Premise: “An espionage series about a top-secret, elite branch of boy scouts tasked by the government to take on covert missions.”
I was intrigued by the idea of elite scouts who infiltrate different countries undercover, as both my boys are scouts. At first I was amused at the idea of scouts as decoys, but the story by Matt Kindt proved to be more nuanced than I expected with some deeper themes regarding political and social agendas.
Kenny, Cliff, Mitzi and new team member Willy begin their adventure in South Korea with a mission of getting into North Korea to spy. When caught there (and anywhere else) they claim to be lost, and government officials never take them seriously as a threat and always release them. They next move to Siberia, and later Pakistan, and we are introduced to a larger web of connections and conspiracies. A lack of communication between team members and higher ups was an unwelcome trope and led to the reader, and the team themselves, questioning who could really be trusted. The book ends with an upcoming Hunger Games-esque competition between this Black Badge squad and other young scout teams.
The sketchy artwork by Tyler Jenkins, colored in with watercolors and gouache by Hilary Jenkins, was reminiscent of Jeff Lemire’s work (who does a variant cover). While this style can be imprecise for small details, it gives the story an appropriate restless and shadowy look. Flashbacks, which often were suspect, are shown as boldly monochromatic and give you visual clues of time shifts. The layouts were varied with some nice splash pages, with the outdoor scenes drawn especially well.
Thank you to NetGalley for giving me an advance online copy. This new series could potentially take off with the YA crowd, as an edgier and more mature version of Lumberjanes, for both sexes. I’ll keep my eye on this as a potential purchase for my library collection.
In celebration of Women’s History Month and beyond, both of us here at Graphic Novelty² have joined forces with some other amazing bloggers to celebrate women under the auspicious blogging series title of: Fiction’s Fearless Females! This is the seventh of our planned eight piece series, and Kiri of Star Wars Anonymous features Rey of Star Wars! In Kiri’s Star Wars blog she shares heartfelt reasons why Rey is fearless and connects the theme to love and her own life. Make sure you check out out her site and her thoughts on a galaxy far, far away…
I have heard that the opposite of love is fear, not hate, which may be first emotion that comes to mind due to the love/hate analogies we often make. If we go by that assumption, then someone who is fearless, or without fear, is someone who loves immensely.
When asked by My Comic Relief to join in on the #FictionsFearlessFemales and write about a character from Star Wars, I immediately thought of Rey. Not Leia, like so many people often think of when they think about a fearless woman from Star Wars. Not Leia, but Rey.
Why is that?
As I dove deeper into my own exploration of Rey versus Leia and why I think Rey epitomizes a fearless woman more, I realized that much of why I like Rey is due to her relatability. Leia is stone, Rey is warmth. It’s not to say that Leia is not fearless, but more that I believe Rey is easier for me to relate to in her fearlessness.
When going by the theory that the opposite of fear is love, Rey demonstrates that in full capacity. When loving to your fullest extent, you:
That is how you are fearless.
My past 6 months have been a whirlwind of horrible fear. In a nutshell, I have been bombarded with heavy subjects like drugs, addiction, overdose, death, and loss of money. I was not fearless. Even just writing this makes my heart rate rise and I get clammy hands. It was like an earthquake happened in my life. I am still dealing with aftershocks of this earthquake which namely include my lack of sleep due to hypnic jerks which leave me awake until 2 or 3am that happen night after night, physical symptoms that have been knots in my stomach for months so much so that I can’t distinguish happy or tense emotions from general anxiety, and pins and needles in my chest from sleeping in the fetal position every night.
I am not fearless. I am fear-filled.
To break away from fear, you need to love. You need to accept your limitations and others and love the life you have.
Rey loves herself. I think she had to learn to love herself and be okay with waiting days on end for parents to return to her. This was part of her core and it gave her hope on Jakku. Even after the horrible realization that her parents were nobodies in The Last Jedi, she did not give into fear. Giving into fear would have been joining Kylo Ren because he would then represent the safety that she had been looking for in her parents. But Rey realized, or had possibly been beginning to realize through her training and with the mirror, that the safety and home she was looking for could only be found in herself.
Loving yourself means having a strong conviction and not deterring from it. Rey shows that stronger than any other Star Wars character, except possibly Luke in the Original Trilogy. In The Last Jedi, we are bombarded with the message of the movie: hope. But I think the message of the movie is always doing what you think is right, no matter what others think. Rey exemplifies this throughout both The Force Awakens and The Last Jedi, but especially in The Last Jedi. I would not be able to continue to do what was right after
being turned away by Luke. She followed her feelings and went to save Kylo, even if it didn’t work out. She went back to the Resistance, instead of going back to Luke at the end of the movie even though it may have made more sense to continue her training. She knew she was needed with the Resistance, to bring them hope again. Rey’s sense of self makes her more fearless than many people I know in my everyday life.
Rey shows her love for others unabashedly. It’s one of the character traits that I aspire to – the fact that she can show her emotions and not fear her emotions.
So often our society tells us to hide our emotions and Hollywood perpetuates this with their definition of “strong”. I think it is the main reason that I could not relate to Leia when I grew up but related more to Luke. The one scene that I would act out over and over again when I was younger was when Luke tells Leia about Vader being her father. It’s the one scene where she lets her guard down, where her emotions overtake her and she needs to be held by Han at the end. It’s a glimmer of emotion.
I immediately connected to Rey after the first viewing of The Force Awakens. She laughs with such joy over simple fixes in the Millennium Falcon, her excitement over meeting Han Solo is so real, and her devastation over Finn’s possible death and serious wounds tugged my heart strings. Rey wears her heart on her sleeve and I love her for that.
She continues this in The Last Jedi. Her anger at Kylo erupts from her when she yells at him for not appreciating his father, her frustration with Luke at his unwillingness to help culminates in physical fight, and her delight in seeing Finn at the end of the movie reminds us of her loyalty to her friends and the Resistance.
I hope that we see more women like this in movies as Hollywood continues to evolve. Not only for women, but also for men. It’s okay to cry and it’s okay to be unrestrained in your joy. We don’t need to act like toddlers with no control whatsoever, but we need to get over our fear of showing our emotions. We need to become fearless, like Rey.
We love life by walking through it without fear holding us back. We take leaps of chance, hoping it turns out okay, and if it doesn’t, knowing that we will be okay in the end. When you’re filled with fear, you don’t follow your passions, it’s hard to make attachments and your focus is keeping yourself safe.
While safety is important, if we are always full of fear about something happening, we miss out on the beauty life offers us.
Rey waited around on Jakku for her parents to return for a long time and with a lot of patience. But when Finn and BB-8 were thrown into her life, she accepted the change and went along with what life threw at her. She had an adventure of a lifetime.
Rey loved herself enough to know that she would harness life and try new things without fear. She felt the Force, and used it to get out of her jail cell. She went off in search of Luke Skywalker and stayed there until she knew life was pushing her in a different direction. Rey could have stayed on Ahch-To long past when she left, insisting on doing things the “right” way and getting a complete training. But instead, she followed a different path and believed that life and the Force would take her where she needed to be.
We may not have the Force, but we do have gut feelings. We are only given one life, as far as we know. Don’t give into the fear of feeling like nothing will work out and that you need to remain safe. That is a fear trap.
If you made it to the end of the post, I hope you are swayed on how Rey is fearless, and perhaps more fearless than Leia. Today is my birthday and while I was writing this, I knew that this next year had to be one of less fear and more love. To stop worrying because what will be, will be. I no longer want to feel the chains of fear, but instead to have more conviction in my beliefs, show more emotion, and take chances that throw me into an adventure.
In short, I hope to be more like Rey and be FEARLESS.
I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Jeff of The Imperial Talker, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.
In celebration of Women’s History Month, both of us here at Graphic Novelty² have joined forces with some other amazing bloggers to celebrate women under the auspicious blogging series title of: Fiction’s Fearless Females! This is the sixth of our planned eight piece series, and Jeff of The Imperial Talker features Princess Leia of Star Wars! I do not think it was a coincidence he posted the feature on his site the day before the first trailer dropped for Episode IX: The Rise of Skywalker (OMG, the movie looks fantastic!). Read on to find out what this Star Wars expert has to say about the indomitable Leia Organa!
There is a line in Star Wars: A New Hope which often gets lost in the greater scope of the film, a quote which points to the toughness of the movie’s lone female protagonist, Princess Leia. It comes when Darth Vader, the movie’s villain, speaks to Grand Moff Tarkin, the secondary villain in the film. Pacing back and forth as if annoyed, Vader admits that, “Her [Leia’s] resistance to the mind probe is considerable. It will be some time before we can extract any information from her.” Prior to this admission, we saw Vader enter Princess Leia’s prison cell with an interrogation droid floating behind him, a needle protruding from the droid and Leia’s face giving off subtle apprehension. Now, Vader states that it was for not, that the Princess has resisted this “mind probe” and that breaking her will take more time.
I have always loved this line; it has always resonated with me because it points directly to the fearless resolve which resides in the heart of Princess Leia. Even before Vader utters these words, we know that Leia is a force to be reckoned with, a whirlwind of confidence capable of holding her own. After all, it is Leia who was leading the mission to Tatooine to find Jedi General Obi-Wan Kenobi at the film’s outset. When the ship fell under attack, Leia created a new plan to secure Kenobi’s help EVEN AS IMPERIAL SOLDIERS STORMED THE VESSEL! Dispatching the droid R2-D2 to Tatooine’s surface, Leia awaited her inevitable capture, and even shoots/kills an Imperial stormtrooper before she is apprehended.
Captured by the Empire’s white-armored soldiers, Princess Leia is escorted before Darth Vader, the nefarious and imposing villain we were JUST formally introduced to as he lifted a man by the neck and crushed his windpipe. The black-clad Vader towers above the petite, white dressed Princess, an obvious visual meant to represent the power of the evil Empire towering over the small, fledgling Rebellion. But Leia is far from intimidated. Oh no, not only does she stand tall next to this masked monster, she speaks first AND is the one who chastises him with palpable disdain!!!
In just a few frames, Leia presents herself as competent and fearless, especially under pressure. Rather than quivering and backing down, she boldly stands her ground against imposing odds. It is no wonder then that later, when Darth Vader assaults Leia, probing her mind for the “location of the Rebel base”, her resistance is “considerable.” Princess Leia is the embodiment of fearless resolve, the very heart and soul of the small Rebellion against an Empire which spans a galaxy. There was never a chance the mind probe would work, it was always going to be an act of futility on the part of Vader.
An Alternative Form of Persuasion
It is Grand Moff Tarkin who chooses a new tactic to extract the information they seek following the failure of the mind-probe. Rather than probing her mind, Tarkin gives Leia a choice: give up the location of the Rebel base OR watch as her home planet of Alderaan is destroyed by the Death Star superweapon. It is a brilliant move on Tarkin’s part, one that catches Leia off-guard. Pleading with him, the Princess turns into a supplicant as she tells the Grand Moff her planet is “peaceful” and has “no weapons.” Tarkin, of course, does not care and, presenting the question again, demands to know where the Rebel base is located. It is now that Leia gives in: “Dantooine. They’re on Dantooine.”
That Leia gives in to Tarkin is shocking, but all the more painful as Leia must continue to stand and watch as Alderaan is destroyed. This is an unsurprising move on Tarkin’s part, an obvious example being made to the whole galaxy (and the Princess) that no one, not even “peaceful” worlds, are safe from Imperial military might. Now, the fearless young woman who stood her ground at the film’s opening, who chastised Vader and resisted his mind probe must steel herself as she watches her home world and her family perish in a ball of fire.
And yet, what we do not realize in this moment is that Leia has tricked Tarkin. Presented with the choice of Alderaan being destroyed OR the Rebellion being destroyed, the quick-thinking Princess chose a different route: an open-ended lie. We do not discover this right away, not until an Imperial officer informs Tarkin that scout ships discovered a deserted Rebel base on Dantooine. Furious, but more importantly humiliated, the Grand Moff orders the immediate execution of the Princess.
That Leia lies about the location of the Rebel base is brilliant, a narrative misdirect that leads Tarkin and the audience alike to THINK this strong-willed woman has caved under pressure. It is easy to forget this, as later we DO discover the real location of the Rebel base. But in this instance, we are led to believe Leia has given it up, that Dantooine is, in fact, the location. Instead, what we discover a few scenes later is that Princess Leia was in control the entire time, and while her plea to the Grand Moff that “Alderaan is peaceful” is certainly genuine, it, too, was also part of her quick thinking plan to save both Alderaan AND the Rebellion.
Awaiting Tarkin’s Fury
Knowing she has lied to Grand Moff, we can surmise that after being returned to her cell that the Princess sat and waited for Tarkin’s fury. Surely, too, she sat there in mourning, the loss of her world and family weighing heavily on her heart. One could hardly criticize the fearless female if she did break down and cry, although it is hardly necessary to know whether she did. The imagination is enough in this case.
Regardless, when we next see Leia she is reclining on the hard bench in her detention cell. Luke Skywalker, wearing stormtrooper armor, barges in to the rescue and, without missing a beat, the reclined Princess – certainly suspecting Tarkin’s fury has arrived – directs a shot of insulting sarcasm at the soldier: “Aren’t you a little short for a stormtrooper?” While Vader’s comment about her resistance to the mind-probe directly points to Leia’s strong-willed personality, this shot of sarcasm – coupled with the sarcasm she throws at Tarkin earlier (see video clip) – highlights her constant disposition towards her Imperial foes. Basically, Leia is always ready to level an attack against the Empire, even if that attack is in the form of words alone.
But she is also more than happy to criticize her own allies, in this case her rescuers: Luke Skywalker, Han Solo, and Chewbacca. Cornered by Imperial soldiers in the detention center, the Princess chastises the films heroic men, noting that it “Looks like you managed to cut off our only escape route.” What makes this all the better is that the quick-thinking Princess – who, we should remember, was not anticipating a rescue – immediately comes up with a plan and puts it into action. Taking the blaster from Skywalker, Leia blasts open the wall across from her and demands that everyone jump into the garbage chute. Before objections can be raised, Leia is already on her way into the depths of a Death Star trash compactor.
To be perfectly honest, this has always been my favorite “Leia Moment” in A New Hope. On one hand, her action makes the film’s heroes – Luke and Han – look incredibly foolish for not actually thinking about HOW they should go about completing their rescue mission. On the other hand, and more importantly, this moment demonstrates a clear reversal in fortune for the Princess. When the film begins, and her ship falls under attack, the protocol droid C-3PO tells R2-D2, “There will be no escape for the Princess this time.” True in that moment, C-3PO is ultimately proven wrong as Leia not only escapes, but does so by taking control of her own rescue when she and her allies are quite literally backed into a corner.
But there is an additional element of control which Leia brings to her escape: her decision to travel directly to the Rebel Base on Yavin 4. Why, if Leia knew the Millennium Falcon was being tracked, would she willingly lead the Empire to the Rebel Base, the location she resisted sharing with Vader and Tarkin? For some time, I felt this was a curious move on her part, a clear flaw in her thinking. Yet, the deeper I have considered it, the more I have realized that it is the safest choice given the stakes. With Alderaan destroyed and Obi-Wan Kenobi dead, Princess Leia is left with the only choice that makes any sense: getting the Death Star schematics stored in R2-D2 to the Rebel High Command as quickly as possible. A detour to another world, or a stop to acquire a new ship, runs the risk of Imperial capture, while traveling directly to the Rebellion ensures that the Death Star information (not to mention her own life) is protected. Besides, the sooner the schematics are delivered, the sooner the Rebellion can craft a plan of attack to destroy the planet-killing superweapon.
A Beacon of Hope
Once Leia and company arrive at the Rebel Base on Yavin 4 her role in the film becomes primarily observational. While Luke Skywalker will jump into an X-Wing to participate in the impending engagement, and Han Solo will get a reward and leave before the fight begins, Leia will stand in the Rebel Command Center watching the battle unfold on display screens. Admittedly, it is a bit odd that with the Death Star approaching and preparing to destroy the Rebel Base, Leia (along with others) choose to stand-around watching rather than evacuating. On some level, this sorta gives away what we know the inevitable outcome of the battle will be: the Rebels will win and the Death Star will be destroyed.
On another level, though, that Leia remains in the Command Center puts the final stamp of bravery on her fearless nature. With the Death Star approaching and preparing to destroy Yavin 4, it is conceivable that the Princess was asked (perhaps even ordered!) to evacuate before the battle begins, her safety and importance to the Rebellion being tantamount. Instead, by remaining, Princess Leia reveals once more that she is the very heart of the Rebel cause, a beacon of hope for the Rebel soldiers fighting the Imperial war machine. She may not be in an X-Wing or Y-Wing fighting the battle, nor giving orders as a General, but Leia’s stoic presence in the face of imminent death testifies not only to her personal resolve, but also the resolve of the Rebel Alliance.
Given her status and importance to the Rebellion, it is unsurprising that Princess Leia is the one to bestow medallions upon Luke Skywalker and Han Solo following the Battle of Yavin. With the Death Star destroyed, the two men (accompanied by Chewbacca) will march down the center of a great hall, flanked on both sides by the entire assembly of Rebels on Yavin 4. Arriving at the bottom of a staircase, the trio ascend the steps until they are standing before, albeit slightly below, the magnificently dressed Leia. This is the only point in the film in which Leia has changed clothing, and she is now without the iconic hair “buns.” Wearing a gown, with her hair in a braided updo and jewlery drapping her neck, Leia now, officially and formally, looks like a Princess. Never-the-less, while she is resplendent in her royal attire, we also know that there is far more to her than meets the eye, and that what makes Princess Leia truly regal is her considerable fearlessness and capacity for hope in the face of overwhelming odds.
I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Kiri of Star Wars Anonymous, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.
Another Goodreads suggestion was spot on for me- as this gritty dystopian tale had a timely political message that spoke to me.
The premise of the story: Set in the near future, a corrupt dictator has been voted in as president, which plunges America into the Second Civil War. Afterwards Kentucky refuses to rejoin the nation, leaving them a demilitarized zone and caught in the cross-hairs of the fascist leader who will do anything to bring these rebels into line. In the midst of this, mechanic and former soldier Kade Mercer reluctantly becomes Kentucky’s de facto leader as he leads his townspeople into the woods to escape from a military attack. Mystery surrounds his silent young son, who is kidnapped and held as ransom by the army, and in regards to the “blueboys” who live hidden in the mountains.
There are some interesting threads running throughout the narrative that were intriguing. Drug addiction is a very real problem in parts of Appalachia today, and author Phillip Kennedy Johnson incorporates drug addiction into the story as physically manifesting in people, turning them blue and zombie like. Political extremism and hero worship tie into President Roth’s portrayal, with uncomfortable parallels to our current president. There is also a religious aspect, as those following Kade have tied him to being “The Messenger” as foretold by the Prophet Luther. Both sides fanaticism doesn’t bode well for a meeting in the middle.
I was unfamiliar with author Johnson’s prior work, so I looked him up and found out that he is a musician in the Army. This explains his familiarity with the armed forces and their inner workings, plus the beautiful folk-like songs that begin each chapter. I was captivated by these songs and sang each aloud, reminding me of my mother’s family from Indiana and Kentucky. On a personal aside- I have retained a bit of my family’s Appalachian/southern vernacular, as I say crawdad instead of crayfish or crawfish, soda instead of pop, and I pronounce the diphthong /aɪ/ as ä making words like tired sound like tarred. I tease my kids by saying I swan instead of I swear, as my Grandmother used to. All of these little connections made me appreciate this story even more, as I imagined some of my family as these rebels.
Another huge reason as to why I enjoyed this tale was the art. Massimo Carnevale, who did all the cover art for Northlanders, drew this cover. He is a master of picking up the theme of the story and representing it in a way that is sure to grab your attention. I recently lovedBone Parish, so I was pleased to find artist Jonas Scharf as the main artist of this graphic novel too. Scharf captures the look of Appalachia and it’s inhabitants, while also realistically rendering the military scenes. Colorist Doug Garbark also adds to the mood by using a muted color palette to show the weariness of the people during the brutal occupation.
An afterword by the author gives some insight to the story, and perhaps should have been at the beginning to give some clarification to some of the threads I mentioned earlier that were at times confusing. I have not seen a continuation of this story, which is a shame, for I got sucked into this plausible world, and would like to see Kade and the other Kentuckians fight for freedom. This is too important a story to let go of and I hope Johnson and Boom Studios will be able to continue this series.
DC Ink is trying to capture the teen crowd by having established YA authors give some of their heroes new origin stories. In this outing, Danielle Paige reimages a teen-aged Mera meeting Arthur Curry for the first time. The timing is good, as the Jason Mamoa Aquaman movie is still fresh in people’s minds, plus I myself read two Aquaman graphic novels recently.
Mera is introduced as a rebel warrior princess of the underwater kingdom Xebel. Xebel is currently under the domain of the stronger Atlantis, and the inhabitants are chafing under their rule. Mera and a friend are caught defacing property, but a palace guard diverts attention from the Atlantanians so Mera can escape. The king later establishes that he wishes Mera to marry a prince in a neighboring kingdom, and later gives him a directive to find and kill Atlantian heir Arthur, as to establish Xebel dominance. Mera decides to do this herself and leaves to go on shore to find Arthur on her own. She quickly finds him, but things keep on happening to prevent her from carrying out her mission. Will she be able to kill Arthur when she has a chance, even after discovering he is kind and unaware of his heritage?
The art by Stephen Bryne establishes Mera as the center of attention by keeping the entire color palate in muted green and blue ocean colors, except for Mera’s distinctive red hair. Bryne creates an appealing underwater world with varied sea creatures but also renders realistic portrayals of people below the ocean and then later in Amnesty Bay. I appreciate that he did not draw Mera as a bombshell, instead he drew a lovely but not too developed teen-age girl. She even wore flats to a dance! But…why in the world was Arthur given dark hair? In all DC comics he is a blonde, so I wondered if this is a nod to the Momoa version on screen? It truly felt wrong to me.
The story had some huge holes you could drive a truck through. Plus it had insta-love which is a plot device that I hate. However, I believe it will be liked by the audience it is shooting for- teens. It was a solid origin story for a brand new audience that won’t get hung up on it not matching past established canon. I was able to read this story before it was published as I received an online copy through NetGalley. However, they put an embargo on reviews until it’s publication date on April 2nd, making me think they were not confident that it would be reviewed well. Another blogger clued me in this is standard with DC online books, but still. Nonetheless, as a marker of how I feel a teen audience will like it, I already have placed an order for it for my work library for the YA collection.
In celebration of Women’s History Month, both of us here at Graphic Novelty² have joined forces with some other amazing bloggers to celebrate women under the auspicious blogging series title of: Fiction’s Fearless Females! This is the fifth of our planned eight piece series, and Rob of My Side of the Laundry Room features Scarlett of the GI Joe franchise who was one of his first introductions as a child to a fearless female. Rob’s blog about 80’s nostalgia (and much more) has now evolved into an incredible YouTube channel, and also often features his good friend Chris. So make sure you check out his videos and subscribe!
When the subject of fearless women in fiction ever comes up, my thoughts instantly go to the first woman I ever idolized. Her name was Scarlett and she was a member of G.I. Joe. When I was a kid growing up in the 80s, G.I. Joe had three separate “universes”. There was the toyline, the cartoon, and the comic book. These three things weaved together from time to time but usually they distanced themselves from each other, only coming together with one goal in mind…making Hasbro Toys money.
One of the things that remained a constant between these three “universes” was the strength and awesomeness of the character of Scarlett. In this weeks video I take a look at some of these moments of strength and awesomeness from my childhood.
To help celebrate International Women’s Day (March 8) and Women’s History Month (March), I along with some of WordPress’s best bloggers are teaming up to shine a spotlight on some of our favorite fearless females from movies, comics, television, and beyond.
Marvel FINALLY got around to having a woman headline one of their Avenger movies, and it was very well done. After a slow start and some confusing world building, it hit it’s stride and I settled in for a great movie. Although my daughter and I went to see the Captain Marvel movie a few weeks ago, due to some scheduled posts and a busy schedule, this is the first I could sit down and reflect on the movie. So similar to what I did with the movie Solo I will address a few issues and then move into seven character studies instead of a standard movie review.
I was a bit nervous about the movie, as her character is brand new to the Avenger movie universe, and I wondered how they were going to tie her in. I haven’t read much about her character, the little I know is her horrible depiction in Civil War II in which she came off as misguided and fool-hardy. Before that, what I knew of her consisted of a backstory of Rogue’s on the animated X-Men series, and how Rogue sucked her powers from her leaving her comatose. I knew she was somehow tied to the Kree aliens, but the world building they were forced to do in the beginning of the movie to explain things to the movie watchers, felt clunky. The movie started to hit it’s stride a third of the way in and then I was able to settle in for the narrative.
Brie Larson was a perfect fit for the role of pilot Carol Danvers. She was the right balance of tough and smart without being too sexualized. She was practical, yet funny, and took her mission seriously. There was a learning curve with her powers and she didn’t take her powers or her relationships with others for granted. She truly did go higher, further, and faster! Now that Marvel showed us they can create a nuanced role for a leading woman, let’s see what they can do with Black Widow and Scarlet Witch!
Samuel Jackson veers towards being a caricature of himself, and I’ve never been a fan of his tough, always ready with a quip, Nick Fury persona. But the movie de-aged him for the movie and gave him some needed character development. We also get the explanation of how he came to lose an eye, and its not what you would expect.
I experienced a huge generation gap with my daughter as we were discussing the movie afterwards when I made a comment about Jude Law as Yon-Rogg being good-looking, but that didn’t mean he was a good guy. She didn’t know who I was talking about because she did not consider him good looking as he was too “old”. Sigh.
I don’t want to give away too much by revealing who this character ended up becoming, but I was thrilled that actor Ben Mendelsohn wasn’t typecast as the baddie in this role, after his villainy in Ready Player One. I was cheering him on by the end of the movie.
Loved seeing Annette Benning get her groove on with the great 90’s soundtrack! Dr. Wendy Lawson was an intelligent woman who wasn’t quite as she seemed. More roles like this need to be available to older actresses!
Best Friends Forever! Maria Rambea’s friendship with Carol was authentic and much needed. There is a real lack of representation of female friendships in movies and books, so their relationship was welcome. Marie was also a kick-ass single mother to her daughter Monica, whom I’m sure will play a role in future movies, when the Avengers are in modern day.
Goose the Cat stole the show! One of my four cats looks like Goose, so now I will wonder do I live with kitties or flerkens?
While Marvel diligently built Carol into the existing framework of the Avengers universe, I am concerned how a jump from the 1990’s to now might prove problematic, but despite this, I am all in for Avengers: End Game coming out next month.
Top 5 Wednesday is a weekly meme from Goodreads, created by Lainey from Gingerreadslainey and now moderated by Sam from ThoughtsOnTomes. This week’s topic is: Books you though you’d hate but ended up loving.
I hated this first volume that re-imaged the Lewis & Clark Expedition by Chris Dingess. I said “So Image Comics takes history, government conspiracies, and re-images (get my pun?) the events by shaking it all together into what I consider a convoluted mess.” It took me two years to reluctantly pick up the second volume and then I quickly read through the sixth volume. I then said ” I have discovered that I should not always give up on a series when the first volume rubs me the wrong way, as this recently happened in Northlanders (hint for my next book!) too. Yes, I still have issues with some of the depictions of the characters but the way that history, colonization and government conspiracies are shaken up together have made for some interesting stories. And the art- well, that’s what has truly made the series. Matthew Roberts has done his research on the era and regions in which they are traveling through. His creatures rival Lovecraft’s with detail and imagination. I admit, I will be picking up future volumes and read it to the end of their journey.”
I am big fan of author Brian Wood and his historical fiction graphic novels, but I have to admit if this was the first time I read his work, I would have stopped here. The main character Sven is not likable in the least from his childhood on, and the tired trope of a good woman taming a bad boy is used here. The artwork was a mixed bag for me, but I really liked Enna, the woman Sven eventually marries. I only picked up the next volume when I knew Enna was in it, but the other standalone Viking tales in the second volume were good, and I ended up really enjoying the entire seven book series.
I heard that this graphic novel gave a unique take on serial killer Jeffrey Dahmer, but I was skeptical. I felt weird reading it and the art style took some getting used to, so it took me awhile to read it in it’s entirety. But this disturbing book about a serial killer’s youth was heartbreaking, as the book makes us witness to Jeffrey Dahmer’s slide into madness, from the viewpoint of a former classmate and “friend” of his. Derf Backderf, the author and illustrator, gave a nuanced take on the background of Dahmer, so I ended up pitying Dahmer and wondering if tragedy could have been diverted if just someone had noticed his problems and stepped in to help. Worth a read!
I picked up this book, read a bit, and put it back down a dozen times. Not because it isn’t excellent- it most definitely is- but the author’s relationship with her unhappy and distant father is much too similar to mine. This book breaks my heart, and brings up many painful memories for me. But I persisted, and am glad I did. Author and illustrator Alison Bechdel chronicles her childhood through her early years of college, plus her coming out, in a non-linear memoir. Bechdel’s raw autobiography was turned into a musical play that showed on Broadway, and she shared her feelings on that representation of her family in this enlightening nine-panel drawing Play Therapy. That this book, and perhaps the play, can affect people deeply is a testament to the power of family and how it shapes us.
I typically am not a romance fan. Sure I don’t mind some romance in a novel, but as a genre- no thanks. But a co-worker and fellow book lover told me this book was a combination of Clan of the Cave Bear and Outlander, so I had to give it a try based off that review. I ended up loving this book- I devoured the book in 24 hours, and then started over and re-read it again. Usually I stay away from romance novels that are historically inaccurate (admitted by the author Shay Savage), but I could not get enough of Ehd and his devotion to Beh. I loved his perspective of everything that was happening and what he thought of Beh’s habits. Beh was able to resist this sexy caveman much longer than I ever would have! I dearly hope the author writes a book from Beh’s perspective, so we can see what she was thinking during their time together.
So the moral of the story is- don’t give up! Just because you didn’t connect with a book right away, or that it’s not your typical genre, doesn’t mean that it’s not worth a second try. You might just be glad you read it after all.
Darth Vader gets his first extended graphic novel series penned by Kieron Gillen and it gives us a look at Vader’s life between A New Hope and The Empire Strikes Back. Not surprisingly, Vader is a bad ass here.
I recently joined a Goodreads group called I Read Comic Books and every month a new graphic novel is chosen to discuss. I wished I had joined this group earlier as they have discussed many books that I have enjoyed and reviewed in the past. March’s vote strongly skewed towards this Star Wars selection and I happily decided to join in.
In this first volume, the action picks up soon after the destruction of the Death Star. The Emperor is far from pleased with Vader and puts him under the command of Grand Admiral Tagge, a man Vader looks at as simply a data cruncher with no vision. Vader knows he needs to watch his back so while doing the Emperor’s bidding, Vader decides to build his own droid army. He employs some familiar faces such as Jabba the Hutt and Boba Fett as well as a dark haired Wookie. He also conscripts shady Dr. Aphra and two assassin robots, 000 and BT-1, to do his dirty work. Interspersed throughout are his memories of his time with Padmé, and in the end the bounty hunters give him his first clue in identifying Luke as his son.
Last year I read the excellent short story collection Star Wars: From A Certain Point Of View and I discovered a character that I didn’t know before that collection is in this graphic novel. Double checking my review, I wrote of the story The Trigger “Aphra is a dubious archaeologist who skirts the law on Dantooine. Captured by stormtroopers she talks her way out of trouble. She was an unfamiliar character to me, but her fleshed out backstory hinted that she plays more of a role in Star Wars canon, so I wasn’t surprised to realize she can be found in many Star Wars graphic novels.” And guess who wrote that short story? None other than Kieron Gillen! Gillen’s work in these Star Wars novels and The Wicked and The Divine series shows that he has an excellent handle on pop-culture.
The artwork was appropriately dark hued with black gutters. Artist Salvador Larroca ably recreated characters from the movies while creating new inhabitants in the Star Wars universe that fit in with the space look we have come to expect from the movies. I really enjoyed the cover art on chapter two from Adi Granov that showed Vader striding by a bunch of Stormtroopers and Tagge with his cape flying out behind him and the coloring by Edgar Delgado was spot-on.
This book fits in the approved Disney canon, but it didn’t move me as I am really only a fan of the Star Wars movies and I wasn’t invested in the narrative. Because all the action is between two movies you know the main characters will live while new characters will die, thus when Palpatine threatened Vader with replacing him with new apprentices, I was not worried in the least. So while I understand on one level that this is a well written and illustrated graphic novel, I will not continue with the series due to my personal preference for the movies.