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Garry Brown

Black Road: The Holy North

Black Road continues Brian Wood’s take on emo Vikings. Set in Norway in AD 1000, Magnus The Black is a warrior who discovers a secret among the new Christian priests who are laying waste to the Norskk culture and landscape. This isn’t an extension of Northlanders, instead this series is set up to be a mystery thriller and not as historically accurate.

Magnus is a bear of a man, who respects his pagan upbringing, yet realizes that Christianity is taking over the region and wants to help his people through the transition. However, this makes his unpopular with both sides, as neither fully trust him. A former soldier, he is grieving the loss of his beloved wife and wants reassurances from the Catholic priests that they will be reunited in Heaven together. He takes on a job of escorting a Cardinal from the Vatican up the “Black Road” to a new compound up North. The job goes sideways, and he joins up with Julia, the Cardinal’s adopted daughter and the local blacksmith, Kitta, to finish the journey northward. There they find a rogue priest, Bishop Oakenfort, who wishes to shift the power of the Vatican from Rome to Norway and for him to be in charge. Chaos ensues.

I’d also like to know Wood’s true view on Christianity and about his faith journey, as many of his works portray the Church in a very negative light. While historically accurate in many respects, his bleak and dark views only show the negative side of this era’s conversions, and is not a balanced viewpoint. But I obviously find it fascinating, as I keep on reading his graphic novels.

The artwork was solid, by Garry Brown who did the artwork for Wood’s The Massive series.  His style is rather blocky, which doesn’t always translate for faces, yet his backgrounds are detailed and the Scandinavian landscapes are well drawn.  Dave McCraig does the coloring, as he did for the entire Northlanders series, and effectively guides you through the changing chronology with color changes to signal Magnus’s flashbacks. I read the compilation of the series, which included V1-The Holy North & V2-A Pagan Death.  At the end of the book it included a mock up of the first issue, after which Wood changed direction and re-wrote parts of it, which was interesting to see the evolution of the story.

This Norse saga will appeal to all Northlanders fans, although like I said earlier, it is not a continuation of that series. Magnus The Black is a layered individual with conflicting desires, and this story has the potential to say something fresh about faith and conversion, so while I doubt the series will continue, I’d read more if it does.

-Nancy

Wood, Brain & Garry Brown. Black Road: The Holy North. 2018.
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The Massive: Black Pacific

Earth has suffered several catastrophic environmental disasters in the space of a year, resulting in mass deaths and a new political order. Two marine conservation boats, part of the group Ninth Wave, survive the chaos but become separated from one another.

Text in yellow boxes detail the many ruinous events that led to environmental and societal collapse. In fact some events truly changed the landscape with coastlines and islands being especially hard hit. In the face of this, Captain Callum Israel of the trawler Kapital searches for sister ship The Massive.  Along with Israel there is mercenary Mag, mysterious Mary and other idealistic but weary crew members. This small crew of hardy environmentalists question if they can keep to their no-violence pledge in the midst of attacks from pirates, assassins and the dangers of changed ecosystems.

To be honest, not a lot happened in this first volume. Author Brian Wood, whom I’ve been reading a lot of, is busy world building so the Kapital just seems to aimlessly travel around the world looking for any clues of The Massive’s location. Just when they seem to have found a signal from the ship, nope, they’re wrong. The repetitiveness got old and I’m questioning Mary’s origins. She seems too good to be true, and her background knowledge and ability to survive catastrophes seems suspicious.

The artwork has an extremely muted color palette, symbolizing the postapocalyptic new world, and has certain color schemes that represent the time shifts in the narrative.  The stylized ways the characters were drawn took some getting used to, but I soon came to appreciate the design format and wondered why I found it problematic at first. There was welcome diversity in the crew and in the ports they visited, with a hipster vibe throughout.

While not bad, this story was underwhelming. Although I liked how Wood made this world seem plausible (except for Mary) and presented real ethical dilemmas, it didn’t grab my attention like much of his other work has. I don’t believe I will continue with this series.

-Nancy

Image result for the massive brian wood black pacific
Wood, Brian, Kristian Donaldson, Garry Brown & Dave Stewert. The Massive. 2013.

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