Last Friday, when I reviewed the last volume of Revival, I said “My love affair with Revival has come to a close”. Little did I know that I was wrong- dead wrong. It was announced at the C2E2 Revival panel on Sunday that a live action film is in the works!!! Tim Seeley and Sarah Fisher are writing the screenplay, and Luke Boyce will be directing through Shatterglass Films. Production starts in 2018, with no release date yet.
I am so very excited at this development, and am eager to hear who they will cast for Dana and Em. As for the pivotal role of Dr. McKay, I happen to know the perfect person to play her. I shall patiently await a call from the director 😉
In the meantime, enjoy this teaser trailer that sets the tone for this outstanding supernatural thriller.
The truth has been hidden from Wonder Woman. Who she was, who she is, how she came to be… all are confused and jumbled in her mind. She no longer knows the truth, and she can no longer get back to her home, Themyscira. The way has never been closed to her before, and she is worried. She sets out to find the truth, and who has deceived her so. She needs to get back home, and the only person who might be able to help her is Cheetah. Can she convince Cheetah to help her get home and find the truth? Or are Cheetah’s claws too sharp?
I must confess I haven’t read any New 52 WW after Azzarello and Chiang, so I was going in a little blind. I was able to pick things up well enough, though. The art is beautiful: feral and rugged and dark, as if everything was shrouded in mist, obscuring the truth from both us and Diana. We see how human she is here, in her confusion and her overwhelming desire to go back home. She’s not a goddess, not a superhero, not anything else she’s been called… she’s just a woman who wants to go home. I think that is the real power in this story. I look forward to more.
Rucka, Greg, Liam Sharp, and Laura Martin. Wonder Woman (Rebirth, Vol. 1): The Lies. 2017.
My love affair with Revival has drawn to a close. When I discovered the series a year ago, there were six volumes already out, and I eagerly looked forward to the next two volumes as the story came to an epic conclusion.
Volume 7: Forward
There are entirely too many plot threads and characters in this next to last volume for me to imagine them adequately wrapped up in the upcoming final volume. Not only that, we were introduced to a few more…an Amish assassin and her daughter. What???
Now, I really enjoyed the what he/she wanted in life vs what they got storylines. Reality can end up being very different than what you envisioned, so this was great character development for some of the Wausau residents.
General Cale has rounded up the ghosts and continues to keep the Revivers in a holding facility, and it is unclear as to how much she really knows, and the motivations for her villainy. The ending of this volume throws everything into chaos, with many characters on the run. Not many puzzle pieces have fallen into place for me yet, so the ending of this series is anybody’s guess. I look forward to seeing how Seeley and Norton plan on wrapping up this intriguing series and hope that my favorite characters have a worthy conclusion to this mystery.
Volume 8: Just Stay A Little Bit Longer
The last volume was a poignant ending to the complete series, and felt true to the beginning. The series had such a promising start, and while I struggled a bit in the middle wondering where the mystery was headed and the climax was a bit rushed , it came together beautifully at the end.
There was a lot to cover in the conclusion of the series, as General Cale, the splinter militia groups and the escaped Revivers are in the woods and preparing for battle. Dana has finally put together the clues of who killed her sister Em (which made her a Reviver) and confronts that person (I resisted spoiling it for you!). She learns the connection between Em’s dead former lover Professor Weimar, the killer, and yet another character we have met; as the trio that caused the whole Reviver phenomenon.
Dana, the pregnant(!) Em and her killer head to the river to try to rectify the damage and stop the carnage, as death and chaos erupt nearby. Sacrifices are made, yet parting words of love are shared and the uneasy allegiance they had to strike to stop the madness works. The two page spread of an imagined future between two of the characters was so beautiful, that I teared up, and reread it several times simply to experience it’s emotional power again.
A sweet two year flash forward continues to show the resolution of the character arcs, and while one of my favorites didn’t live, their death was not in vain. A tease of a possible continuation of the story concludes this powerful and complex rural noir series.
As icing on the cake, I won a contest to have myself drawn in as a cameo in the last issue, and was thrilled to portray a doctor in two panels in the last pages. I will be talking about this honor and showing people my picture in the book until my dying day. Not only was that opportunity the very coolest, it was in one of my absolute favorite graphic novels!
I will be keeping my eyes out for future work from the skilled team of Tim Seeley and Mike Norton. These talented men created an amazing fictional world that kept me enthralled for a year, for Seeley knew how to create a thrilling series, and Norton’s fantastic illustrations elevated the story to new heights. So, if you haven’t already, read for yourself the entire thrilling mystery!
*Disclosure- The Deluxe Edition Four is not out until May, but I used the cover, as that is how I have organized past reviews. (Look at the hands on the left, for it looks like two hands holding each other- symbolism??)
I admit I haven’t read a whole lot of LGBTQ+ fiction, but I will do my best!
5. Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Simon’s email falls into the wrong hands, and he’s suddenly being blackmailed into playing wingman for the hacker – or both Simon and the boy he’s been emailing (who, by the way, he has a huge crush on) will be outed. A funny story about friendship and family and figuring out who you are.
4. Honor Girl by Maggie Thrash
I spoiled my own post… the official review is coming in 2 weeks! Maggie develops a crush on a camp counselor one summer – a crush that would be innocent enough, if the counselor in question wasn’t also a girl. Heartbreaking and a too-real portrayal of teenage girlhood.
3. Great by Sara Benincasa
A modern retelling of The Great Gatsby, featuring a fashion blogger and a senator’s daughter as the reincarnations of Jay and Daisy, respectively. A fresh take on an old tale with all the sumptuous summer setting and gossip you could want.
A new cult in Gotham is obsessed with Batwoman – and why they do reveals a painful family secret. Batwoman’s sexuality isn’t a surprise to anyone, but her stages of coming out are revealed through poignant flashbacks.
An AU in which DC heroines serve in World War II covertly while their male counterparts are on the front lines. Batwoman is one of the main characters, but feelings bloom between Harley Quinn and Poison Ivy, and it’s hinted there were past relations between Wonder Woman and Mera ;D
Oh boy. This volume was just jam-packed full of goodies
Want to know what Jack’s been up to since he’s disappeared from Fabletown? The answer is here! We also journey back to the Homelands and follow a mysterious man in a blue cloak as he tries to uncover various aspects of the Adversary’s tyranny… and is on a personal quest, as well. And none other than Mowgli and the Arabian fables turn up at the front gate of the Woodlands, causing some hilarious miscommunications and interactions.
There are so many new layers to this story every time I pick up a new book, and it’s so exciting! The world of the Fables expands and deepens with each volume. True characters are revealed in this volume, some heartbreaking and some triumphant. The addition of the Arabian Fables may be my favorite so far!
Willingham, Bill, Mark Buckingham, Steve Leialoha, David Hahn, and Lan Medina. Fables (The Deluxe Edition): Book 5. 2012.
I have picked up this book, read a bit, and put it back down a dozen times in the last year. Not because it isn’t excellent- it most definitely is- but the author’s relationship with her unhappy and distant father is much too similar to mine. This book breaks my heart, and brings up many painful memories for me. But I persisted, and am glad I did.
Author and illustrator Alison Bechdel chronicles her childhood through her early years of college, in a non-linear memoir. The Bechdel family lived in her father’s small hometown of Beech Creek in Pennsylvania, and her father helped run the family funeral parlor. Alison and her younger brothers named the funeral parlor, Fun Home, hence the name of the novel. Her parents were trapped in a loveless marriage, with the father hiding his homosexuality, although as the years wore on his affairs became less and less discreet.
This hiding of his true self shaped him into a bitter perfectionist, whose moods turned his wife into a shell of her former self, and the three children had to forever tiptoe around his outbursts and expectations. When Bechdel enters college, she herself comes out as a lesbian, but has precious little time for her relationship with her father to change and grow with this realization, for her father died soon afterwards in what she suspected was a suicide.
A thread that ran through this book was her father’s love of literature, in addition to Bechdel’s own awakening of her sexuality, that ran parallel to her father’s. References to books such as Ulysses made connections between her and her father, with some overt symbolism that was dark and honest, but a bit forced at times.
The emotionally engaging illustrations were in black and white, and really captured the 1970’s era. Her parent’s grim marriage was subtlety represented, but she also was able to share times of humor and the joys of discovery in her drawings. Some of the illustrations were very graphic, with a sex act and a dead body being drawn in realistic detail, so this book is geared for mature audiences.
Bechdel’s raw autobiography was turned into a musical play that showed on Broadway, and she shared her feelings on that representation of her family in this enlightening nine-panel drawing Play Therapy. That this book, and perhaps the play, can affect people deeply is a testament to the power of family and how it shapes us.
Star Trek Continues is an outstanding webseries that continues directly from the original Star Trek series, picking up where TOS left off, since it had a stated five year mission and only about three years was shown. I gave a long introduction to the characters and actors with a quick recap of the first six episodes on a previous post, so please check it out if you are unfamiliar with this series, or just like to read my older posts!
This fan-created non canon series will be concluding this year, with a total production of eleven episodes. They had hoped to keep on producing episodes (at least thirteen) but a huge court debacle occurred between CBS and another fan-fiction movie, Axanar. CBS felt Axanar was infringing on their Star Trek franchise, and their court case affected other fan series/movies in the Star Trek fan universe. For more information on this long and complicated history check out these blogs: Fan Film Factor and Trek Fan Productions. Both sites are very well written and give much more detail on the ongoing situation than I can, and give a fairly balanced view on the mess.
Episode 7- Embracing the Winds
When TOS originally ran in the 1960’s gender bias was definitely an issue, and this episode addresses that thorny matter. Diana Garrett is appealing to Starfleet that she has been passed over for a promotion to captain a ship. She is brought before a committee to present her case but her angry, don’t question me persona isn’t doing her any favors. To further muddy the issue, allegiances and the patriarchal society of the neighboring aliens Tellarites plays a part in Starfleet’s decision. At first I was upset that Garrett was passed over, but the plot became more nuanced, and you could see she wasn’t the right fit for the position. Her parting statement was a shout out to the TNG episode, Yesterday’s Enterprise, and her supposed granddaughter Rachel Garret, who would captain the Enterprise-C. I did a little bit of nerd math after the episode, and if this episode takes place approximately in the year 2270, and Rachel Garret’s last stand takes place in 2344, it is definitely possible for the two to be family- which I love.
Episode 8- Still Treads The Shadow
A sequel to TOS episode The Tholian Web, the Enterprise crew find the USS Defiant in a new region of space near a worm hole. Expecting the ship to be empty, as the knew the previous crew had killed one another, they are surprised to sense a heartbeat. Beaming on board, they are shocked to find an aged Kirk laying in stasis. How can this be- when their captain is standing next to them?! Once old Kirk is awoken, they discover a temporal rift occurred last time they were on board, leaving one Kirk on board the Defiant, while the other one went back to the Enterprise, not knowing about the duplication. 200 years have passed since this rift, and the computer on the Defiant has become sentient to keep old Kirk company. A visiting old flame of the captain, engineer Rekha Sharma, helps young and old Kirk make programming changes to correct the jealous computer and get the Enterprise to safety as the worm hole is destabilizing.
These last two episodes have been excellent and thought provoking, with complex moral issues and good production values. I dearly hope that last three episodes will be shown to the public, and that the Axanar situation doesn’t affect how CBS looks upon this webseries. While it might be too late for changes in the remaining episodes, one last wish I have for the series would be for them to give more character development to Uhura, Sulu, Scotty and Chekov; they seem to be repeating an issue I had with TOS- they give a lions share of the attention to Kirk, Spock and Bones.
May we enjoy the concluding years of this five year mission! Live long and proper.
Babs kind of has her hands full right now. For one thing, that Calculator guy is hot on her trail again… and he gets a little too close to her real identity for her comfort. The ever-polyamorous Ollie has proposed marriage to Dinah, and what kind of friend would she be if she didn’t try to talk her out of it? Huntress has gone off the rails again and Lady Blackhawk has gone MIA after the death of an old friend… how can Barbara possibly keep it together?
This volume was quite a bit thinner than the last, and the story skips around a lot. This part of the arc takes place between a few events like The Death of the New Gods. As it is, I think there were a lot of disjointed elements in this book and none of them really came together to create a whole story. It just seemed… so very in the middle, without a clear beginning or end. Most comics are like this but so far there’s been an attempt to start and end each individual story clearly, but this wasn’t the case here.
Bedard, Tony, Nicola Scott, Jason Orfalas, and David Cole. Birds of Prey (Vol. 10): Club Kids. 2009.
I truly do not know where to start on reviewing this book. My two favorite comic book gurus at Graham Crackers counseled me not to purchase this title, but I didn’t heed their warning. I should have listened!
WhenCivil War came out, it was an excellent story on moral responsibility, civil liberties and national security plus it tied in with current events such as the Patriot Act. This second story is all about profiling, which certainly is an issue right now with the world’s fight on terrorism, but is done so in such broad strokes as to lose it’s message.
Before I get started on the plot, I want to first say the artwork by Marquez and Ponsor is excellent, and actually is better quality than the first Civil War book. The coloring is rich, and the faces are realistic with the body types drawn more appropriately instead of unrealistic proportions than some artists do when they depict superheros. But there were some editing choices that puzzled me. There were some cool two page spreads, but some were used several times over. When the story was in issue format, they obviously liked some pictures enough to include them in different issues, but when collected into graphic novel form, they should have eliminated the redundancy. Plus, the front cover fell prey to a recurring Marvel problem – it doesn’t match the story. The wrong Spiderman costume was drawn in (Miles was in this book, not Peter), and Quill from Guardians of the Galaxy is shown on Iron Man’s side when he was actually on Captain Marvel’s side.
Quick plot recap with some spoilers: A new Inhuman, Ulysses, emerges with the ability to see into the future. When he warns the Inhumans and Avengers that he saw a vision about the villain Thanos attacking, they are able to be proactive and are ready for him, thus thwarting a greater disaster. A hero dies, and Iron Man and Captain Marvel take different sides on whether Ulysses’s warnings are truly accurate, and if they should be used to prevent future crimes. Iron Man accuses Captain Marvel of profiling, while she feels it is more important to keep everyone safe no matter what it takes. Heroes take sides, and battles ensue. More deaths occur, with a showdown regarding how free will and one’s motives affect the possible threads of the future.
While there were some good moments with clever dialogue and the debate about the Hulk/Hawkeye issue, the rest of the book just seemed to be a hot mess. A huge problem for me were the tie-in issues that were referenced to but not shown in this volume. I couldn’t possibly keep up with this whole merchandising “event” so I just read this novel, and was confused in spots. In the first Civil War, the X-Men sat out the battle, but in this second story everyone, and I mean everyone, showed up. The split X-Men team (a tie-in explained this, so I had no idea why half the members were with Storm and others followed Magneto), the Canadian Alpha Flight team, the Champions (young Avengers) and the flippin’ Guardians of the Galaxy showed up! What??!
But the biggest problem I had was with Captain Marvel, and her character assassination in this book. Almost all superhero movies revolve around men, with a few token women thrown in as eye candy, so the upcoming Wonder Woman and Captain Marvel movies are very important. Why would they then make her SO unlikable before her chance to shine in a movie????
Now, I am truly hoping some Marvel fans can explain these following questions to me:
When Ulysses was changed into an Inhuman, wasn’t another college student taken too? What happened to her?
What’s the deal with the dog Lockjaw? He got drawn in more than some human heroes, such as Squirrel Girl who I saw in one panel and never again.
Why were heroes on either team? There was no explanation as to why they choose their side.
Do the heroes that died in this story stay dead? Usually everyone comes back somehow and I don’t feel like reading other related issues to find out on my own.
Why is Hank McCoy now with the Inhumans? I’m sure I’ll have more questions if I think longer on the plot, but I need to move on.
I’m disappointed that this story, which should tie in with upcoming Marvel movies, was just not any good. They did no favors to the franchise with how many of the characters were portrayed. A marketing line for the novel, “The Marvel comic event everyone will be talking about” proved true- but not for the reasons they had hoped.