In celebration of Women’s History Month and for my entry in this year’s Fiction’s Fearless Females series, I am choosing Star Trek’s original fearless female – the one and only Lieutenant Nyota Uhura! This is the third year that Kathleen and I have participated in this series and joining us is Michael of My Comic Relief, Jesse of the newly revived Green Onion, Kalie of Just Dread-full, and Jeff of The Imperial Talker. Please give them a follow to catch their posts (all have great content outside of #FFF), or look out for them here, throughout the month.
My first entry in this series was the brilliant Captain Janeway of the Star Trek Voyager series and my second was the ever-vigilant Sarah Connor of the Terminator movies. For my third entry, I circled back to Star Trek and choose Uhura, for all strong female Star Trek characters owe a debt of gratitude to her. Beautiful, smart, ambitious, and an equal to the men – she is the original Star Trek role model. Even Uhura’s name has important meaning – Nyota means star in Lingala, a language from the Democratic Republic of Congo, while Uhura is the Swahili word for freedom.
Star Trek is my favorite fandom, as many of the posts on this blog revolve around the movies, television and web series that have been inspired by the original classic. The series was conceived by Gene Roddenberry to present an optimistic view of life in the future and show a diverse crew, thus actress Nichelle Nichols was cast as a 23rd-century Starfleet officer aboard the U.S.S. Enterprise and she served as a communications officer. The crew’s mission was “to explore strange new worlds; to seek out new life and new civilizations; to boldly go where no man has gone before.” Fluent in a myriad of languages, human and alien, not only was she head of the communications department but she was an excellent bridge officer, as she could additionally work the helm, navigation, and science stations as needed.
The show debuted in 1966 and was groundbreaking because of its disparate cast, and Uhura’s role as a professional Black woman was a rarity on television, as they were usually relegated to portraying characters with menial jobs. Now I am going to take a brief detour here and mention that IRL Nichelle Nichols was not only an actress, she was a singer and was hoping for some Broadway success, so she briefly considered leaving Star Trek to pursue other creative opportunities. She told creator and producer Roddenberry that she wanted to leave, but before she made her final decision she attended a National Association for the Advancement of Colored People (NAACP) luncheon and was introduced to Martin Luther King Jr. He wanted to meet her and express his admiration for her, as Star Trek was one the only shows he let his children watch, as Uhura was an example he held up to them, as what could be achieved in the future. Shocked and thrilled by his words, she stayed with the show, and the rest is history. For an exaggerated but hysterical reenactment of this incident, watch the Drunk History video – Nichelle Nichols Lives Boldly – at the end of this post!
Another pioneering moment in the Star Trek franchise was the first interracial kiss shown on US television between a Black woman and a white man that involved Uhura and Captain Kirk. Lore has it that producers were worried that the kiss would run up against Southern censors so they were supposed to film two versions – one with a kiss and one without. But Nichols and co-star William Shatner deliberately messed up the without-a-kiss scene, so that the kiss scene would have to be used. That indeed was a fearless move, for everyone involved knew that interracial relationships were taboo and in some places against the law at that time.
The Enterprise’s five-year mission proved to be only three, but Uhura’s story did not end there. A few years later in 1973 Star Trek: The Animated Series gave the crew another year on the ship (and this animated series gave her some surprisingly good plotlines), and in 1979 Star Trek: The Motion Picture premiered in the theatres. Uhura would play an integral part in the six theatre movies that spanned twelve years. While Kirk, Spock and Bones always got the lion’s share of character development; Uhura, Sulu, Scotty and Chekov were shown as moving up in rank and with key moments hinging on their assistance. In fact, Uhura continued to be an influential character, as she was shown as a mature woman who was lovely, capable, professional and didn’t need a man to fulfill her life. She put her career first, and the universe was better for it, as she is now ranked as a Commander (and Admiral in some non-canon books and movies) in Starfleet.
Star Trek presents an idealistic and Utopian future, with the Earth moving past its racial and cultural differences, and ready to explore space. Its opening line, “Space, the final frontier…” proved prophetic, as I must once again mention Uhura’s real-life counterpart Nichols, as she became a space ambassador for NASA from 1977-2015 and helped recruit diverse astronauts, including women and minorities such as Mae Jemison. Uhura and Nichols have merged into one incredible icon – who is fine, fierce, and fearless!
As I wrap up this post, I now pass the baton to Kalie who is planning to write about Norma Bates from the Bates Hotel (of Psycho fame). Bringing us home will be Jeff with a post about Nomi Sunrider of Star Wars Legends. Please check in weekly as this series unfolds.
Live Long and Prosper, my friends.
To catch the other amazing women in this series, check out:
Could I truly call myself a Star Trek fan without watching this series from the 70s? I felt I was missing out on some classic Trek, so what better time than quarantine to watch all 22 episodes!
There are a few changes in this series vs TOS, although chronologically it would only be a year later. Due to cost-cutting, Walter Koening was not invited back, with Nichelle Nichols and George Takei barely making the cut due to Leonard Nimoy advocating for them. Nurse Chapel (Majel Barrett- Gene Roddenberry’s IRL wife, who would later play Troi’s mother in TNG) gets a larger role, and two unlikely crewmembers are added- a feline woman and a strange three armed long-necked alien.
At first not considered canon, the series is now considered the fourth season that TOS never got, and information found in it is considered part of the Star Trek chronology, with references to characters and situations in future Trek series. Warning- some spoilers! But really, are you reading this post truly worried about learning plot points? 😉
Beyond the Farthest Star
As the first episode of the series, thus establishing the caliber of this series, it wasn’t good. The Enterprise is being pulled into the orbit of a dead star. An evil non-corporeal alien entity tries to trap the ship there, but the crew is able to engage a slingshot maneuver and escape. The animation took some getting used to, as the characters are simply, if not crudely, drawn caricatures of the crew from the 60s show. The space shots were fun, with some psychedelic coloring.
Spock enters the Guardian of Forever to correct a time discrepancy in his childhood. He masquerades as a distant cousin and helps his young self correct the problem that will right the timeline. This was a surprisingly poignant episode that showed young Spock’s homelife and the bullying he endured by his peers for being half-human. This storyline was replicated in the 2009 Kelvin Star Trek movie that had a scene of Spock’s childhood that obviously was inspired by this episode. This proved to be one of the better stories.
One of Our Planets Is Missing
A massive space cloud is destroying planets and is on course to destroy a planet that has a Federation colony on it. Aiming the ship into the cloud, they discover that this cloud is actually a living entity so Spock mind-melds with it to show this creature that it is destroying life. The creature then decides to find lunch in another part of the uninhabited galaxy and the Enterprise has saved the planet from destruction.
The Lorelei Signal
Uhura and Chapel kick some ass! The ship is nearing a Burmuda Triangle of space where several ships have disappeared in a 27-year cycle. On a planet nearby they discover a race of beautiful women aliens who lure men to their planet to suck their life force from them. As the males are immobilized Uhura and Chapel are able to save the day, plus find a hospitable planet for the women to move to where they can lead regular lives and meet men without having to kill them. I was glad that the women crew members were able to get a significant storyline and didn’t have to depend on the men to save the day.
More Tribbles, More Troubles
Klingons HATE tribbles so when they are at risk of being overrun with them. Kirk reluctantly works with Cyrano Jones, an intergalactic trader. Jones knows how to neuter them, yet the Tribbles still grow to ungainly sizes and are still a threat. When the Klingons (who still don’t look anything like Worf from TNG and what we have come to expect them to look like) threaten the Enterprise with a weapon, Kirk is able to negotiate a treaty by giving the Klingons a Glommer, a creature that feeds on Tribbles. Here the Tribbles are pink, which is yet another animation mistake.
When the Enterprise finds a small private ship they think they have found Winston, a human philanthropist missing for five years, and reunites him with his fiance who happens to work on the ship. But he is actually a Vendorian, an alien species that can shapeshift, and the real Winston is dead. But because he absorbed the feelings of Winston, he begins to fall in love with Winston’s former fiance and he rebels against his Romulan captors. This was actually a touching episode and made you think about loving someone for who they are not what they look like.
The Infinite Vulcan
Written by Walter Koening (Chekov) who unjustly was not in this series due to budget constraints, this was a rather convoluted episode. While on an away mission, Sulu is poisoned by a plant, but the plant-like creatures residing there save him. The crew discovers the planet was damaged by a plague brought in by a human scientist escaping the Eugenics War (which was a war led by Khan in Earth’s past). A clone of this scientist kidnaps Spock and makes a giant clone of him, but the crew convinces him that the war he escaped is no longer a threat. The two clones remain on the planet to restore the plant civilization, leaving the regular crew to head back to the Enterprise. So, a giant Spock is left behind???
The Magicks of Megas-tu
The Enterprise encounters an alien species that for a time lived on Earth, and set off the Salem Witch Trials when their alien skills were perceived as dark magic. The alien Lucian puts them through a trial similar to what happened in Salem, but their evolved humanity shows him that he needs to forgive them. His form is revealed to look like a cloven devil, so the connection is made that our mythology is based on prior alien contact. This episode had a noble idea but the follow-through was messy and is an example as to why this series is often laughed at.
Once Upon a Planet
Crew members are looking forward to some shore leave at a planet known for being similar to an amusement park. But the caretaker has died, leaving things to go awry for the crew who beam down. For a time Uhura is kidnapped, as the sentient computer resents its duty and rebels. But Kirk teaches it to be a good boy and to enjoy obeying. This episode rubbed me the wrong way- as this computer and the robots are tricked into being subservient again.
Harry Mudd is back with a new con- a love potion! Mudd is an iconic character that only appeared twice in TOS, and once in this animated series. Here he preys on Nurse Chapel who has a crush on Spock and soon he falls in love with her once the portion actually works. But the potion has a kickback turning love to hate, and once again Mudd is sent to the brig. I enjoyed that Discovery had him in two episodes plus a Short Trek, and I am hoping the Pike series will use this character who is now portrayed by Rainn Wilson.
The Terratin Incident
This was an amusing episode where a mishap causes the crew to start shrinking. They desperately try to fix the situation before they become too small to use the controls. This is an example in which the animation was an effective way to have this type of story that would have been impossible to film in live-action at the time.
The Time Trap
The narrative of entering yet another space Burmuda Triangle was utilized again, with the Enterprise and a Klingon ship both being drawn into a pocket of the universe in which other ships have become trapped in over the eons. Descendents of these crews have formed an alliance and have formed the Elysian Council. Although these aliens say there is no escape, we all know Kirk will figure a way out!
The Ambergris Element
While on a water planet, Kirk and Spock are in an accident that makes them become water breathers and they discover a lost city under the sea, very similar to our fabled Atlantis. There is an amusing scene where Kirk and Spock are in a water tank on board the Enterprise where Kirk expresses he can’t captain while in a fish tank. The duo work with this planet’s swimming aliens and are able to fix themselves and save the civilization from ruin. Barrett voiced all the extra females in the episode and it was distracting to have them all sound so similar.
The Slaver Weapon
This episode concentrated completely on an away mission with Spock, Uhura and Sulu- so it became my favorite, as those three happen to be my favorites from the TOS crew. While transporting a relic from an ancient alien race, they encounter the war-like Kzinti, who look like felines wearing some groovy pink uniforms. These aliens became canon in the new Picard series when Riker mentioned that the Federation is “having some trouble with the Kzinti.” When I watched Picard the quote meant nothing to me, so I find it amusing that a few short weeks later I discovered the meaning of this Easter egg comment.
The Eye of the Beholder
Telepathic aliens put Kirk, Spock and Bones in a zoo when they go to a new planet to rescue crew members from another Federation ship. But the crew members work together to send messages to the aliens and convince them to release them. Scotty plays an important role when a baby alien is beamed onto the Enterprise and he communicated with it before reuniting the baby with the parents.
Spock and Kirk are called upon to join a motley group of other aliens to retrieve a stolen religious artifact. Oh man- this series creates the most ridiculous aliens! They obviously felt they could design animated aliens that could not be shown on a live-action series due to the cost of special effects. Even nowadays with better special effects, these aliens have not been replicated into series, because they were so damn absurd. Plus there was an additional laugh of an alien woman who blatantly puts the moves on Kirk.
The Pirates of Orion
Spock contracts a deadly disease and the Enterprise arranges to rendezvous with another ship to get him a cure. Some space pirates intercept the ship and Kirk has to negotiate with the deceptive Orians to get the medicine that Spock needs. Guess what- he wins.
This was a surprisingly streamlined episode, that despite its laughable colony-creature (its body parts can separate and move on their own) actually had a good message. Always a Uhura fan, I liked how she had a moment taking the helm of the ship and demanding crew members follow her orders as procedure dictated they do.
This episode also included Kirk saying “There are times, Mr. Spock when I think I should have been a librarian.” Spock observes “The job of librarian would be no less challenging, captain, but it would undoubtedly be a lot less dangerous.” As a librarian myself, I enjoyed the idea that my job is as challenging as a spaceship’s Captain!
The Practical Joker
The computer gets a virus and becomes a practical joker. Not a fan of slapstick humor- this episode was really lackluster for me. That Barrett voiced the computer is a precursor that she would voice most onboard computer interfaces throughout several of the future Star Trek shows. The highlight of the episode was seeing Kirk wear a shirt that says Kirk is a Jerk that I have seen on memes but not understood the context until now. And yes, sometimes he is.
Dr. McCoy is accused of causing a plague on an alien planet 19 years ago and is put in jail. Determined to prove his innocence, Kirk finds an alien whom he helped during that era, but then the entire ship falls ill. When I think the aliens on this series can’t get any stranger, TAS proves me wrong!
How Sharper Than a Serpent’s Tooth
This episode was problematic and included the trope of gods-were-really-aliens again. Within the first minute, I clued in that a crew member at the helm that we never met before, Ensign Walking Bear, was going to be important, yet a one and done character. He recognizes an attacking ship as looking like Kukulkan, a Mayan deity since he is Comanche and studied other Native American cultures. This alien beams Kirk, Walking Bear and others to his ship where it is revealed that this alien visited Earth in the past and influenced the Mayan and Egyptian civilizations, but feels rejected as they did not meet his expectations of gratitude. Kirk convinces this alien that humans have grown since he last visited and to let them go and continue evolving. I think this line of thinking reinforces some misguided people who believe that some non-white civilizations couldn’t have developed as advanced as cultures as they had at one time and thus must have had outside influence. The title of this episode refers to Shakespeare’s quote from King Lear “How sharper than a serpent’s tooth it is / To have a thankless child” which is a good quote but quite derogatory here.
The Counter-Clock Incident
This last episode was also cringe-worthy and reinforced that the show needed to end. Traveling on the Enterprise is Commodore Robert April who was the first Enterprise captain and his wife Dr. April as they prepare for mandatory retirement at age 75. They encounter a supernova that pulls them into an opposite universe and they began to de-age. Spock and the April’s maintain the ship since they are older and aren’t turned into babies like the rest of the crew, although they too grow younger. The problems I had with this episode were the ageism and sexism- Dr. April is referred to as Mrs. April repeatedly and they are not utilized to help until the end when the need for their assistance was quite obvious from the beginning.
My youngest son asked what was worse- this series or the Star War’s Holiday Special. I had to pause and think because they are both unique and horrible in their own ways. But these last two episodes pushed me to pick this series. I must keep in mind that this series was a product of its time- the early 70s was still mired in old-fashioned stereotypes. But the crude animation torpedoed this series, as their numerous continuity mistakes were obvious, and their stock footage (there should be a drinking game for how many times the same footage was used of Spock looking into a viewfinder on the bridge) was distracting. Some of the storylines were more nuanced than others but that begs the question- was this series geared for children or adults? But overall, I am so glad I watched The Animated Series. It was an interesting look into Star Trek’s uneven history and there were nuggets of good storytelling found in it. I now await Discovery’s third season and was thrilled with the recent announcement that Captain Pike, Number One and a young Spock would be getting their own series Star Trek: Strange New Worlds. In the meantime- Live Long and Prosper!
This week, Michael of My Comic Relief, Kalie of Just Dread-full, Kathleen, and I went head to head – trying to decide which cinematic superhero Chris is best! Michael supported Chris Pratt, Kalie choose Chris Hemsworth and Kathleen went with Chris Evans. All three shared heartfelt but misguided treatises as to the superiority of their Chris. While all three are excellent writers, they all fell short (and they secretly know it). Clearly the best was saved for last, which quite obviously is Chris Pine.
To say that the public is blessed with such four outstanding Chrises is an understatement. People come in with their own preconceived notions of what they find attractive, sexy and funny. All of the Chrises fit into those categories, but it takes a truly superior Chris to rise above the rest. So let’s wrap this up for once and for all, as I prove my Chris is best.
As if we needed an introduction to the best of the Chrises, but here it is, announcing it himself:
Star Trek Continues has come to an end. This webseries was a true labor of love from all involved, especially Vic Mignogna, who created and starred in this wonderful tribute series. If this blog was on paper, you would notice blotch marks- from my tears, now that it is over!!
Episodes 10 and 11 were a two parter, which really was essential to give them enough time to adequately wrap up the series. As the episode begins, Captain Kirk is reflective as the five year mission is coming to an end, and he mourns the crew members that have died under his command. He hopes for a smooth end to the journey, but is directed to enter Romulan space by Star Fleet Command. He, Spock and a red shirt beam down to a planet to investigate a scientific outpost. They beam aboard the lone scientist still there, not knowing her secret abilities, plus the Vulcan that attacked them there. Spock then takes this opportunity to secretly send a message to a Romulan commander that he had a connection to from The Enterprise Incident. The commander is played by Amy Rydell, the daughter of TOS original actress Joanne Linville, and it is amazing how Rydell looks likes her mother.
The scientist Lana proves to be hiding her motives, and her connection to the Vulcan is revealed. Turns out that that the scientists are now ESPers, who have developed the ability to read minds and have powerful new telekinetic powers. Drunk on her newfound power, Lana plans to rendezvous with the others ESPers on the USS Congo, a ship that they took over near the galactic barrier. The Enterprise crew take action to thwart the renegades who plan on conquering mere humans with their more evolved powers. Some crew members make the ultimate sacrifice, and their losses are heartfelt, as they were integral characters on the show.
The Enterprise crew ultimately limp into space dock, victorious, but at a high cost. I was glad for the lengthy finale, which tied up plot lines and gave it a poignant conclusion. I loved the touches of continuity that they established to build a bridge from this supposed end of the five year mission and the first movie. There was a reference that the doctor had a daughter that he hadn’t seen in years, there was a joke about how the uniforms would be changing soon and about the pilot program of having a counselor on board which is a connection to TNG crew.
I do have a significant complaint though- if you have read any of my previous posts about this series (Episodes 1-6, Episodes 7-8, Episode 9) you know that I really liked the actress Kim Springer who beautifully portrayed Lt. Nyota Uhura. I complained that she (plus Sulu, Chekov & Scotty) was not given enough character development due to the series giving more screen time to the big three and actress Michele Specht who played Counselor Elise McKennah. Unfortunately, that happened again. I truly feel bad harping on that, because Specht is a fine actress, but as a true fan of TOS, I wanted the core seven to be featured, not a newcomer. While Uhura had two significant moments of helping in the last mission, it wasn’t enough. Obviously, I love this webseries, but this issue was a constant thorn in my side.
This was a fantastic webseries that truly felt like canon to TOS. The replication of the sets and uniforms were outstanding, and the guest stars that often had a Star Trek or other sci-fi connection helped elevate the episodes. When ever I find a new Trekkie fan I always share this series with them, as it was a perfect continuation of the original television show and felt incredibly authentic. I am sad the series is over, but can enjoy watching reruns of it, as I have enjoyed watching and then rewatching other Trek episodes. I certainly hope to see these fine actors and actresses involved in other projects.
I am a big fan of the Star Trek universe, so when I saw this book come highly recommended by a Goodreads friend, with whom I have many similar reading tastes, I snapped it up. A description from Amazon says it is the “first officially produced in-universe biography of the legendary and iconic Star Trek character, Captain Kirk“. Written as if it were the memoirs of Captain Kirk, I was prepared to love it.
Sometimes we read a book at just the right time in our lives, so the book speaks to us, as if it were written for you alone. Other times due to timing, a book is read at the absolute wrong time, so you end up hating the book. Unfortunately, this book falls into the later category for me. Let’s find out why!
The book starts out promisingly, with Kirk recounting his childhood in Iowa with his parents and older brother Sam, to the book’s “editor” David A Goodman. It proceeds through his first time off planet with his mother, then through his early years of Starfleet Academy. We meet many of the people who will play a part in his later missions, for several of them tie in with school and his first two ship assignments. Thus, the narrative takes official Star Trek canon and builds around it.
Once we hit the Enterprise years, the book came to a screeching halt. Kirk’s recollections lurched from one episode to another, recapping what we know happened in the tv show and later in the movies. Spock and McCoy were barely mentioned, and their friendship did not ring true, even with their foreword and afterwards bookends. Then the other important quartet of Uhura, Scotty, Sulu and Chekhov were also all but ignored in this supposed memoir. There was so sense of unity or teamwork among the Enterprise staff, much less the family he left behind. Even the Khan stories lacked power.
Now let’s talk about the ladies. Kirk is known as a swashbuckling ladies man, but in this story he is a petulant man child. He is callous to his first love at the academy and is a complete ass and a deadbeat dad to Carol and their son David. There is no mention of his marriage to Miramanee, whom I felt was one of his true loves, and doesn’t mention the kiss with Uhura. The largest story goes his romance with Edith during a mission he went to the Earth’s past. He moons over her death, and then slights other women. Even with Carol and David come back into his life years later he doesn’t muster much excitement or love for them. When David dies, he isn’t heartbroken and dismisses Carol, never to see her again.
I believe there are three glaring reasons why I didn’t like the book. One- my eldest just started college, and I miss him terribly. I was angry at Starfleet for making family life basically impossible. Family relationships were torn asunder by the long absences, and the choices people made if they wanted to accept a promotion. Second- I recently had a negative experience when someone else’s bad decision affected me. So Kirk’s many decisions through out his career, where others were collateral damage to his ego, infuriated me. Thirdly- the filling in around canon didn’t seem authentic to me. While it was approved (so I assume the new info is canon too now), it all seemed fake and wooden. I recently read Superman: American Alien which did the same thing, but that story filled in the gaps of Clark Kent’s growing up years in a very believable way.
So while I hated this version of Kirk, I am going to do what many fans do when faced with problematic story lines or conflicting data- I’m going to pretend it doesn’t exist. If I can forget about Spock’s brother or how Klingon’s first looked when we met them in TOS, I can forget about Goodman’s Kirk. Instead I shall remember the blustery but fun William Shatner version that started this whole Trek phenomenon. Live long and prosper, my friends.
Star Trek Continues is a homage to Star Trek TOS, and this web series’s ninth episode is the best yet! This episode was so very true to TOS, that it was eerie. While past installments have been an accurate recreation of the first series, this episode felt like it truly belonged in the canon of the original series.
The opening scene begins with some light hearted banter between the senior staff, with some expository dialogue to set up the scenario of sending the ship to a planet to help a never before contacted society.
The big three beam down, and are surprised that the world is only in shades of black and white- there is no color. They are soon greeted by two political ambassadors, one of whom is the guest star John de Lancie, who famously played the alien Q in the TNG, DS9 & Voyager series. The married ambassadors share that their Hyalini civilization is in peril, thus their distress call to the Federation. A radiation disease is killing off the population, one of the symptoms being that generations of the planet’s inhabitants have been color blind.
Doctor McCoy needs to take one of the Hyalini to the Enterprise so he can study the radiation poisoning and find a cure for it. Kirk is pleased that it is Sekara, a beautiful woman who is close friends with the ambassadors. After beaming up, with her sun’s radiation no longer affecting her, she is shocked to discover color. Initially overwhelmed by this, purple haired Sekara soon adjusts and she and Kirk manage to find some sexy time in his quarters.
During this time another alien race, the Ambicians, are discovered trying to land on the Hyalini home planet. Kirk and his crew are shocked that the seemingly peaceful Hyalini shoot at the Ambicians, and that they profess such hatred for them. Further research into the matter shows that many Ambicians have actually settled on the planet, but have been able to escape detection for their purple hair and different skin tone have not been noticed by the color blind inhabitants. Wait…doesn’t Sekura who is Hyalini have purple hair? What???
Kirk lets Sekura know the truth and she is horrified- what will her former friends and loved ones think of her once the medicine cures everyone of their radiation poisoning and color blindness? She shares her fear, “Their eyes will change but their hearts may not.” Kirk and Spock beam down to speak again the ambassadors and political council, and Kirk confronts them on their prejudices.
The obvious parallels with this story is our current political climate and issues we face with immigration. Star Trek has always been at it’s best when episodes make us confront our moral, racial and political bias. The dialogue between the Captain and Ambassador Galisti is poignant, and both make valid points. However, Kirk’s arguments are the better of the two, with Galisti echoing some uncomfortable rhetoric we have heard out of President Trump’s speeches. Ultimately Galisti discovers the truth about Sekura and his beloved wife, and he and the other Hyalini are faced with a moral dilemma. The Enterprise has given this civilization the tools they need, now it is up to them to face an uncertain future and try to broker a peace between the two races.
In my previous posts, that cover Episodes 1-6 and then 7-8, I complain that Uhura, Sulu, Scotty & Chekov get minimal screen time, and AGAIN, this was the case. I am including some pictures of Kim Stringer who wonderfully plays Uhura, just because I think she deserves it. Love her! What could have been a perfect episode, was marred by this continued omission.
In conclusion, I was (mostly) thrilled with this episode. It saddens me to realize that just as this web-series is at it’s strongest, it only has two more episodes before they are done for good, as to avoid any conflicts of interest with CBS and the upcoming Star Trek Discovery. I look forward to the remaining two episodes and hope that they are as strong as this one.
Live long and prosper.
*The featured top picture is made by Star Trek fan and amazing artist, Gaz Williams.