mostly) age-appropriate and has a welcome diversity, not just as token representation, but how authentic town inhabitants might look. The teens make foolish mistakes, and while they do have to “save the day”, it is chaotic and messy getting there. The adults aren’t portrayed like they are stupid, and loving family ties are shown. I like how this adaptation is playing out, as it is going deeper than just replicating the storyline from the books.

I’m excited that season three was green-lit at the same time season two was. They filmed the seasons back-to-back, which was critical for Bode and the other young actors, that they not grow up too much between seasons. The television series is really starting to veer significantly off the book series, so the conclusion was not what I expected and where it will be heading next is anyone’s guess! And I will be there to watch how the Locke family deals with all the magical mayhem.

-Nancy

A giant spider?? Eeeek! This was before Duncan reclaimed his memory of his magical past.

Plunge

Joe Hill saved the best for last in his five-volume Hill House Comics label!

The story takes inspiration from The Thing and Alien movies, and also a touch of the spiral-obsessed Uzumaki manga series. Set in modern-day, a distress signal from a drilling ship lost 40 years ago in the Arctic Circle is heard, so a salvage ship hired by an oil corporation heads out to find it. Onboard are Captain Carpenter, two of his brothers, a marine biologist couple, various crew members and a representative from Rococo International. They are quickly in over their heads when they stopover at an Aleutian Island near the Russian border, and discover the crew members from the Derleth (this is an Easter Egg reference, look up who August Derleth is), who are gaunt and eyeless but haven’t aged. 

In a somewhat convoluted storyline, the crew finds out that extraterrestrial worms have taken over the old crew, and they are purely vessels for the alien creatures. The greedy Rococo rep has had a secret agenda (of course) and wants to profit from the aliens with their math knowledge and an other-worldly component that could give them unlimited nuclear power. There are betrayals, deaths and action-packed scenes that will keep readers riveted. I also appreciated the poignancy of the brotherly love the Carpenter men showed one another.  

The art by Stuart Immonen was excellent, and his work elevated the story, so I am glad Hill convinced him to come out of retirement for this graphic novel. Often art in horror-themed graphic novels tends towards the sketchy and the dark, but Immonen’s work is precise and detailed, which brings the terror to the forefront more effectively. He really captured the personalities of different characters and made my heart go pitter-patter for the bearded captain, and that the alien creatures are Lovecraftian is an added bonus. The color palette by Dave Stewart was appropriately ocean-inspired with grey, blue and dull greens and the letterer Deron Bennett had fun with the opening chapter pages as he converted words into a new mathematical language. 

This new Hill House label has been uneven, yet very promising. The two titles penned by Hill, including Basketful of Heads were the best of the bunch, yet I appreciated that the horror-inspired graphic novels included a variety of authors to reach different audiences. Here’s to hoping there will be future Hill House stories!

-Nancy

Basketful of Heads

Joe Hill is having a moment. With his Locke & Key series now on Netflix, and his novels and short-story collections in high demand, DC has given him a prestige project, his own label- Hill House Comics. While not all of the graphic novels under this label will be penned by him, this first story is.

Set in September 1983, on Brody Island in Maine, the story establishes an 80s horror flick vibe. June is visiting her boyfriend Liam who is wrapping up his summer job as a deputy before going back to college in the fall. But a prison break (with a homage to Hill’s father Stephen King) puts their reunion in jeopardy. The two head to the police chief’s palatial estate during a growing storm and are amazed by the chief’s Viking artifacts collection. A battle-ax comes in very handy when the convicts land on their doorstep…

There are some twists and turns as to who the convicts are and who they are connected to on the island. As June fights for her life, grabbing the first weapon in sight, the ax’s power manifests in that the decapitated head is still alive and can continue talking. But heads begin to roll (!!) as June tries to find Liam and has to fight off several more criminals. Many secrets of corruption on the island are revealed by these talking heads. A final show-down discloses some heartbreaking truths and June obtains justice for a young woman who had been used and abused that summer.

Artists Leomacs and Riccardo La Bella really captured the era and northeast region well. There were crude jokes with some characters getting an almost Mad magazine type of caricature treatment, especially three times when a character is drawn with two heads as they are reacting to news. I loved the chapter breaks, as June’s basket fills and how the chapter numbers are symbolized. These sight gags, plus others, matched the tone of the narrative and made me laugh.

I enjoyed the dark humor as the horror-aspect of it all was played fast and loose. Thanks to NetGalley for this advance copy, for with this graphic novel as the first in the collection, I am looking forward to the others coming out in the months ahead. Joe Hill, both in graphic novels and books, is now definitely a favored author of mine.

-Nancy

Locke & Key: Season One

Locke & Key is one of my favorite graphic novel series, for as I said, “Locke & Key is truly one of the best graphic novels I have ever read, hands down.  It just dominates. Joe Hill and Gabriel Rodriguez are superb storytellers, and this first novel makes me anxious to read the rest of the horror series”. So I was so excited to learn that it would be turned into a television series. A pilot had originally been shot for the Fox network in 2011 but they never picked it up, then Hulu had the rights but ultimately passed on turning it into a series, and finally, Netflix obtained the rights and the series debuted this February. As with many Netflix series, all ten episodes dropped at once, but I’m a busy mom who works full time, and it took me two months to finish all the episodes.

The story begins in California when a disgruntled student kills Rendell Locke,  and his grieving family heads back to Massachusetts to the Locke family estate. Nina, a recovering alcoholic is hanging onto her sobriety for dear life, while trying to help her three children adjust to their new home and reality. Tyler and Kinsey are in high school, while the youngest Bode is still in grade school. While out exploring the grounds, Bode finds a supernatural woman hiding in the well, and she convinces him to release her and help her find magical keys that are hidden around the estate. But she is malevolent, and we soon discover she was behind the killing of Rendell. He had been hiding secrets from his youth, as he too, knew of the key’s powers and how they could be twisted for evil. Now, this new generation of Lockes is battling for their lives, and pull some other people from the community into the mess.

Casting is key in any series, and I feel they really hit it out of the park. I loved all thee of the Locke children with the youngest really authentically capturing the wide-eyed innocence of Bode. The older two made the same short-sighted mistakes as they did in the graphic novel, with Tyler doing his best to be the level headed one and Kinsey’s lack of fear being a problem. The series eliminated a character who raped the Lockes’ mother and helped killed the Locke father, so Nina’s back story wasn’t as tragic and her character was allowed more growth.

I was very pleased with the series- it was a strong adaptation of the source material, especially as the pilot episode was co-written by author Joe Hill. The graphic novel was definitely in the horror genre with fantasy elements, but I’d say the series did a 180° with it skewing more towards fantasy with a few horror elements. This worked well, as some extremely dark issues were eliminated, which opened the narrative up to more ages, although it was still for a fairly mature audience.

While the series faithfully replicated much of the plot from the six-book series, many threads were left unexplored as to give the tv series room for growth if it was picked up for a second season- and it was! There were some fun reveals in the last few minutes that will lead to the Locke family facing more adversity, as there are two new demonic foes who are masquerading as friends. I look forward to more adventures with the Lockes!

-Nancy

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