Zahn is an elite citizen of the planet Krypton. He has joined the resistance movement Midnight to expose the truth about Krypton’s decay. For example. the planet is experiencing earthquakes which have worsened over time. The Tribune is dismissing or minimizing these claims. Sera is a soldier who has gone on increasingly failing terraforming missions for the Tribune. She gets asked to participate in a mysterious experiment by Jor-El and Lara – Zahn’s cousin and the future mother of Superman. It turns out that Jor-El and Lara want to reverse her genetic code. They want to make her into a more well-rounded Kryptonian in order to make a difference in the planet’s future. If she goes through with it, will Sera be the same? Will she like who she becomes?
What’s very clear here is that all characters love their planet. They all show it in different ways and thus have different viewpoints and ideas on how to save it. Which one is the right one? This parallels the call for action about our own planet.
The art style overall was a sort of futuristic Art Deco. Straight, rigid lines dominate and recall Krypton’s societal structure. Yet at the same time there is a greater emphasis placed on expression rather than accuracy. This contradiction made the art not work for me as much as it should have.
I’m not sure if pandemic brain struck again, but this didn’t hit as well with me as I wanted it to. Superman fans will appreciate this graphic novel, the start of a trilogy about Krypton’s demise, for the context and moral conundrums it gives. Hopefully I appreciate the next volume more.
Gray, Claudia, and Eric Zawadzki. House of El (Book 1): The Shadow Threat. 2020.