The world is flat. The moon landing was faked. Reptilian Illuminati rule the world. Most people don’t believe these wild conspiracy theories, but what if they became real because collective belief could turn these theories into reality? That’s where the secret Department of Truth steps in.
Cole Turner, an FBI teacher who teaches about conspiracy theories at Quantico, is attending a Flat Earth conference when he is convinced to get into a plane that takes him and flat earth believers to the end of the world where he sees that, indeed, the world is flat. Astounded by this, he disembarks with the others just to have everyone gunned down but him. He is taken to a bunker where he is interrogated about what he saw. There is some insightful conversation about why wild theories take hold, often it is about a loss of control in someone’s life, and the wish for them to come up with explanations that make them feel important and justified. The director (whose name will be familiar to you) reveals he and the other agents are from the Department of Truth and recruit him to to their organization.
But the secrets go deeper than keeping fringe theories from becoming fact. Since outcomes can branch off into many different scenarios, agents need to make split-second decisions that don’t always tidy up neatly. A heartbreaking example is shown of a single mother whose child was killed in a school shooting, who begins to doubt her reality when she goes down the rabbit hole of internet rantings. She begins to believe her son was part of a “crisis-actors” set up, and he is being held hostage by shadowy officials. More theories are brought up- what if modern day presidents have been puppets with their lives manipulated- including the Bushes, Clinton, Obama and Trump, all for some grand scheme?
The artwork is sketchy, abstract, and frankly, messy at times. While it is apropos that this shadowy tale also has shadowy panels, I found it overkill at times. There were some full page spreads that had overlays of other graphics in a collage format that gave it an interesting stylistic look. The colors are muted, except for some splashes of red and the mysterious woman in a crimson dress who always wears sunglasses.
The graphic novel ends on a cliffhanger as Turner is confronted with yet another secret society, and the question begs, who is telling the truth? Who decides which secrets need to never see the light, and which should be revealed? Why was Turner recruited and who is the woman with the strange eyes that follows him? This was a promising, yet convoluted story with an X-Files vibe, that could go either way in the next volume.