As I said when I reviewed the first volume of ElfQuest– I fell in love with this series when I was in high school and my boyfriend who was collecting them introduced me to the World of Two Moons. Sometimes our dates would consist of us sitting side by side reading for hours and debating the finer points of elf lore. That my high school boyfriend eventually became my husband makes this series dear to my heart.
In 1978 the first volume, Fire and Flight, introduces us to the Wolfriders, an elfin band that rides wolves and live in the woods, or as they call it, The Holt. I began reading the series in the early 1990s when six volumes had already been released and throughout college and into my mid-20s I eagerly picked up every new volume. The Pini’s had expanded the elven world and soon the woodland elves met desert, water and mountain elves plus they found some original high-born elves that came from another planet and had crashed there eons ago. During this time, my favorite story, Little Patch came out, which I still like to re-read on a regular basis. But in the mid-90s the authors began to let other authors and illustrators tell some stories, and within a few years, my husband and I eventually lost interest as the art and storytelling felt sub-standard to us. The stories branched off with characters I didn’t care about, and the art suffered from different artists, as Wendy Pini’s exquisite pencils defined ElfQuest for me.
Years later my husband and I were in Chicago to see the Blue Man Group and had a bit of time to kill between dinner and the show so naturally, we found the closest Graham Crackers Comic Book store (love that chain!) and discovered that ElfQuest was still going strong and was back to the Pini’s work. We began reading the series again and in 2015 it was announced that the last arc, The Final Quest, would be four volumes concluding in 2018 which would be the 40 year anniversary of the series. I purchased all four as they came out and did quick read-throughs but failed to review them until now. While it might have taken a quarantine for me to write this post, it has been a lovely blast from my past to re-read these four volumes and share my thoughts.
The Wolfrider saga is complex with a multi-generational elf tribe and long-running storylines, so coming back into this story (even after some catch up) proved to be challenging. The Wolfriders have broken into two tribes, led by chief Cutter who has led this band of elves from the beginning of the series, and the other is led by Ember his adult daughter, so that way if one tribe is destroyed by humans the Wolfriders will live on. Cutter is known as Kinseeker, as he has united the many elven tribes and remembers the past as other elves do not, as their memories fade after thousands of years.
A human tyrant Angrif Djun is intent on destroying all elves and unites other tribes in a war against Ember’s tribe. Kidnapped for a time, Ember’s plight is worsened as she is fighting off the effects of Recognition from her lover Tier, a time when two elves unite to create a child. Different elves, absent for a while, are being drawn back home as the mystical Palace of the High Ones sends off an aura of magic that strengthens their powers. Fates of some elves are revealed, as this first of the planned four begins to try to tidy up the many many threads of narratives for this series.
Sunstream, twin to Ember, who has strong physic powers begins to send out a call to all elves, not just Wolfriders, to reunite. Together these tribes need to decide if they wish to join the Palace and live as immortals, or if they wish to remain on the world of Two Moons and heed “The Way”. But this decision causes dissent within the tribes, and within families, as some wish to stay while others wish to go. Angrif Djun continues to build an armada to destroy the elves, but can they outlast him as his human lifespan is but an instant to them? They also balance uniting with peaceful humans and have in fact adopted a few into their tribe (like Little Patch years ago) as they realize not all humans are to be feared. But the ending of this volume ended on a very strange note as it is revealed that Cutter and a High One Timmain are spirit-bound in a single soul. What????
It has been a pleasure to see Wendy’s art again fully colored. When the series began it was done in black and white, but when ElfQuest for a time was under Marvel ownership, the issues were collected into colored volumes and reached a greater audience. Her panels are a delight to look at and often include a lot of background with other elves, so you can pick up on other details in the tribe’s lives even if only one is being featured. With a huge cast of characters that is helpful, so you feel you are getting a look into more of the interconnected tribes. Colorist Sonny Strait did a lovely job with rich colors and letterer Nate Piekos did an admirable job with all the dialogue.
While these final four books are definitely for already established fans of ElfQuest, this series will hopefully make others want to go back and dive into ElfQuest’s deep history.
Check out the concluding two volumes in Final Quest Volumes 3-4