Having recently read Uzumaki: Spiral Into Horror, a classic in manga body horror, I was impressed by the author and illustrator Junji Ito. When I heard that a collection of his short stories was being released, I was anxious to read more of Ito’s macabre stories.  His ten stories include three written by others, but all have his distinctive art style and otherwordly terror. The book also includes some full-color artwork in the beginning, which is a treat because most of the stories are in black and white only. Get ready for a grotesque set of stories! 

Billions Alone

Michio is a teen who has isolated himself from the world for seven years, but is coaxed out by former classmates who wish him to join them in their graduation ceremony. But the town has had some gruesome murders, with people being discovered sewn together. It seems groups meeting together are being targeted, with mass murders and elaborately staged kill sites. People are scared and begin to isolate themselves, but paradoxically Michio is lured out more and more by his love for a classmate who has shown him kindness. 

The Human Chair (Edogawa Ranpo)

Adapted from a 1925 story, this tale is of obsession but was more ridiculous than scary. A young wife discovers that a man who is in love with her has hollowed out her favorite chair and lives in it, so he can always be with her. Defying credibility, he kills her husband and the wife falls in love with him and joins him in the chair. The ending has a modern-day chairmaker explain that he is descended from them, as they had children together. In a chair???

An Unearthly Love (Edogawa Ranpo)

A new wife discovers her husband is unnaturally attached to a life-size doll. When she destroys it so his affections will return to her, he can’t bear it. 

Venus in the Blind Spot

A group of UFO enthusiasts fall in love with the club president’s daughter Mariko, but all begin to have vision problems that they are unable to see her if she is directly in front of them. It turns out the girl’s scientist father has done something to the men, but the plan backfires spectacularly when the men turn on Mariko. 

The Licking Woman

This story was WEIRD. A mysterious woman accosts people on dark streets and licks them with her poisonous tongue. Then the tongue takes on a life of its own. 

Master Umezz and Me

Autobiographic in nature, Ito shares how his love of manga began as a child. He especially idolizes manga artist Kazuo Umezz. 

How Love Came to Professor Kirida (Robert Hichens)

A misanthrope professor has a woman’s spirit attach to him, as she is obsessed with him. Disgusted by her desire, he shares his haunting with a friend who is a priest. These two men have unhealthy boundaries and I wondered why women would want to be with either of them.

The Engima of Amigara Fault

An earthquake reveals a fault line in which silhouettes of people’s bodies are revealed. People begin to flock to the area to see this phenomenon, and some people discover the holes are a perfect fit for them. The people fit through the holes and disappear into the mountain never to be seen again. But where are they going? Months later when explorers find the other side of the fault, a creepy visual shows what happened to them. 

The Sad Tale of the Principal Post

The shortest of all the stories, a man gets caught under the supporting post of his new house and his family lets him die there instead of damaging the house. Ok, sure. 

Keepsake

This unnatural tale was an excellent way to end the collection. A baby is discovered in the grave of a woman who died nine months before. Her husband, who quickly remarried, takes the baby to his new wife who has a child of her own, as they had been having an affair before the first wife’s death. We learn that they poisoned the wife, but while the husband was holding vigil over her body before she was buried, had sex with her body. The second wife is horrified, and the conclusion has a similar circumstance, and you find out the husband is now married to a third wife…

As I said in my Uzumaki review- the creatures are macabre and Lovecraftian in nature, so even if the narrative dips into absurdness at times, the art keeps you riveted- and this collection follows suit. This was an interesting collection, and many of the stories are extreme and unbelievable, but you must suspend your disbelief and just enjoy the experience of Ito’s amazing imagination!  

-Nancy