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Deron Bennett

Plunge

Joe Hill saved the best for last in his five-volume Hill House Comics label!

The story takes inspiration from The Thing and Alien movies, and also a touch of the spiral-obsessed Uzumaki manga series. Set in modern-day, a distress signal from a drilling ship lost 40 years ago in the Arctic Circle is heard, so a salvage ship hired by an oil corporation heads out to find it. Onboard are Captain Carpenter, two of his brothers, a marine biologist couple, various crew members and a representative from Rococo International. They are quickly in over their heads when they stopover at an Aleutian Island near the Russian border, and discover the crew members from the Derleth (this is an Easter Egg reference, look up who August Derleth is), who are gaunt and eyeless but haven’t aged. 

In a somewhat convoluted storyline, the crew finds out that extraterrestrial worms have taken over the old crew, and they are purely vessels for the alien creatures. The greedy Rococo rep has had a secret agenda (of course) and wants to profit from the aliens with their math knowledge and an other-worldly component that could give them unlimited nuclear power. There are betrayals, deaths and action-packed scenes that will keep readers riveted. I also appreciated the poignancy of the brotherly love the Carpenter men showed one another.  

The art by Stuart Immonen was excellent, and his work elevated the story, so I am glad Hill convinced him to come out of retirement for this graphic novel. Often art in horror-themed graphic novels tends towards the sketchy and the dark, but Immonen’s work is precise and detailed, which brings the terror to the forefront more effectively. He really captured the personalities of different characters and made my heart go pitter-patter for the bearded captain, and that the alien creatures are Lovecraftian is an added bonus. The color palette by Dave Stewart was appropriately ocean-inspired with grey, blue and dull greens and the letterer Deron Bennett had fun with the opening chapter pages as he converted words into a new mathematical language. 

This new Hill House label has been uneven, yet very promising. The two titles penned by Hill, including Basketful of Heads were the best of the bunch, yet I appreciated that the horror-inspired graphic novels included a variety of authors to reach different audiences. Here’s to hoping there will be future Hill House stories!

-Nancy

Basketful of Heads

Joe Hill is having a moment. With his Locke & Key series now on Netflix, and his novels and short-story collections in high demand, DC has given him a prestige project, his own label- Hill House Comics. While not all of the graphic novels under this label will be penned by him, this first story is.

Set in September 1983, on Brody Island in Maine, the story establishes an 80s horror flick vibe. June is visiting her boyfriend Liam who is wrapping up his summer job as a deputy before going back to college in the fall. But a prison break (with a homage to Hill’s father Stephen King) puts their reunion in jeopardy. The two head to the police chief’s palatial estate during a growing storm and are amazed by the chief’s Viking artifacts collection. A battle-ax comes in very handy when the convicts land on their doorstep…

There are some twists and turns as to who the convicts are and who they are connected to on the island. As June fights for her life, grabbing the first weapon in sight, the ax’s power manifests in that the decapitated head is still alive and can continue talking. But heads begin to roll (!!) as June tries to find Liam and has to fight off several more criminals. Many secrets of corruption on the island are revealed by these talking heads. A final show-down discloses some heartbreaking truths and June obtains justice for a young woman who had been used and abused that summer.

Artists Leomacs and Riccardo La Bella really captured the era and northeast region well. There were crude jokes with some characters getting an almost Mad magazine type of caricature treatment, especially three times when a character is drawn with two heads as they are reacting to news. I loved the chapter breaks, as June’s basket fills and how the chapter numbers are symbolized. These sight gags, plus others, matched the tone of the narrative and made me laugh.

I enjoyed the dark humor as the horror-aspect of it all was played fast and loose. Thanks to NetGalley for this advance copy, for with this graphic novel as the first in the collection, I am looking forward to the others coming out in the months ahead. Joe Hill, both in graphic novels and books, is now definitely a favored author of mine.

-Nancy

Sleepless: Volume Two

I recently discovered the lush romantic fantasy series Sleepless and quickly read the duology. I just wish it had been a longer series, as I enjoyed the love story between Poppy and Cyrenic and think it could have at least been fleshed out into three volumes.

The second volume opens almost a year after the first, with Cyrenic awakening from his sleep after being released from his magical vow of eternal wakefulness. Poppy is being forced into a marriage of political convenience to Lord Helder, the very man she suspects of trying to kill her, but the king has blinders on and pushes her to go through with the wedding. Surprisingly the marriage ceremony does occur, but Poppy has her own reasons for going along with it. However, the wedding night spins out of control and Poppy and Cyrenic are on the run.

As Cyrenic is the first sleepless knight to be released from his vow, and deals with his recovery afterwards, there were some interesting perspectives from the other knights about if they too would like to be released. There were some thought provoking reasons as to why some of them would prefer to stay sleepless. The last half of the book is a long action sequence, and an additional villain is revealed, but the reasoning behind this second person wanting vengeance against Poppy felt ridiculous. During their escape Poppy and Cyrenic reaffirm their love, but it was rushed and could have been so much more.

The artwork was as lovely as ever, with the wedding scene being especially well done. The patterns and brocades of the clothing worn were exquisite. I felt the illustrations really lent to world building, for the interiors from the throne room to the kitchens combined into a believable kingdom. The coloring also added to the atmosphere with jewel tones for the courtly attire, decorations and poppy motif to earth tones for much of the action. Plus, Bini the fox was as adorbs as ever. An added bonus at the conclusion was alternative covers by other artists and some process pages that showed the evolution of the artwork throughout the story.

I do want to point out two glaring oddities. There was much made that Poppy’s mother is in her home country and can not return due to political issues and many letters are exchanged between the women. Although a wedding gift from her mother helps Poppy during a crisis,  we still do not meet her, even at the end when all has been resolved. And look at the picture above- these two are falling about 50 feet and land on a pile of bones. This would have killed them, instead they act as if it was a cushion, and then there is some throwaway conversation about the caverns and bones needing to be researched.

As a whole, this was an excellent short series. But there was definitely enough plot threads that could have been expanded upon that a third volume would have been very welcome. Author Sarah Vaughn created a beautiful fantasy world that artist Leila del Duca built upon, and I’m glad that I visited their magical realm!

-Nancy

Sleepless

Sleepless is a lovely romantic fantasy story that transports you to a lush magical kingdom where intrigue abounds.

Written by Sarah Vaughn, the co-creator of Alex + Ada, this is another strong character driven narrative that quickly has you rooting for the the star crossed lovers Poppy and Cyrenic. Lady Pyppenia is the recently deceased king’s illegitimate daughter and struggles to know her place, as her mother has been called away to her home country. Sir Cyrenic is the knight who is bound to her by a magical oath, in which he never sleeps, as to better guard her. When Poppy’s uncle takes over the throne, Poppy’s place is uncertain as she has few allies, but needs to remain to avoid a political scandal. Attempts are made on Poppy’s life and there are a few candidates: Poppy’s cousin who will one day succeed the throne and worries Poppy could lay claim instead, as well as a pompous knight who is trying to curry favor with the new reining family.

The world building is strong, and despite the story dropping you into this magical realm, there is enough explanation to understand what is going on. I quickly compared it to the story arc of  Monstress, yet it is lighter and more enjoyable. While the romance angle is strong between Poppy and Cyrenic, there is more to the story with political intrigue and a dark aspect to magic.

The art by Leila del Duca is lovely. She creates a fully realized kingdom with detailed backgrounds that make looking at the panels a delight. The era has a Renaissance feel with deep jewel tones adding to the atmosphere. The kingdom’s inhabitants are drawn beautifully as is their courtly attire, and there is a welcome diversity. And, I have to give a shout out to Poppy’s pet companion Bini, the cutest animal ever! This fennec fox like creature is always by her side and gives her a clue that her food is poisoned at one point.

I read this book quickly and have enjoyed looking back at the illustrations throughout the week. I found out there is a volume two that wraps up the story and I have it ordered already! I now await for how Poppy’s and Cyrenic’s story will conclude…

-Nancy

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