Three Jokers have emerged in Gotham- the Criminal, the Comedian and the Clown.
In this strong Batman story, author Geoff Johns has pulled together threads from A Death in the Family and The Killing Joke, that ties in Jason Todd aka Red Hood and Barbara Gordon aka Batgirl, the two from the Batman Family that have been most affected by The Joker.
When a crime spree occurs, with video evidence, showing The Joker in three different places simultaneously, Batman realizes there is more than one. Jason Todd, the second Robin who was thought dead by the hand of The Joker, has reappeared as Red Hood who is now an avenging hero. But his brand of justice goes against the code of most heroes, who do not kill. Bruce and Barbara risk outing their secret identities if they reveal Jason killed the Joker that had so brutalized him, and Bruce feels great guilt for not being there for his former partner. There are several nuanced conservations about where to draw the line on justice, for Barbara has an equally valid reason for hating the Joker that had put her in a wheelchair for awhile, but why can she control herself and Jason can’t? The entire storyline was very interesting for all three characters and really added some gravitas to how all three have evolved over the years.
And we need to touch on the possible romance between Jason and Barbara- I read it at two different times and had two different reactions. On my first scan through the graphic novel, I saw the note and thought it was so romantic, and I wanted the two of them to be together. But then I read the graphic novel thoroughly and realized a relationship between the two would be toxic and one-sided. Barbara can’t save Jason- he needs to do the work on himself. He is looking for connection so when Barabara offered him kindness he morphed it inappropriately into love. Once he has healed, perhaps they could try, if they both want to.
The art by Jason Fabok is fabulous. With white borders, the vivid coloring stood out, and every panel was drawn with precision. I think the faces were especially well-done, with an almost photo-realistic approach. My only criticism is the absolute skin-tight costume that Batgirl wears. While there were some typical 9-panel layouts, there was also a lot of variety on the pages with different panel placements. I love Fabok’s work, but this was the first I’ve seen of his art since he works mostly for DC which I don’t read a great deal of.
Although this book came out in late 2020, it is still going strong and I’m so glad I purchased it for my library and read it myself. This is a Batman story not to be missed!
In last year’s post, I teased the heroine I had in mind for this year’s post. Our friendship theme for this year fit perfectly for who I had in mind: Black Canary. This was a prime opportunity to kill two birds with one stone, if you’ll forgive the pun.
Quick note: I’ll be talking strictly about the comics, as the movie with the same title shares… the title only. It not only doesn’t focus on Black Canary, but didn’t even include all canonical characters that make this team so special.
There are (to date) two iterations of the Black Canary character: Dinah Drake and her daughter, Dinah Laurel Lance, who we’re going to focus on. The character you think of when you hear “Black Canary” is most likely the second iteration. Though both are blonde bombshells and martial arts experts sporting tight leather bodysuits and fishnets, Baby Dinah’s signature superpower is her Canary Cry: a supersonic scream that she can control and direct. But as we’ll see, that’s not her only power…
Baby Dinah grew up surrounded by heroes. Her mother, the first Black Canary, was part of the Golden Age Justice League of America. Naturally, Dinah wanted to be a crimefighter, just like her mom and the heroes who were family to her. Mama Canary, not wishing a vigilante’s dangerous life upon her only daughter, forbade it. In a classic #FFF move, Dinah went against her mother’s wishes to follow her dreams. She trained with Ted Grant (Wildcat) to become a martial arts expert and took up the mantle of Black Canary. She even starts operating out of a floral shop in Gotham, just like Mom did. She goes on to become a founding member of the Justice League International and joins the Justice League, where she meets Green Arrow (Oliver Queen), marking the beginning of their romantic relationship. After the death of her mother and a bad breakup with Oliver, Dinah finds herself adrift and unsure of what to do with her life. (Source)
Enter Oracle (the hero Barbara Gordon, or Batgirl 1, became after her paralysis due to Joker’s shooting, as outlined in my 2020 FFF post), seeking the perfect operative for her covert operations. This was the case in Birds of Prey #1 (the cover of which is the featured image for this post!), written by Chuck Dixon in 1995, published in 1996. The rest is history.
Now, up until this point, Black Canary had very rarely had her own book, in an “always the bridesmaid, never the bride” sort of situation. That changed with Birds. Though she shares the limelight with Oracle to start, Huntress in 2003 when Gail Simone took over the helm, and an ever-expanding roster in later years… Dinah is very much the heart and soul of the book. She might share the title, but she is the embodiment of everything the Birds come to represent over the course of the run.
Of course, the biggest themes of the book are that of friendship and found family. Barbara, in selecting Dinah as her first covert operative, gave Dinah a second chance to find her purpose as a heroine. Conflict in the earlier issues stems in part from Barbara and Dinah’s clashing personalities and work methods. Barbara as Oracle is methodical, meticulous, and organized. Dinah’s Canary is a little more loose and a go-with-the-flow type of gal. They each cause the other no end of grief, until they learn to trust one another. But once they do, Barbara and Dinah, along with Helena Bertinelli as Huntress later, grow so much closer than mere coworkers.
In fact, it’s Dinah who suggests that Helena becomes part of the team. Barbara is resistant because she doesn’t approve of Helena’s more violent methods of crimefighting. But when Dinah welcomes Helena with open arms… what is she to do but give her a chance? And though Barbara and Helena clash the same way she and Dinah did in the beginning, and even through Helena’s brief departure, they learn to trust each other. With that burgeoning trust comes a deep respect for each other. They become partners, friends, sisters. They become a team in so many other ways than just a covert operations unit. And none of it would have happened without Dinah.
Dinah, as a character, is idealistic and humanitarian. She is (with few exceptions) willing to give everyone, even the most heinous villains, the benefit of the doubt and a chance at redemption, rehabilitation, and in Helena’s case, friendship. Helena had been an outcast of the Batfamily due to her violent tendencies, but Dinah does what they didn’t: give her a chance. Conflict within the team further arises from this clash of ideals. Barbara’s faith in others has been damaged due to the trauma she suffered. Helena naturally distrusts and is quite cynical of everyone. Dinah leads by example by being open, accepting, and willing to give everyone a fair shot.
For example, there’s an arc where Dinah and Sandra Wu-San (Lady Shiva) trade places for a year. The two women share a tentative bond, as they were trained by the same martial arts sensei. However, again, the two women are very different: Sandra is the world’s deadliest assassin, while Dinah has a code against killing. Shiva offers to further Canary’s training, but Dinah refuses, fearing her morality will slip. They arrive at this compromise instead. Dinah goes to train for a year as Sandra did, and Sandra joins the Birds for a year, calling herself the Jade Canary. Dinah hopes her time with the Birds allows Sandra to warm up to new experiences and helping people rather than killing for hire. The rest of the team might (and certainly did) call her crazy – but Dinah believed what she was doing was right: giving Sandra a chance to grow and change. (Sources 1 and 2)
Dinah Laurel Lance, as Black Canary, might be one of three top billers on the Birds of Prey book – but she is the heart and soul of the story. Barbara Gordon as Oracle gave her the chance to reinvent herself as a hero, and Dinah went above and beyond the call. She showed herself, her coworkers-turned-sisters, and us the readers, the power of friendship. As corny as it sounds, Dinah’s greatest power is her loving acceptance of others and her willingness to give everyone the benefit of the doubt. Though she is the loudest – literally and figuratively – of the bunch, her power comes from the quiet, understated kindness that she gives to everyone.
If you’ve been following the blog for a while, you likely know that Birds of Prey is my favorite comic book series of all time. I’ve reviewed the entire series in trade paperback for this blog and am currently re-reading the newly published omnibus editions with my husband. It’s been a joy to take a deeper dive into the friendship this series is famous for with #FictionsFearlessFemales this year. Look out for the rest of this year’s series!
The Terrible Trio stumbles upon an abandoned piece of AI calling itself Oracle. Upon rebooting, Oracle questions why she was abandoned by her creator: Barbara Gordon. Now, she’s out for answers and revenge, in no particular order. Babs has been pulling double duty with Congresswoman Alejo’s campaign, and Killer Moth’s latest reign of terror. He mentioned some kind of deal that was made with Lex Luthor, to give him weapons and technology that are normally outside his scope. But before she can investigate that, Oracle descends. How can Batgirl beat an enemy that she created to know her inside out?
Honestly? I couldn’t get into this one and found it boring. Probably the first time I’ve said that about a Batgirl comic =P It was too busy for me, story-wise. There was too much going on without much explanation. I found the art equally messy and busy.
I might give this one another try when pandemic brain isn’t too strong.
Castellucci, Cecil, Carmine Di Giandomenico, and Jordie Bellaire. Batgirl (Rebirth, Vol. 7): Oracle Rising. 2020.
It’s election season! Barbara decides to volunteer for Luciana Alejo’s campaign as she runs for a Senate seat. Unfortunately, that puts her at odds with her own father, Commissioner Gordon. The biggest promise Alejo has made on her campaign trail is to clean up the corruption in the GCPD. While Barbara thinks that’s a good idea, Batgirl has ulterior motives for joining Alejo’s volunteer army. Politics in Gotham are dangerous under the best of circumstances, and someone is really gunning for Alejo. Ex-cop Jason Bard, whom Barbara has a history with, serves as Alejo’s campaign manager. He is willing to work with Batgirl to keep the hopeful Senator safe, but Batgirl isn’t too sure. Can they cooperate long enough to get Luciana elected?
I was reminded of some of the Batgirl comics from the ’70s that were featured in her Bronze Age omnibus. Barbara actually did run for the House of Representatives during the ’70s, to serve as the start of her character retirement. One of the issues featured in the omnibus showed Batgirl and Robin working on her campaign (and on official Bat business ;D ) in Washington, D.C. This story was a great throwback.
Something that was distracting for me were the exaggerated features in some characters, but only from a certain angle. It was just when a character was in profile that their lips and noses were just too big. The style was otherwise pretty standard comic book-y and reminded me a bit of the old Batman animated series.
One last thing… I still hate this new mask!!!
Scott, Mairghread, Paul Pelletier, and Norm Rapmund. Batgirl (Rebirth, Vol. 6): Old Enemies. 2019.
Cassandra Cain is the daughter of David Cain, one of the best assassins in the world. His daughter, deprived of speech and literacy, surpasses his talents by reading the only language she knows: body language. While trying to kill a man in Gotham City, Cassandra picks out one word as he is begging for his life, “daughter.” Confused and scared, Cassandra flees without finishing her job, and tries to discover for herself what the word “daughter” means – what it really means. With the help of Jackie, who owns a noodle shop, a librarian named Barbara, and a young man named Erik, Cassandra slowly learns to speak, to read, to think for herself and become the person she wants to be. Not who anyone says she should be.
Cassandra’s story is one every teenager can relate to. She is trying to decide who she wants to be! She is afraid that her past has too strong a hold on her and will dictate her future. As we discover, that’s not always the case! She also is representative of the Asian community. Asian author Sarah Kuhn’s introduction on how much Cassandra Cain meant to her is touching.
The art by Nicole Goux is very cool. It’s fast and loose, with a very sketchy feel to it. Since Cassandra spends a good portion of the book mute and illiterate, much of the feeling comes through in the art. What’s conveyed is overwhelming uncertainty as Cassandra tries to find her own footing in the world. As the art and characters show us, it’s okay to feel afraid and overwhelmed about feelings.
Just a personal nitpick… there is some unrealistic representation of libraries! There is no way Cass would be able to live in the Gotham City Library for as long as she does without anyone noticing. A branch as big as Gotham’s would definitely have dedicated security or police staff that would sweep the building to make sure everyone was out before closing. I was just so frustrated by that tiny part!!! Of course, this says more about me than the story itself X,D
Readers will love this combination origin and coming of age story of Cassandra Cain, and the edgy art that coincides.
Kuhn, Sarah, and Nicole Goux. Shadow of the Batgirl. 2020.
Fiction’s Fearless Females is back! That’s right folks, your favorite bloggers are back with this series for Women’s History Month: Nancy and I, Michael of My Comic Relief, Kalie of Just Dread-full, Jeff of The Imperial Talker, and Rob of My Side of the Laundry Room. Michael kicked off the series earlier this week with his wonderful post on the 13th iteration of Doctor Who (which you can read on his blog or on ours). Not to worry, for more posts featuring your favorite fictional females from all these other fabulous bloggers will be served up all month long 😉
This year for #FictionsFearlessFemales, I’ve chosen Barbara Gordon! Barbara was the original Batgirl, and became the hero Oracle after the events of The Killing Joke. Though Barbara Gordon is not the first superheroine (that mantle goes to Wonder Woman, as chronicled in last year’s FFF post), she is one of the first examples of a heroine derivative of a male hero: in this case, Batman. That doesn’t mean she is exactly like Batman, however, as we will see! Barbara was also the first superheroine to have a disability, making her debut as Oracle hugely important for representation in the comic industry.
Batgirl was written into Batman and Robin’s comics series at the request of the producers of the 1960’s Batman TV show. The creators of the show wanted to create a character who would appeal to a female audience, but they wanted her to premiere in the comics first. Therefore, William Dozier (executive producer and uncredited narrator of Batman), Julius Schwartz (DC comics editor), and Carmine Infantino (DC comics artist) collaborated to create Batgirl! She first appeared in Detective Comics #359 in January of 1967, the title of which was “The Million Dollar Debut of Batgirl!” In September of that same year, her first appearance on the TV show was aired, in the episode called “Enter Batgirl, Exit Penguin.” She was played by the late Yvonne Craig. (Wikipedia)
What I found particularly charming about Batgirl’s early comics (seen in her Bronze Age omnibus) was how easily and cheerfully she forcefully integrated herself into the Dynamic Duo to make it a Batfamily. Batman and Robin are puzzled and even alarmed at Batgirl’s sudden appearance, and they don’t believe she can be a good crime-fighter. They mince no words making their doubts known to her. Do those doubts bother Batgirl? Heck no! She razzes them right back, giving as good as she gets. Mostly, she lets her actions do the talking: using her brains and physical prowess to prove herself rather than her words. Barbara doesn’t let their misguided, misogynistic views of her get in the way of doing what’s right: joining their crusade to keep Gotham safe. Her persistence leaves Batman and Robin little choice but to accept her once they realize she’s not going anywhere!
Once they do accept Batgirl, she proves to be an invaluable member of the team. Though Batgirl is of course derivative of Batman, the two characters are very different. Barbara Gordon in her very first incarnation was the head librarian of the Gotham City Library by day (which, as a librarian myself, I cannot tell you how inspiring I find that and how much that means to me!!!). Her specialty from the start lay in information: finding it, distilling it, and following it to solve crimes. Later, after she became Oracle, the methods of her information gathering changed as she became a tech/computer wizard, and she delivered information to the right people rather than using it herself. But therein is her main difference from Batman: while he may be the World’s Greatest Detective, the best at deducing information, Batgirl is the expert of information gathering.
Over her long and varied career, Barbara Gordon as Batgirl has fought crime, kept her identity a secret from her father (Gotham City Police Commissioner Jim Gordon), and even ran for the House of Representatives in Washington D.C. in the early 1970’s. Some of this story appears in the Bronze Age omnibus linked above. This was the start of the retirement of the character, with both Barbara and Batgirl appearing on and off in various DC titles until 1988. Her official retirement title, “Batgirl Special #1″ was published in July of that year.
Remember, however, that The Killing Joke (linked above) was published in March of 1988. Though Alan Moore and Brian Bolland’s story was initially meant to be a one-shot about the Joker, it proved immensely popular both with long-time fans and newcomers. In the story, as the Joker tries to tell us his story, his origin is interspersed with the present-day, where he shoots Barbara Gordon through the spine (paralyzing her from the waist down), kidnaps Commissioner Jim Gordon, and attempts to torture him into losing his sanity. He tries to prove that anyone can go insane by having “one bad day,” like the day he had that ultimately drove him over the edge. That one-shot was so popular and influential to DC’s overall storyline that Barbara’s paralysis became canon. It was written into her last title, the “Batgirl Special #1″ mentioned above.
If you’ve never read The Killing Joke, I recommend you do on the basis of it being a milestone story in the overarching Batman lore. For my part, I could only stomach it one time, due to what I deem to be excessive violence against Barbara’s character (I wish I’m joking when I say that it gave me nightmares). Comic book author Gail Simone added Barbara (as Batgirl I) to her website “Women in Refrigerators,” in which she lists female comic book characters who have been killed, tortured, or otherwise depowered in some other way, often for the sake of a male character’s personal or story development. So, Barbara, up until this point, had been a popular character in her own right. She was connected to the ever-popular Batman, sure, but she was her own person, with her own title. In order to serve the story Moore and Bolland were trying to tell (to drive her father and Batman insane), her power was stripped away with a gunshot from the Joker.
… Or was it?
In 1996, a story called “Oracle: Year One: Born of Hope” was published in The Batman Chronicles #5 (I know I’ve read and reviewed it here, but can’t find the omnibus I read it in to link!). This story, penned by John Ostrander and Kim Yale, shows the events of The Killing Joke and the year after from Barbara’s point of view. We see her struggle to accept her paralysis and with her physical therapy. But, we also see her discover her affinity with computers and hacking on the early internet. We see her learn to defend herself though she is now bound to a wheelchair. We see her find her purpose again.
Thus, Barbara Gordon becomes Oracle, expert computer wizard, hacker, and information broker not only to Batman, but to other superheroes and organizations as needed.
Also in 1996, Chuck Dixon’s crossover Black Canary/Oracle: Birds of Prey was published, beginning my very favorite comic book series of all time: Birds of Prey. Oracle reaches out to the Black Canary, and the two form an unlikely partnership which later blossoms into friendship. In 2000, Gail Simone herself took over writing the BoP title, added Huntress to the main roster, and the rest, as they say, is history.
If I’ve said it once, I’ll say it a million times. Birds of Prey is unequivocally my favorite comic book series. The Birds of Prey are THE landmark girl power group in comics. You have Barbara Gordon as Oracle, of course, Dinah Lance as the Black Canary, and Helena Bertinelli as the Huntress. Separately, the three heroines are very different in crime fighting methods, race and nationality, socio-economic status, and abilities. Despite their differences, they learn to work together as a team. They eventually become much more than a team: they become a family.
This series having such a special place in my heart is in no small part due to Barbara Gordon. She may have started out as Batgirl, but she grew and evolved in ways that not many female comic book characters would have after her paralysis. If it weren’t for Ostrander and Yale’s intervention, Barbara might not have seen the light of day again in DC comic canon. She would have been shot, paralyzed, and retired permanently. Perhaps she would have made a few guest appearances here and there as Commissioner Gordon’s crippled daughter – but Ostrander and Yale knew better than that. They knew Barbara wouldn’t have resigned herself to that fate. They knew she would have fought to make something of herself again, and that is EXACTLY what she did.
Barbara might not have been able to physically kick ass as Oracle, but she served an important role in being one of the first physically disabled superheroes. She proved that even after suffering a horrific and life-changing experience, one can still pick themselves back up. One can fight through and even come out stronger on the other side – not necessarily in the same way, but that’s not a bad thing! Barbara proved that her worth was not necessarily in her body or in her physical accomplishments, but in her mind, her ability to think and to find, recall, and communicate information.
This is a very important distinction to make between Barbara Gordon and, say, Wonder Woman, Supergirl, or Green Lantern Jessica Cruz. Wonder Woman’s powers were bestowed upon her by her patron gods. Supergirl’s powers come from how our yellow sun’s rays interact with her Kryptonian (alien) DNA. Jessica Cruz, like all Green Lanterns, was chosen by a power ring, through which she can create corporeal constructs using her own willpower. Wonder Woman and Supergirl have amazing supernatural and physical capabilities that they were born with or that they were given. Though Green Lanterns need extraordinary mind- and willpower in order to create constructs through their ring – they need the supernatural device of their power ring in order to do so.
Barbara doesn’t have any of that. She has no supernatural crutches, so to speak. She only has her her human body and her sharp, analytical mind. Batgirl showed the world that girls can play in the boys’ sandbox (and damned what they think), but Oracle showed the world that the mind is what Barbara Gordon’s best asset is, and what ultimately makes her a hero.
For the New 52 that DC launched in 2011, we got to see Barbara (literally) stand up and become Batgirl once more. While the New 52 established a new continuity after the effects of Flashpoint, many previously canonical things were different – but not for Barbara. The events of The Killing Joke still happened, and Barbara really WAS paralyzed. She regained the use of her legs and her paralysis was reversed by way of an experimental surgery in the New 52. Gail Simone returned to pen Barbara’s second debut as Batgirl, this time as trying to relearn how to be Batgirl, and trying to work through the trauma and PTSD that the events of The Killing Joke had left her. Though she was no longer bound to a wheelchair, there were still inner demons to overcome in order to be a hero. Even a powerful mind such as Barbara’s struggles with roadblocks, PTSD, anxiety, panic attacks. And that’s powerful stuff.
Barbara Gordon has been both Batgirl and Oracle since the launch of the New 52, into Rebirth. The first volume of Rebirth’s Birds of Prey sees the newly re-formed Birds trying to uncover who has stolen Barbara’s Oracle mantle. Barbara is shown as a young adult, as she has been for most of her career, but this time with all of today’s technology – and she’s still very good at it 😉
Barbara Gordon is my Fiction’s Fearless Female for this year, but she is also one that is very near and dear to my own heart. She started out as a librarian (like me!), and used not just physical abilities, but mental abilities in order to fight crime and make a difference. She didn’t let Batman or Robin’s vocal disapproval stand in her way. Even after being shot and paralyzed by the Joker in 1988’s The Killing Joke, Barbara continued to be a hero under the mantle of Oracle and found new strength and purpose in not only the Oracle guise but in the Birds of Prey. Though she is now back as Batgirl after the New 52, Barbara’s heroism is mostly defined by her mind, not necessarily for supernatural abilities or physical prowess.
Barbara Gordon ultimately proves that women don’t need to kick ass to be badass.
Next week, look for Kalie’s Fictional Fearless Female on her blog, Just Dread-full. Join us back here for Jeff of The Imperial Talker and then Nancy’s post. Rob of My Side of the Laundry Room will wrap up this year’s series! Please continue to join us in this celebration of #FictionsFearlessFemales during Women’s History Month!
Superheros have been dealing with the repercussions of death and destruction for years and who better than author Tom King, a former CIA operative, to know that this would start to wear on these DC heroes. Thus Superman, Wonder Woman and Batman band together to build a secret mental health clinic in rural Nebraska called Sanctuary where heroes can go for anonymous assistance. It is staffed by androids and offers virtual reality reenactment and counseling to help them with their issues.
Event books seem to be my kryptonite with DC. While I rarely read about individual superheroes, except for Aquaman lately, I am a sucker for these stories that bring everyone together in sometimes implausible ways. So the story begins with Harley Quinn and Blue Beetle duking it out, as each accuses the other of being a murderer- and we soon find out that there was a slaughter at the Sanctuary with several heroes dead. While most of them are heroes of little note, Wally West who is the original Kid Flash, is one of the casualties. The Big Three are called to investigate, and they are dumbfounded, as they had put in place many safeguards to protect their traumatized brethren.
The story had some incredible highs and lows. While I applaud the idea that superheroes would need counseling to process their grief and the insight that King brought to the large cast of characters, the ending was very convoluted. I had to poke around in The New 52 and DC Rebirth to understand why the culprit did what they did, and it still didn’t make a lot of sense. But no matter, this character will be yet again retconned and their crimes will not matter in the future. In addition, the release of private confessionals to the public and Lois Lane’s decision to go to print with the story rubbed me the wrong way. In real life, there are “outings” of people’s private lives all the time for sensationalistic effect, all in the name of the “public’s right to know”.
Yet, the book worked in smaller moments. There were some interesting pairings- towards the end Batgirl, Harley Quinn, Blue Beetle and Booster Gold band together to solve the mystery of what happened. As I don’t read a lot of DC, I was unaware that Harley and Poison Ivy were a couple, but the two of them have a brand new mini-series that takes place directly after this event, aptly named Harley Quinn and Poison Ivy. I enjoyed seeing Batgirl prevent Harley from spiraling out of control, and the bromance between BB and BG. I looked up several of the heroes I was unfamiliar with, and the insecurities that the four Robins showed (see below) was pitch-perfect. Tom King is now known as someone who writes about deeper psychological issues, and that is readily shown in this story.
The artwork by Clay Mann, Travis Moore, Mitch Gerads, Jorge Fornes and Lee Weeks was absolutely outstanding. For so many artists, the style stayed remarkably consistent. The two-page splash pages that opened each issue were visually stunning, with distinct drawings of both small settings and large outdoor expanses. The nine-panel pages were my favorite, as each character was drawn with precision, with facial expressions showing their personalities and conveying the distress that they each of them was working through. Rich colouring and lettering also added to the top-notch illustrations.
All in all, a thought-provoking story that may trigger some difficult feelings for some readers, as mental health is a loaded topic for some, but is worth discussing and bringing out into the open. I was glad to read an online preview from NetGalley before it was published and will plan or ordering this graphic novel for my library.
One of Gotham’s old villains, Grotesque, is back, but he’s upped his game. Where once he was a petty art thief, he’s now turned to murdering those he steals from, and poses the bodies in an “artistic” manner. Batgirl tries to stop him, but an attack from an electrical escrima stick throws off the implant in her back that enabled her to walk again. What’s more, her memory appears to be failing as well as her legs. She has trouble remembering who Grotesque is, what he’s up to, and how she even planned to stop him. With dogged determination, Barbara plows on to foil his deadly plans – but potentially at the cost of her mind, and her legs – for good.
The writing in this volume really highlighted why I think the Batfamily is so popular. Though none of them have special powers, they are determined and willing to put their lives on the line to do the right thing, and above all protect the innocents of Gotham City. Barbara’s iron will, especially after regaining the use of her legs, and keeping on fighting the good fight though she could lose the ability to walk again, really shone through here. There were a few moments between her and her father, Commissioner Gordon, that suggest it’s a hereditary trait, and were very touching.
This volume did, however, feature a change in Barbara’s costume… I hate it. I absolutely hate it. The Burnside costume was so cute, and modern, and refreshing. Best of all, it was practical: covered everything that needed covering, offered protection against slides across pavement and rooftops, and was undoubtedly warmer in the winter.
While the new costume does harken back to older ones, especially in the colors, I cannot get over the “mask.” You can’t even call it that! It hides nothing! All I heard in my head from the costume change on was Blake Lively’s line in the abominable Green Lantern movie, where she exclaims, “You don’t think I would recognize you because I can’t see your cheekbones?” (IMDB)
Keep up the great writing, but bring back the Burnside costume!!!
Scott, Mairghread, and Paul Pelletier. Batgirl (Rebirth, Vol. 5): Art of the Crime. 2019.
An unseasonal snowstorm brings an unexpected clean-up and good cheer ally to Burnside: the Penguin! He’s reformed and looking to clean up his image in order to run for mayor. But Batgirl finds he’s being a little too effective at persuading the citizens of Gotham that he’s a good guy. What is he really up to? Then, in a freak occurrence, Babs finds herself trapped inside her own mind: in a dream of her own deepest desires. It’s too good to be true. Can she escape, or does she even want to?
This run keeps firing on all cylinders and does not once slow down. We keep swinging from story to story with nary a breather. Besides the two main stories above, there are also two shorter ones in this volume. Four in one trade paper – that’s impressive, but even more impressive is how exciting all the action still is even at the end.
That’s not to say there isn’t any introspection or soul-searching in this volume or run, because there definitely is! When Babs is trapped inside her own mind, she questions whether or not this fantasy she’s living out is better than her real life, and whether or not it’s worth it to continue being Batgirl. Hope Larson continues to be a top-notch Batgirl author.
The art, while it’s become less stylized and graphic since the beginning Burnside title, keeps the feel of the Burnside aesthetic – pretty impressive, considering multiple artists have worked on the title since then. The art in this volume is a little more nuanced, a little more rounded and realistic, but still keeps the dynamic pop colors and clean lines. Batgirl’s designs have changed a bit too – they gave her a winter coat! She’ll not shiver in sub-zero temperatures wearing skin-tight leather any more! =D
Rebirth Batgirl now holds the title for my favorite Rebirth title, after the disappointment of the last Rebirth Wonder Woman. Larson’s phenomenal writing and the art continue to be a big draw. Looking forward to the next!
Larson, Hope, Sami Basri, Scott Godlewski, and Minkyu Jung. Batgirl (Rebirth, Vol. 4): Strange Loop. 2018.