Welcome to my first discussion post, in which I hope to debate graphic novel adaptations!

When we are first introduced to a chapter book, is the subsequent graphic novel adaptation done well or not? And in fact, for some readers the graphic novel may actually be the first and only introduction  to the literary work, so how the work is portrayed is extremely important.

To start off, I read graphic novel adaptations of classics that I have read in the past, so I could compare the two. While Fahrenheit 451 is the authorized adaptation, as it was published while Ray Bradbury was still alive, the other two obviously are just some of many adaptations that have been written and/or drawn over the years.

Fahrenheit 451– originally by Ray Bradbury, adapted by Tim Hamilton

The book includes an introduction by Ray Bradbury, which gave it an excellent gravitas as you then moved into the illustrated story. This adaption was solid, and knowing that it was approved by Bradbury helped me feel that it represented what the author was trying to convey in his initial novel.

Wuthering Heights– originally by  Emily Brontë, adapted by Sean M. Wilson

I have to admit I have not read the original in all it’s entirety, for my hate for both Catherine and Heathcliff prevented me from reading every word. But I read most of it, enough to know the broad plot lines. This adaptation further cemented my thoughts on the story. I hated almost everyone in the story, except for the maid Nelly. Thus, this was a solid representation with Gothic illustrations that matched the mood of the story.

Spot on commentary from Kate Beaton in the book Hark! A Vagrant. What was the deal with the Brontë sisters trying to make complete assholes into romantic heroes???

The Picture of Dorian Gray-originally by Oscar Wilde, adapted by Ian Edington & Ian Culbard

This was a rather short adaptation of the morality tale, so it ended up being more of an introduction than a complete retelling of the story. Some of Wilde’s biting wit made it into the story, but the black and white illustrations were rather simple and cartoonish. I hope that after reading this adaptation, readers will then move onto the original.

Kindred– originally by Octavia E. Butler, adapted by Damian Duffy & John Jennings

I had not read the novel before I read the graphic novel, but it was adapted so well, that I WANT to read the chapter book. Now that’s a sign of an excellent adaptation, that instead of replacing the original, I want to further delve into the story. While not done until after Butler’s death, this version was done with her estate’s permission.

Silent Partner & The Web, originally by Jonathan Kellerman, adapted by Michael Gaydos & Andie Parks

I have been reading author Jonathan Kellerman’s books for years. He has a long running thriller series centered on psychologist Alex Delaware and his cop best buddy Milo Sturgis and the crimes they solve. As the series had been going on 30+ years, I assume the author wants to reach out to a new audience, thus two of his previous novels have been adapted into graphic novels with a third in the works.  However, these versions are HORRIBLE, as the two adapted were were among his early, most convoluted books. This was obviously done with Kellerman’s approval, but has not received the best feedback in other’s reviews.

So what are your thoughts on graphic novel adaptations? Should classics be adapted, once their creator is dead? What about more modern books, done with the author’s permission and collaboration? Discuss!

-Nancy

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